-
英
语
原
版
电
影
鉴
赏
< br>
By Kang Y
ong
The Philadelphia Story
(
费城故事
)
The Philadelphia Story
(
费城故事
)
?
?
?
?
Post-seeing tasks
Questions
for further discussion:
What
’
s the plot
summary of this movie?
Analyze the
characteristics of such major characters
as Tracy Lord
and others or what motivations result
in their characteristics .
?
You can say anything about this movie.
Major Characters:
?
Cary
Grant
………………………………………
..C.K.
Dexter Haven
?
加里
.
格兰特………………………………
.
.
………
C.K.
< br>德克斯特
.
海文
?
Katharine Hepbu
rn
…………
..
……………………<
/p>
...
…
...Tracy Lord
?
凯瑟琳
.
赫本……………………………………………
..
…
.
特蕾西
.
洛德
?
James Steward
…………
................
……………
.Macaul
ay Connor
?
詹姆斯
p>
.
斯图尔特…………………………………
.
………
.
麦考利
.
康纳
?
Ruth Hussey
………
...
...............
…………
.
< br>…
.Elizabeth Imbrie (Liz)
?
鲁思
.<
/p>
赫西……………………………………
.
伊
莎贝拉
.
英布里(莉兹)
?
John Howard
………………
..........................
......George Kittredge
?
约翰
.
霍华德……………………………………
……
..
…
.
乔治
.
吉特里奇
?
Roland Young
………………
................
……
..
…………
Uncle
Willie
?
罗兰
.
扬…………………………………………………………威利叔叔
?
John Hall
iday
…………………
.................
...
………
.
…
.
…
Seth Lord
?
约翰
.<
/p>
哈利迪………………………………………………
...
…塞思
.
洛德
?
Mary Nash
………
.....................
………
..
……………
.Marga
ret Lord
?
玛丽
.
纳什………………………………………………
..
玛格丽特
.
洛德
< br>
?
Virginia Weidler
………
...........................
…………
..
…
.Dinah Lord
?
弗吉尼亚
.
韦德勒……………………………………
..
< br>………
.
黛纳
.
洛德
?
Henry Daniell
……
..
............
……………………………
.Sidn
ey Kidd
?
亨利
.
丹尼尔……………………………………………
.
.
…
.
西德尼
.
基德
The Philadelphia Story
(
费城故事
)
?
Plot Summary
?
Philadelphia
heiress Tracy Lord throws out her playboy husband
C.
K. Dexter Haven shortly after their
marriage. Two years later, Tracy
Lord
prepares to marry
again
…
however, in the days
before her
wedding, Haven and a
reporter, posing as her
brother
’
s friend, show
up at her doorstep. From there, Tracy
is forced to choose among her
past
love, her present love, and her new love.
情节梗概:
?
p>
费城女继承人特蕾西
.
洛德结束了她与花花
公子
C.K.
德克斯特
.
海文的短暂婚姻生活。两
年后,特蕾西
.
洛德准备再婚……然而,在她婚礼前的几天,海文和一个记者佯装成她
哥哥
的朋友,出现在了她家门口。从那一刻开始,特蕾西
.
洛德不得
不面对她的旧爱新
欢并做出抉择。
?
三男一女多角恋爱的角逐
?
(Triangle love
or Multi-angle love)
Trivia
?
The film was
shot in eight weeks, and required no retakes.
James Stewart (Macaulay
Connor) thought
of hiccupping in the drunk scene himself, without
telling Cary Grant
(C. K. Dexter Haven
). When he began hiccupping, Grant turned to
Steward saying,
“
Excuse
me.
”
the scene
required only one take.
?
花絮:
?
电影只用了八个星期就完成了拍摄
,并且没有重拍。那场醉酒后“打酒嗝”的戏是詹
姆斯
.
斯图尔特即兴想出来的,他并没有提前告诉加里
.
格兰特。因而在拍摄时,当他开
始打嗝,格兰特(惊讶地)转过身来对他说了一句:
“不好意思。
”那场戏一条便过。
With director George Cukor on board,
Katharine Hepburn
’
s first
choice of co-star, Clark Gable, was
never going to be a possibility, Gable
had had Cukor fired from directing Gone
with the Wind (1939) because he
detested the
director
’
s obvious
homosexuality.
p>
据导演乔治
.
丘克透露,在这部戏中凯瑟琳
.
赫本最初希望合作的男明星克拉克
.
盖博完全
不在他的考虑范围之内。因为早在执导《乱世佳人》<
/p>
(
1939
年)时,盖博就炒了丘克的鱿
鱼,因为他厌恶导演明显的同性恋倾向。
Cary Grant (C. K. Dexter
Haven) demanded top billing and $$100,000
salary-a huge amount at the time. As it
transpired though, he donated his
entire earnings to the British War
Relief Fund.
加里
.
