-
Catalogue
Chapter 1Chinese and western dress
………………………………………
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p>
..1
1.1 The different features
of
Chinese and western dress………………
..
……………
.1
1.2
Why
people
wear
clothing
…………
…………………………………………
....2
1.2.1
The functional
reason
………………………………………………………
3
1.2.2
The
social
reason
…………………………………………………………
3
Chapter 2
Cultural differences between Chinese and western c
lothing
.......
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.
.3
2.1
D
< br>esign………………………………………………………………………
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p>
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3
2.2
Color
……………………………………………………………………………
..4
2
.3 Pattern and
ornaments……………………………………………………………
5
2.4
Material
……………
………………………………………………………………
5
Chapter
3
An
analysis
of
Chinese
and
western
dress
culture
………………
..9
3.1
Geographical
environment………...………………………………………………
9
3.2
The historical
reason………………………………………………………………
9
3.3 The p
olitical
reason………………………………………………………………
10
Chapter
4
Chinese
and
western
dress
aesthetic
culture
and
dress
concept
……………………
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.
……
..12
4.1 Dress aesthetic culture <
/p>
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..
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.12
4.2 Dress concept
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13
Abstract:
Dress
culture
is
a
cultural
phenomenon
unique
to
human
beings.
As
it
has
1
different aesthetic ideas,
different dressing concepts and different dress
etiquette in China
and
west,
it
forms
Chinese
and
western
dress
culture
of
the
different
connotation
and
characteristics. This
thesis is divided into four major sections. The
first part describes the
different
features of Chinese and western dress and why
people wear clothing. The second
part
describes
cultural
differences
between
Chinese
and
western
clothing.
The
third
part
gives an analysis of Chinese and
western dress culture. The last part describes
Chinese and
western dress aesthetic
culture and dress concept. Based on the analysis,
the thesis finally
draws
a
conclusion.
Chinese
and
western
dress
culture
each
has
rich
connotation
and
distinct
characteristics, which are precious cultural
legacy which is left by human ancestors
and are the world culture heritage. At
the same time, we treasure our own civilization of
five thousand years instead of
belittling ourselves. It is significant to promote
and develop
our
unique
costume
culture.
We
are
confident
and
make
contributions
to
realizing
the
rejuvenation of our Chinese nation and
enriching the clothing culture of the whole world.
Key words:
Chinese and western clothing; culture
p>
;
differences
;
aesthetic culture and
clothing concepts
摘要
:
服饰文化是人类特有的文化现象。
由于中西方各民族的审美观念、
着装理念和
服饰礼仪的不同
,
从而形成了不同内涵、
不同特色的中西方服饰文化。
本文共分为四
部分。
第一部分主要介绍了中西服
饰的不同特征以及为什么人要穿衣服,
第二部分写
中西方服饰的
差异,
第三部分写导致中西方服饰文化差异的原因,
第四部分则
写中西
方服饰审美文化和着装理念。
通过以上简单的论述,
p>
最后得出结论,
中西方服饰文化
各具有丰富
的内涵和鲜明的特色,
她们都是人类祖先留下来的宝贵文化遗产
,
是世界
文化的瑰宝。与此同时
,
p>
我们应该珍惜自己五千年的文明而不是贬低自己的文明。促
进和发展
我们独特的民族服饰文化具有重要的意义。
为了实现我们中华民族的文化复
兴和丰富整个世界的文化,让我们自信起来吧!
关
键词
:
中西服饰;文化;差异性;审美文化与着装理念
2
Introduction
Costume
culture,
carried
by
costume,
is
a
respect
of
our
physical
and
spiritual life and a mixture of our
psychological activities like consciousness,
emotion,
idea
and
ideal.
The
rapid
development
of
advanced
technology
makes multiculturalism stand out and
also makes conflicts between China and
the
West
increase.
In
that
case,
it
becomes
more
and
more
important
to
recognize the similarities and
differences of costume culture between China
and the West.
Nowadays, the
whole world is, to some extent, dominated by the
western
costume
culture,
which
has
wound
its
way
into
the
daily
life
of
the
whole
world,
together
with
technology,
life
style
and
values
from
the
West.
Quite
popular
in
China,
it’s
nominally
called
“internationalization”
or
“globalization”. In
recent years, the costume industry of China has
developed
swiftly. The “international”
costume, featured by the western costume culture,
has become a pretty important part of
our daily life.
