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毕业论文中西服饰文化差异英语论文

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2021-02-20 14:51
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2021年2月20日发(作者:antara)



Catalogue







Chapter 1Chinese and western dress

< p>
………………………………………


..


………


..1


1.1 The different features of


Chinese and western dress………………

< p>
..


……………


.1



1.2


Why


people


wear


clothing


………… …………………………………………


....2


1.2.1 The functional reason


………………………………………………………


3


1.2.2


The


social


reason


…………………………………………………………


3



Chapter 2 Cultural differences between Chinese and western c lothing


.......


….


. .3



2.1


D

< br>esign………………………………………………………………………


..


……


3


2.2


Color


……………………………………………………………………………

< p>
..4


2


.3 Pattern and ornaments……………………………………………………………


5


2.4


Material


…………… ………………………………………………………………


5



Chapter


3


An


analysis


of


Chinese


and


western


dress


culture


………………


..9



3.1


Geographical environment………...………………………………………………


9


3.2


The historical reason………………………………………………………………


9


3.3 The p


olitical reason………………………………………………………………


10



Chapter


4


Chinese


and


western


dress


aesthetic


culture


and


dress












concept


…………………… …………………………………………………


.


……


..12


4.1 Dress aesthetic culture < /p>


…………………………


..


……………… ………………


.12


4.2 Dress concept


……………………………………………………………………


13










Abstract:



Dress


culture


is


a


cultural


phenomenon


unique


to


human


beings.


As


it


has



1



different aesthetic ideas, different dressing concepts and different dress etiquette in China


and


west,


it


forms


Chinese


and


western


dress


culture


of


the


different


connotation


and


characteristics. This thesis is divided into four major sections. The first part describes the


different features of Chinese and western dress and why people wear clothing. The second


part


describes


cultural


differences


between


Chinese


and


western


clothing.


The


third


part


gives an analysis of Chinese and western dress culture. The last part describes Chinese and


western dress aesthetic culture and dress concept. Based on the analysis, the thesis finally


draws


a


conclusion.


Chinese


and


western


dress


culture


each


has


rich


connotation


and


distinct characteristics, which are precious cultural legacy which is left by human ancestors


and are the world culture heritage. At the same time, we treasure our own civilization of


five thousand years instead of belittling ourselves. It is significant to promote and develop


our


unique


costume


culture.


We


are


confident


and


make


contributions


to


realizing


the


rejuvenation of our Chinese nation and enriching the clothing culture of the whole world.



Key words:



Chinese and western clothing; culture



differences



aesthetic culture and








clothing concepts



摘要


:


服饰文化是人类特有的文化现象。

由于中西方各民族的审美观念、


着装理念和


服饰礼仪的不同 ,


从而形成了不同内涵、


不同特色的中西方服饰文化。


本文共分为四


部分。


第一部分主要介绍了中西服 饰的不同特征以及为什么人要穿衣服,


第二部分写


中西方服饰的 差异,


第三部分写导致中西方服饰文化差异的原因,


第四部分则 写中西


方服饰审美文化和着装理念。


通过以上简单的论述,


最后得出结论,


中西方服饰文化


各具有丰富 的内涵和鲜明的特色,


她们都是人类祖先留下来的宝贵文化遗产


,


是世界


文化的瑰宝。与此同时


,


我们应该珍惜自己五千年的文明而不是贬低自己的文明。促


进和发展 我们独特的民族服饰文化具有重要的意义。


为了实现我们中华民族的文化复


兴和丰富整个世界的文化,让我们自信起来吧!



关 键词


:


中西服饰;文化;差异性;审美文化与着装理念








2




Introduction


Costume


culture,


carried


by


costume,


is


a


respect


of


our


physical


and


spiritual life and a mixture of our psychological activities like consciousness,


emotion,


idea


and


ideal.


The


rapid


development


of


advanced


technology


makes multiculturalism stand out and also makes conflicts between China and


the


West


increase.


In


that


case,


it


becomes


more


and


more


important


to


recognize the similarities and differences of costume culture between China


and the West.


Nowadays, the whole world is, to some extent, dominated by the western


costume


culture,


which


has


wound


its


way


into


the


daily


life


of


the


whole


world,


together


with


technology,


life


style


and


values


from


the


West.


Quite


popular


in


China,


it’s


nominally


called



“internationalization”



or


“globalization”. In recent years, the costume industry of China has developed


swiftly. The “international” costume, featured by the western costume culture,


has become a pretty important part of our daily life.


However, as our economy takes off, international status rises and living


standard


improves,


a


wave


of


national


costume


culture


resurgence is


rising.