格兰
特不仅要求在这部电影中领衔主演,
同时还提出了
10
万美元的片酬要求-这
在当时可是笔巨款。但有消息透露,他将收入全部
捐献给了英国战争救济基金会。
One
of the goofs in this film: When Mike is outside
the library, there
are no columns
outside, but when he enters, the shot from inside
the
library shows one.
电影中
有一个这样的穿帮镜头:当迈克在图书馆外的时候,外面并没有圆柱。可当他走
进图书馆
,从里面望出去时,却有根柱子立在那里。
Annotations
(注解)
The Former Part
my
eye
:
completely untrue or
nonsensical
瞎说;胡说
sort of
:
to some
extent
;
in some way or other
有几分,有点儿
apt to:
likely or having a tendency to do sth
易于做某事;有做某事的倾向
live up to: behave in accordance with
sth
依某事物行事;表现出符合某事物的标准
between ourselves: secretly
私底下
dirty sth
up
:
make sth dirty
把……弄脏
get
it
:
understand
明白;理解
on
impulse
:
suddenly and without
previous thinking or
planning
一时冲动,心血来
潮
an
absolute
rat
:
(
informal
)
a
despicable
,
sneaky
person
,
especially
one
who
betrays
or informs upon associates
卑鄙小人;令人生厌的人,尤指出卖或背叛朋友的人。
fall for
sth
:
allow oneself to be
persuaded by sth
,
esp
unwisely
相信某事(尤指
不明智)
fall for sb
:
be
attracted by sb
;
fall in love
with sb
被某人所吸引;爱上某人
in the pink
:
in
perfect condition
;
extremely
healthy
非常健康,状况极佳
best
man
:
male
friend
or
relative
of
the
bridegroom
who
supports
him
at
his
wedding
伴郎,男宾相
on
account of
:
because of
由于……
down
< br>-
to
-
earth
:
practical
,
sensible
现实的;实际的
d
og
:
(
informal
)
a person
家伙
make
out
:
understand
go
for
:
be fond
of
;
like
喜欢
(
ri
ght
)
up
one
’
s
street
:
(
informal<
/p>
)
within
one
’
s
area of
interest
,
knowledge
,
etc
在某人的兴趣、知识等范围内;正合适
banshee
:
female
spirit with a distinct
wail
,
thought by some to warn
of death in
a house
报丧女妖
a
tower
of
strength
:
person
who
can
be
relied
on
for
protection
,
strength
or
comfort
in
time of trouble
危难时可依赖的人;靠山
lord and
master
:
husband
inasmuch
as
:
because
gyp
:
cheat
骗子
hike
up
:
to raise
提起
The Latter Part
the
dickens
=
the
Devil
用以加强语气,尤其用于疑问句中
Wh
at/Who/Where the
dickens
is
that
?到底是什么
/
谁
/
在哪儿?
coals
to Newcastle
:多此一举;徒劳无功
doggone
:
Damn
shoot
:
(
sla
ng
)
to begin
talking
(
often used in the im
perative
)
(
俚语
)
开始说
(常用于祈使句)
eye
-
opener
:
sth surprising
go through
with sth
:
do sth necessary to
complete or take
进行完,参加
no dice
:
(
slang
)<
/p>
no agreement
bright
(
sth
)
up
:
(
cause
sth/sb
to
)
become
brighter
,
more
cheerful
or
more
hopeful
(使某物或某人)焕发出光彩,更愉快或更有希望
pincher
:小气鬼
in sb
’
s
pocket
:
be very close to
intimate
with sb
与某人很亲密
nu
mber
:
(
slang
)
a person or thing with
special
characteristics
come
along
:
appear
cheek
:
impudence
脸皮厚,厚颜无耻
straight out
:
fran
kly
;
without hesitation
pop up
:
appear
suddenly
come to
one
’
s
sense
:
stop behaving
foolishly or irrationally
明白过来,不再做傻事
in
good shape
:
in good condition
状态很好
be through
with
:
have finished
straight
off
=
right
off
:
without hesitation or
delay
毫不犹豫
Let
bygones be bygones
:过去的就过去吧;既
往不咎
Suggested AFTER
Viewing Activities:
1.
Have students
written a movie review for THE PHILADELPHIA
STORY
.
They should include a
basic plot summary. In addition, students should
analyze the literary, dramatic and
cinematic elements of the film, such
as
plot (was it simple, complex, realistic,
convoluted); dialogue; acting;
sets;
costumes; and makeup, if significant. Remind
students they need to
support their
evaluations with evidence from the movie.
2.
Have students written love letters or
admiring letters, from one
character to
another. Discuss the possible exchanges: 1) Dexter
to Tracy
or vice versa, 2) Macaulay to
Tracy or vice versa, 3) Elizabeth to
Macaulay or vice versa, 4) George to
Tracy, 5) Uncle Willie to Elizabeth,
6)
Seth Lord to Margaret Lord or vice versa.