However, as our economy
takes off, international status rises and living
standard
improves,
a
wave
of
national
costume
culture
resurgence is
rising.
Moreover,
people
from
the
West
pay
more
and
more
attention
to
the
giant
dragon in the
East
——
China. Western costume
designers constantly introduce
Chinese
costume cultural elements to their latest designs.
Those phenomena
arouse a series of
thoughts: what distinguishes Chinese costume
culture from
the
western
one?
Are
there
any
similarities
between
them?
What
kind
of
costume
culture
will
we
Chinese
hold
as
the
mainstream
in
the
future,
the
so-
called “international”
western one, the Chinese one or the
fus
ion of the two?
To
obtain
the
answers
to
these
questions,
we
are
supposed
to
study
and
contrast
carefully
the
characteristics
and
developing
processes
of
them,
and
then draw some regularity.
To
contrast
the
costume
culture
between
China
and
the
West,
it
is
necessary
for
us
to
master
a
good
knowledge
of
the
Chinese
and
western
costume cultural
characteristics.
3
Chapter 1 Chinese and western dress
1.1 The different features
of Chinese and western dress
China is
known as “Xia” as it’s a land of propriety, and
it’s also known
as “Hua” with the
beauty of its costume.
(
①
《
左传
》
p83)
Our national costume
is Hanfu. It
originated in the Yanhuang era, formed in the
Spring and Autumn
Period
and
officially
took
form
in
Han
Dynasty.
That’s
the
reason
why
it’s
called “Hanfu”. Since
then, in spite of historical evolutions of all
ages, their
basic characteristics have
never changed. Hanfu, on the whole, can be divided
into four developing stages: Zhou Han
Hanfu, Wei Jin Hanfu, Sui Tang Hanfu
and
Song
Ming
Hanfu.
Zhou
Han
Hanfu
was
featured
by
dignity
and
simplicity,
while
Wei
Jin
Hanfu
by
chic
and
elegance,
Sui
Tang
Hanfu
by
dignified,
graceful,
elegant
and
poised
style.
Hanfu
in
Song
and
Ming
Dynasties epitomizes the
characteristics of the past-simple, dignified,
elegant,
etc.
In
Qing
Dynasty,
Hanfu
was
forbidden
by
the
government
and
disappeared from the land of China.
The main features of Chinese clothing
are focusing on
the right
collar’
s
overlap, the
band deducted hidden,
big
sleeves,
no buttons
and
using string
binding, giving the impression of free
and easy flowing. These characteristics
are obviously different from those of
other ethnic costumes. Hanfu is divided
into uniform and common clothing. With
strict standards, uniform is dressed
on
formal occasions while the common clothing,
without long sleeves, is very
convenient to people’s daily
life.
However, the western
clothing is different form the Chinese clothing.
The
West
belongs
to
Marine
civilization,
it
emphasizes
the
subjective
and
objective
separation
and
that
we
should
rationally
treat
clothing,
advocate
releasing
personality, stress dress effect and be good at
showing beautiful the
posture of the
body. Besides, we use various clipping, color
collocation means
to perfect bodily
curve and give a person with visual comfort in the
modeling.
A suit, also known as a
business suit, comprises a collection of matching
clothing
consisting
of:
a
coat
﹙
commonly
known
as
a
jacket
﹚
,a
waistcoat
﹙
optional
﹚﹙
USA
vest
﹚
for men, a pair of
trousers
﹙
USA
pants
﹚
, or for
women, a shirt or trousers. A suit is
generally accompanied by torment, a shirt
and tie or for women, a blouse.
1.2 Why people wear clothing
4
Chinese people are concerned more about
its social function of helping
to rule
a country well than that of keeping warm or
decorating. It has a lot to
do with
ruling a country to regulate the dressing way of
the common people.
Nevertheless,
the
westerners
pay
more
attention
to
its
wealth
value
and
function. Therefore, people put on
clothing for functional and social reasons.
1.2.1 The functional reason
The
first
use
of
clothing
is
to
resist
the
cold
and
cover
the
body.
Functions
of
clothing
include
providing
the
human
body
protection
against
extremes
of
climate
(extreme
heat,
icy
winters,
and
drenching
storms)
and
protection
against
insects,
noxious,
chemicals,
and
contact
with
abrasive
substances.
