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Literary Schools in the West
Schools
Classicism
Time
1200 B. C.
–
146 B. C.
Representatives
Aeschylus,
Sophocles, Euripides
Aristophanes,
Herodotus,
Thucydides,
Homer,
Sappho,
Pindar
Petronius, Virgil,
Ovid,
Caesar, Cicero
Dante (Latin) is the
last of
the medieval
and the first of
Renaissance because
he is
the first who
wrote both in Latin
and in Italian.
Chaucer
Features
Genres
: plays, epics and
lyrics
Subjects
: Gods,
Goddesses
Aesthetic
ideals
:
order,
logic,
restrained
emotion, accuracy
Greco-
Roman
Culture
146
B. C.
–
476 A. D.
Language
: rhythm, grace,
harmony, roportion
Requirement
: the unities of
time, place, and
characters
Purpose
: serving humanity,
catharsis
Subject
: God, the
Trinity
Genres
: hymns,
lyrics, epics
At
that
time,
only
Latin
is
used
in
literature
because the bible
has only Latin version.
Church
Literature
(Age of Faith)
476 A. D.
–
14
th
C.
Knight
Romance
(Dark Age)
Aesthetics:
freedom
Mid-12
th
C.
–
Mid-13
th
C.
love, individual
Troyes,
Chivalry
: protecting the
weak
Sainte-Maure,
fighting
for the church
Strassburg (France)
being loyal to his lord
respecting
ladies
of
noble birth
Boccaccio, Petrarch
(Italy),
Spenser,
Marlowe,
Shakespeare,
Jonson,
Bacon,
Milton, Dryden
Cowley
Crashaw
John Donne
George Herbert
Marvell
Henry Vaughan
Aesthetic
ideals
: dignity, worldly happiness,
desire
Motif
: man
is the measure of all things.
Genres
: plays, poetry, essay
Subjects
: human
Language
:
V
ernacular
Language
: simple words,
cadence of
common speech
Images
: actual life,
extended metaphors
Form
:
argument
with
God
or
with
himself,
dramatic contrast
(metaphysical
conceits)
a
rebellious
spirit
from
the
conventional
fashion
of
the
Elizabethan love poetry
Form
: continuation of
Renaissance, modeled
after the
classical works
Aesthetics
:
order, restrained emotion, logic,
14
th
C.
–
Humanism
(a
revival of the
17
th
C.
spirit
of
Gods
and
Goddesses
Metaphysical
Poetry
16
th
C.
–
17
th
C.
Neo-Classicism
(Mid)17
th
C.
–
(the
revival
of
18
th
C.
the
Age of
Reason/
Essayists
:
Joseph Addison
Sir Richard
Steele
pattern
of
the
Enlightenment
old
classical
works )
Greco-Roman
works
Samuel Johnson
Poets
:
Alexander Pope
John Dryden
Novelists
:
John
Bunyan
Daniel Defoe
Jonathan
Swift
Henry Fielding,
Playwright
:
Richard Brinsley
Sheridan
accuracy
Ideology
: rationality,
collective, God
Language
:
precision, grace, proportion, unity,
harmony
Subject
:
bourgeoisie, aristocrat
Genres
: essays, novels,
epigrams
Purpose
: for Newly-
Rising Bourgeoisie,
service to humanity
Themes
:
social
and
political
life
of
London,
newly rising
class
’
s struggle for money
Tone
: satiric, encouraging
Prose
: precise, direct,
smooth
Novels
:
type
character,
adventures,
travels,
comic play
Poetry
:
lyrical,
epical,
didactic,
satiric,
dramatic
Drama
:
Heroic
couplets,
iambic
pentameter,
the three
unities of time, space, and action
Aesthetics
: personal emotion
Language
: simple, plain
Subject
s: lower class
Genres
: elegies, travels,
letters
Themes
: dark night,
death, deserted villages
tomb, grief
Tone
: grief, melancholy
Influence
:
paving
the
way
for
the
Gothic
Novels
Gothic Styles
Horace Walpole
(
The Castle of
Otranto
, 1764)
Mathew
Gregory Lewis (
The Monk
)
Charles Robert Maturin
(
Melmoth the
Wanderer
)
Ann
Radcliffe (
The Mysteries of
Udolpho
)
Charlotte
Bront?
(
Jane
Eyre
)
Emily
Bront?
(
Wuthering
Heights
)
Aesthetic Ideals:
Edmund
Burke
―
A Philosophical
Enquiry into
the Origin of Our Ideas of
the Sublime and
the Beautiful
(1757)
‖
He points
out that horror and disaster are
unpleasant and ugly in reality, but in
literature
Sentimentalism
18
th
C.
Poets
:
Thomas Gray
James Thompson
Edward Young
Novelists
:
William Collins
Samuel
Richardson
Laurence Sterne
Oliver Goldsmith
George
Smollet
Mackenzie
Poets
:
Blake
Burns
Southey
Wordsworth
Coleridge
Byron
Shelley
Keats
Essayists
:
Hunt
Quincey
Lamb
Hazlitt
Novelists:
(Late)
18
th
C.
–
“青年
男子哪个
(Mid)19
th
C.
不善钟情
,
青年女
Goethe
’
s
The
p>
子
谁人
不怀春
?”
Sorrows
of
Young Werther
Romanticism
Austen
Walter
Scott
(
1771-1832
)
they can give people
pleasure by shocking
them with the
ensuing tragic effect or thrilling
fear, the effect of which is connected
with
sublimity.
Imagination,
―
a sort of creative
power
‖
Origin
: the knight romance
Aesthetics ideals
: from the
outer world of
social civilization to
inner world of the human
spirit,
overflow of emotion, importance of the
individual, irrationality, harmony
between
man and nature
Political
slogans
:
Liberty,
Equality,
and
Fraternity
Ideology
: Rationalism
The Sun-Never-Set Empire
Darwin
’
s The
Origin of Species
―
The
survival of the fittest
‖
The Shaking of the religious belief
Utilitarianism
Source
: external, objective,
material world
Form
:
setting, plot, typical
Character, chronological narration
Themes: public, social,
poor people
Purpose
:
reflecting the society
disclosing
capitalists
’
cruelty,
fate
of
the
common,
inhuman
social
institutions,
decaying
social morality
Aesthetics
:
based on Aristotle
’
s and
Horace
’
s
Poetic
Theories:
writing,
a
sort
of
mimetikai
technai, imitation
of action
―
Art
for art’
s
sake
‖
―
fin-de-
siè
cle
‖
sentiment
Critical
Realism
sive
ending
comedy
or
tragedy
reason
given,
back-
ground
description
19
th
C.
–
(Beginning)20
th
C.
Poets
:
Afred Tennyson
Robert Browning
Gerald
Manley
Hopkins
Algernon
Charles
Swinburne
Novelists
:
Charles Dickens
William
Makepeace
Thackeray
Thomas
Hardy
George Eliot
Anne
Bront?
Charlott?
Bront?
Emily
Bront?
Mrs Gaskell
Prose Writers
:
Thomas Carlyle
Thomas
Babington
Macaulay
Matthew Arnold
John
Henry
Newman
John
Ruskin
Thomas
Henry
Huxley
Playwright
:
Oscar
Wilde
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