The review of this film
REVIEW ONE:
Preparations for the wedding are in
full swing. Tracy Lord (Katharine
Hepburn) thinks that she's found just
the man for her, George Kittredge
(John
Howard), after her earlier failed union with C.K.
Dexter Haven (Cary
Grant). The ceremony
looks as if it could be a bit empty though since
Tracy hasn't invited her father Seth
Lord (John Halliday) or C.K. while her
little sister still prefers C.K. over
George. However, unknown to her, C.K.
is planning to attend -- with a little
surprise. Knowing just how much
Tracy
detests publicity he is planning to smuggle two
reporters into the
wedding, although
there's also the small matter of blackmail by the
smutty magazine's editor. The so-called
friends are Macaulay Connor
(James
Stewart), a writer, and Elizabeth Imbrie (Ruth
Hussey), a
photographer.
When all three arrive
suddenly, the day before the wedding, the Lord'
are justifiably suspicious and soon
realize the truth. However they must
keep up the pretence due to blackmail
involving Seth, who also turns up
unannounced. The scene is thus set for
some memorably amusing
scenes,
especially when C.K. and Tracy are alone together.
Knowing
each others weaknesses they
continue to verbally spar, throwing insults,
witty rejoinders and catty remarks in a
hailstorm of words. Underpinning
this
is the knowledge that they still care for each
other whatever their
respective flaws.
An example is that both C.K. and Seth remark that
Tracy is like a goddess; all looks,
perfection and invulnerability but with
no heart or ability to understand the
weaknesses of others. Tracy
recognizes
this and longs to change, to the extent that when
she flirts
with Macaulay we see only
human qualities.
Events reach a climax at the pre-
wedding party where Tracy gets
gloriously drunk (although -of course
she doesn't drink!) and realizes that
George also visualizes her in an ivory
tower. Flirting even more with
down-to-
earth Macaulay we see how well they fit together,
although
Macaulay avoids further
problems by leaving the party to visit Dexter.
Here he provides the ammo to out-
blackmail his scheming editor and
winds
up leaving with Tracy, who arrived with Imbrie
after an argument
with George
(complicated!). Their alcohol-fuelled emotions run
away
with them somewhat leading to some
revealing moments when both C.K.
and
George arrive. The aftershocks reverberate the
next day, at the
wedding, with
unexpected consequences.
This movie is, simply, one of the great
comedies. The dialogue is
electric,
immensely funny, penetrating and moving -- not a
single word is
wasted. Coupled with
this script are several outstanding pieces of
acting
by the well chosen cast - so
good that it's difficult to choose the best
performance - with Stewart especially
memorable. Almost every moment
works,
although scenes involving Seth seem a little out-
of-place in
today's
would
recommend this film to all as a well-paced, verbal
comedy lifted by
actors in their prime.
REVIEW TWO:
Its witty dialogue, romantic
complications, and class-skewering
satire are hallmarks of screwball
comedy, but George Cukor
’
s
classic
The Philadelphia Story
doesn
’
t turn on absurd
situations, outlandish
behavior, or
unpredictable plot twists. Instead,
it
’
s a more mature and
humanistic social satire, a comedy of
manners skewering every kind of
snobbery: not only the class-based
snobbery of the rich against the poor
—
and the poor
against the rich
—
but also the intellectual snobbery of
the literate against the popular, and
above all the moral snobbery of the
self-righteous against the imperfect.
Like the heroines of The
Awful Truth and His Girl Friday, Katherine
Hepburn plays a
divorc
é
e caught between
flawed ex-husband Cary Grant
and a
respectable but somehow unsuitable
fianc
é
(John
Howard). But
The Philadelphia Story
goes beyond the formula by throwing in surprise
contender Jimmy Stewart as a
disgruntled novelist-reporter
—
an
unexpected source of conflict and
uncertainty that eliminates the need
for Grant to resort to the underhanded
tricks he needed to show up his
rivals
in Awful Truth and Girl Friday. Hepburn shines in
the role she
originated on Broadway,
and Stewart won his only Oscar for his terrific
performance.
REVIEW THREE:
No self-
respecting film snob would speak ill of
George Cukor's
classic romantic comedy The
Philadelphia Story, with its three major
stars (plus the overlooked Ruth
Hussey), rat-a-tat dialogue, hairpin
plotting, and delightful humor. And so
it's my turn -- what have I got to say
for myself?
Not much that
hasn't already been said. I fall in line with the
conventional
wisdom that Philadelphia
is one of the smartest comedies you'll find. At
the film's opening, C.K. Dexter Haven
(Cary Grant) and Tracy Lord
(Katharine
Hepburn) are seen in the midst of their breakup.
Fast-forward
a few years and Tracy's
engaged again, and Dexter shows up with two
Spy magazine reporters (James Stewart
and Hussey), determined to
throw a
wrench into things.
It doesn't take long before
Stewart's Connor has fallen for Tracy,
Tracy's got three guys to choose from,
and everyone's dead drunk on the
day of
the wedding.