In
sum,
clothing
protects
human
beings
against
anything
that
might injure the naked, unprotected
human body.
1.2.2 The
social reason
Clothing
also
delivers
social
messages
to
other
humans.
Social
messages
sent
by
clothing,
accessories,
and
decorations
can
involve
social
status, occupation,
ethnic and religious belief, marital status,
cultural degree
and
sexual
availability,
etc.
For
example,
only
Roman
citizens
can
wear
“Toga”
in
Rome
while
dragon
robe
can
only
be
dressed
by
the
emperor
in
China.
5
Chapter
2
Cultural
differences
between
Chinese
and
western
clothing
As
the
saying
goes
:
rely
on
apparel,
beauty
relies
on
good
make-up
performance - it will
be different.
Chinese
clothing
culture
differs
from
western
clothing
culture
in
the
following aspects.
2.1
Design
The
Chinese
style
is
decided
by
the
unique
Chinese
culture
and
the
Oriental body feature. As the
cu
rve of we yellow race’s body is not
so obvious,
and
Chinese
are
fastidious
about
self-respect,
implicitly
and
the
doctrine
of
the
mean,
our
clothing
is
a
straight
overall
with
wide
coat
and
fat
sleeves,
which
emphasizes
plane
design.
Men’s
wear
is
a
one
-piece
robe
while
women’s
wear
is
a short
Chinese
-style
jacket
and
a long
skirt.
The
western
style
is
determined
by
the
western
aesthetic
thought
of
pragmatism
and
nationalism
and
the
white
race’s
body
structure.
Their
body
curve
is
pretty
sharp.
Stressing scientific nature, the western clothing
is in keeping with the
law
of
motion.
Its
semi-stereoscopic
designed
with
muffs,
puckers,
etc.
Besides,
it
advocates
individuality
and
physical
beauty.
Various
kinds
of
designs
sharply revealed the body line. Men wear a suit of
coat and trousers
while women wear a
one-piece dress. In a word, Chinese costume
culture is a
“covering” one while the
western one is a “revealing” one.
2.2 Color
Chinese
clothing
color
lays
particular
stress
on
ethic
and
asks
for
maintaining social order, but western-
style clothing color lays particular stress
on
emotion
and
pays
attention
to
psychological
adjustment.
The
most
important factor is the color element
of clothing. Clothing color falls into two
colors which are the pure color and the
secondary color in ancient China. The
pure color is blue, yellow, red, white
and black, the other colors are secondary
color, and it provides that:
"
The upper garment is the
pure color, the under
garment
is
the
secondary
color.
"
(
②
《
礼记
·
玉藻
》
)
Darker
colors
were
favored over lighter
ones in traditional Chinese clothing, so the main
color of
ceremonial clothing tended to
be dark while bright. Lighter colored clothing
was worn more frequently by the common
people for everyday. Chinese are
6
said to have a
fully
developed
system
of
matching,
coordinating
colors and
shades of light
and dark in clothing.
People
in
ancient
China
also
use
different
colors
of
clothing
to
distinguish people’s identity. The
black color was regarded as the one of the
Celestial
Ruler
Supreme
God
to
rule
everything.
So
in
the
Xia
Shang
and
Zhou Dynasty, the clothing was mainly
black. With the development of the
feudal Unitarianism, people began to
adore the ground (yellow) instead of god
(black).
So
it
formed
the
rulers
in
ancient
China
believed
in
the
theory
of
“Five
Element”.
They
though
the
blue,
red
yellow,
white
and
black
represented respectively five elements
of the wood, fire, earth, gold and water.
“Yellow, regarded as the noblest,
symbolized the east
;
red, the
south
;
white
,
the west;
and black, the north.
These five colors were “principal colors,” and
in
some
dynasties
were
exclusive
to
the
garment
of
emperors
and
officials,
Common people
were allowed to wear only secondary
colors.”
(
③
Zhi 73)
This
system of clothing colors had
lasted to the Qing Dynasty and the yellow robe
had been the symbol of imperial power
all the time. The red color is regarded
as
an
auspicious
color.
While
having
a
happy
event,
such
as
wedding,
the
bride
and
bridegroom
will
wear
red
clothes
and
shoes
in
ancient
China
to
show
their
happy
feelings
and
wishes
for
good
luck.
Today
Chinese people
still tend to
choose red color on happy occasion.
However, in the western countries, the
red color is too showy to be sexy.
The
white and purple are more popular. White
symbolizes purity, innocence
and
justice,
purple
means
nobility.
At
weddings,
the
bride
will
wear
white
wedding grown to
symbolize her purity and nobility. In the medieval
period,
the colorful windows of the
unique church were decorated splendidly to guide
people to the heaven. So the designs
with religious colors are adored. Jesus
teaches in a blue garment, and the
Virgin Mary is usually depicted in a blue
mantle. So, blue is considered as the
color for the spirit and the intelligent. It
is loved by many western people.
2.3 Pattern and ornaments
The
former
emphasizes
color
matching,
pattern
design,
the
effect
of
embroidery and the change of the
clothing’s front piece, collar, sleeves, and
buckles
and
so
on.
Representing
the
Chinese
writers’
ideal
spirits,
plum
blossom, orchid, and chrysanthemum and
pine tree can be commonly seen on
7
Chinese
clothing.
Among
all
ornaments,
the
jade
is
the
most
popular
one.
However,
the
latter
pays
more
attention
to
the
lace
and
embroidery
of
the
neck, chest and sleeves. The patterns
are mostly regular pomegranate grains
and water chestnut lines. Its layout is
symmetrical, modeling full and colors
gorgeous.
The
female attire is usually decorated with jewelry
like pearls and
diamonds. Besides, the
hat and gloves are indispensable ornaments. For
men,
a hat and a walking stick are
enough.
2.4 Material
The relationship of human
to nature is also reflected in the choice of the
materials. During the Stone Age,
Chinese invented the bone awl and the bone
needle
and
created
primitive
clothing
with
the
aid
of
these
tools.
Approximately
5000
years
ago,
China
was
in
the
Neolithic
Primitive
agriculture
and
the
textiles
industry.
At
first
people
use
plant
fiber,
such
as
linen,
ramie,
etc.,
and
animal
fibers,
such
as
wool
to
weave.
Later
they
discovered how to raise the silk worn
and spin silk, and the pure silk clothes
were liked by many Chinese people,
especially the wealthy. It is a symbol of
their
social
status.
Silk
is
a
great
contribution
to
human
life
from
Chinese
people, so it is
impossible to talk Chinese clothing culture
without silk.
Different
from
silk
culture
in
China,
flax
culture
prevails
in
ancient
Egypt,
wool culture prevails in the Mesopotamia and
cotton culture prevails
in
India.
Ancient
Greece
and
Ancient
Rome
have
no
pioneering
work
in
materials, and they imports flax and
wool cultures from Mediterranean coasts
and
Upper
Paleozoic
civilizations.
As
for
silk,
although
ancient
Rome
has
touched
silk from Far East through Silk Road in 138 BC,
they were never able
to
understand
the
mysteries
of
this
beautiful
fabric.
Lately,
they
known
the
secrets
of silk from two missionaries send to China by the
Byzantine Empire.
Then
one
century
later,
the
first
silk
is
produced
in
Byzantine
Empire,
but
Europeans produced first
silk until the Italian Renaissance in 13-14
century.
In a word, Chinese clothing
prefers silk, cotton, linen and co-hemp while
the western one tends to use flax,
wool, cotton and velvet. The silk is one of
the contributions China has made to the
world. “W
e westerners have received
too much from the Chinese.”
(
④
法国服装设计师伊夫
·
圣
·
洛朗,
中国美术馆
举办作品回顾展时的前言,
1985
年
5
月
﹚
The former adopts basting,
hand
needle and patch while the latter
pays more attention to adapting to clothing’s
8
function in sewing craft.
2.5 Structure and Modeling
“
The
elegant
line
depends
primarily
on
the
structure
of
purity
and
refine
ment.
”(
⑤
Yves
Saint
Laurent
)
It
reflects
that
the
structure
is
very
important for clothing. The structure
of Chinese-style costume is completely
planar,
straight
and
comfortable.
However,
the
structure
of
Western-style
dress is
stereo split type and suitable the body.
Chinese and western dress
is designed by different body posture. So
it
forms
different
structure.
From
the
system
of
ancient
deep
clothing,
traditional
Chinese
clothing
had
adopted
the
structure
of
human
body
that
opened his hand flat and split his legs
lightly. Therefore, the tailored clothing
is
straight
line,
whole
chip
and
flat-screen.
It
is
straight
and
comfortable,
simple and
handy and also good for work. Dressed in Chinese-
style costume,
you may fell very
convenient. The structure of Chinese clothing
feature is that
there is no shoulder
seam on the shoulder, a thread links the front
dress to the
back garment and even
sleeves are also out of the body. If the width of
fabric
is not wide enough, then add
sleevelet at both sides of the sleeves. So there
is
no “outside sleeve” in
Chinese
-style clothing. That word is
replaced by
“
chu
shou
”
which are
starting from the middle of the body to the size
of the palm.
According to the
measurement of western-style clothes, the size of
“
chu
shou
”
including
two
parts
data
that
half
shoulder
and
the
length
of
upper
limb.
Because western-style
clothing emphasizes that it fits body type and
thus the
structure
of
clothing
is
more
complex.
It
designs
collar,
clothing,
sleeves,
trouser legs and other main parts with
some of its subsidiary, constitutes the
whole clothing and pants by the body
structure's trunk, upper and lower limbs
in
all
parts.
While
each
of
the
major
components
is
in
accordance
with
the
body contour's length,
short and thickness, composes irregularly tubular
form
and
so
on.
Such
as
the
coarse
chest
circumference,
hipline
and
smaller
waistline,
smaller
collars,
clothing
constitutes
irregularly
tubular
body
and
ring-shaped
collar.
Western
clothing
is
a
fragmented,
curve-shaped,
three-
dimensional
clothing,
its
most
notable
feature
is
the
shoulder
seam,
sleeves, the front of clothing and the
back of garment are separate, the whole
garment
is
consist
of
many
pieces
of
garments
.
And
the
outline
of
the
garment is the arc-
shaped or curve-shaped, as for coat, its chest
circumference
9
is loose, waistline is folded, hipline
is release, and shoulders are oblique. The
whole
garment
sculpt
is
full
of
curve
shape,
which
is
undulating
and
three-dimensional structure, and
completely compatible with the human body.
The
structure
of
Western-style
pants
is
completely
different
from
Chinese-style pants. The waist of
Western-style pants is tight, when you wear
trousers, you should open the front,
rear or side, and otherwise you don't wear
them.
Pants
are
split
into
four
pieces
on
all
sides,
both
sides
of
pants
legs
stitch seam, the outlines of pants legs
are designed according to the shape of
hips and thighs, the upside is large
and round, the underneath is narrower and
slightly straight. The back part of
pants is big, but the front part is small. The
appropriate
level
of
Western-style
trousers
almost
wraps
a
material
outside
the body, which
shows the curve of human body. The structure is
very fit, so
western-style trousers are
not wearing before and after.
Chinese
clothing
modeling
is
closed
and
implicative,
western
clothing
modeling is open
and revealed. Some people also regard clothing
modeling as
dress
design
or
style.
In
fact,
modeling
and
style
have
connections
and
differences.
Generally
speaking,
modeling
refers
to
the
contour
of
clothing,
which
is
a
big
picture,
such
as
the
popularly
loose
H-type
or
tight-fitting
X-type.
At
present,
Chinese
people
often
mix
the
clothing
modeling
and
clothing style. It is
the shape of clothing design, but also the
combination of
clothing inside sew and
the decoration of detail. Traditional Chinese
costumes
ask the human body to be
tightly wrapped by the closely collar, wide
clothing,
long sleeves and pants,
skirts, and it seems like a pocket, the human body
is
inside. It is extremely closed,
conservative and dull. For thousands of years, if
it is not up and down separate
bottom
are
always
wrapped
by
leather
gear,
long
clothing
drags
to
the
ground
and
inside
and outside of clothes are overlapping, these are
commonly referred to
as “triple
clothing” or “Five clothing
.
As western dress concept
advocates revealing the human body, focusing
on
self-expression,
and
shows
off
the
beauty
of
its
own.
Consequently,
in
terms
of
clothing
style,
it
becomes
open,
revealing
and varied.
All
types
of
bare,
open styles are still the mainstream of western-
style clothing, all kinds
of large
collar, V-neck, short sleeve and waistcoat sleeves
are frequently used.
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