Moreover,


people


from


the


West


pay


more


and


more


attention


to


the


giant


dragon in the East


——


China. Western costume designers constantly introduce


Chinese costume cultural elements to their latest designs. Those phenomena


arouse a series of thoughts: what distinguishes Chinese costume culture from


the


western


one?


Are


there


any


similarities


between


them?


What


kind


of


costume


culture


will


we


Chinese


hold


as


the


mainstream


in


the


future,


the


so-


called “international” western one, the Chinese one or the fus


ion of the two?


To


obtain


the


answers


to


these


questions,


we


are


supposed


to


study


and


contrast


carefully


the


characteristics


and


developing


processes


of


them,


and


then draw some regularity.


To


contrast


the


costume


culture


between


China


and


the


West,


it


is


necessary


for


us


to



master


a


good


knowledge


of


the


Chinese


and


western


costume cultural characteristics.






3



Chapter 1 Chinese and western dress



1.1 The different features of Chinese and western dress


China is known as “Xia” as it’s a land of propriety, and it’s also known


as “Hua” with the beauty of its costume.


(




左传



p83) Our national costume


is Hanfu. It originated in the Yanhuang era, formed in the Spring and Autumn


Period


and


officially


took


form


in


Han


Dynasty.


That’s


the


reason


why


it’s


called “Hanfu”. Since then, in spite of historical evolutions of all ages, their


basic characteristics have never changed. Hanfu, on the whole, can be divided


into four developing stages: Zhou Han Hanfu, Wei Jin Hanfu, Sui Tang Hanfu


and


Song


Ming


Hanfu.


Zhou


Han


Hanfu


was


featured


by


dignity


and


simplicity,


while


Wei


Jin


Hanfu


by


chic


and


elegance,


Sui


Tang


Hanfu


by


dignified,


graceful,


elegant


and


poised


style.


Hanfu


in


Song


and


Ming


Dynasties epitomizes the characteristics of the past-simple, dignified, elegant,


etc.


In


Qing


Dynasty,


Hanfu


was


forbidden


by


the


government


and


disappeared from the land of China.


The main features of Chinese clothing are focusing on


the right collar’


s


overlap, the


band deducted hidden,


big


sleeves,


no buttons


and


using string


binding, giving the impression of free and easy flowing. These characteristics


are obviously different from those of other ethnic costumes. Hanfu is divided


into uniform and common clothing. With strict standards, uniform is dressed


on formal occasions while the common clothing, without long sleeves, is very


convenient to people’s daily life.



However, the western clothing is different form the Chinese clothing. The


West


belongs


to


Marine


civilization,


it


emphasizes


the


subjective


and


objective


separation


and


that


we


should


rationally


treat


clothing,


advocate


releasing personality, stress dress effect and be good at showing beautiful the


posture of the body. Besides, we use various clipping, color collocation means


to perfect bodily curve and give a person with visual comfort in the modeling.


A suit, also known as a business suit, comprises a collection of matching


clothing


consisting


of:


a


coat



commonly


known


as


a


jacket



,a


waistcoat



optional


﹚﹙


USA vest



for men, a pair of trousers



USA pants



, or for


women, a shirt or trousers. A suit is generally accompanied by torment, a shirt


and tie or for women, a blouse.


1.2 Why people wear clothing


4




Chinese people are concerned more about its social function of helping


to rule a country well than that of keeping warm or decorating. It has a lot to


do with ruling a country to regulate the dressing way of the common people.


Nevertheless,


the


westerners


pay


more


attention


to


its


wealth


value


and


function. Therefore, people put on clothing for functional and social reasons.


1.2.1 The functional reason



The


first


use


of


clothing


is


to


resist


the


cold


and


cover


the


body.


Functions


of


clothing


include


providing


the


human


body


protection


against


extremes


of


climate


(extreme


heat,


icy


winters,


and


drenching


storms)


and


protection


against


insects,


noxious,


chemicals,


and


contact


with


abrasive


substances.


In


sum,


clothing


protects


human


beings


against


anything


that


might injure the naked, unprotected human body.



1.2.2 The social reason


Clothing


also


delivers


social


messages


to


other


humans.


Social


messages


sent


by


clothing,


accessories,


and


decorations


can


involve


social


status, occupation, ethnic and religious belief, marital status, cultural degree


and


sexual


availability,


etc.


For


example,


only


Roman


citizens


can


wear


“Toga”


in


Rome


while



dragon


robe


can


only


be


dressed


by


the


emperor


in


China.

















5



Chapter


2


Cultural


differences


between


Chinese


and


western


clothing


As


the


saying


goes


< p>


rely


on


apparel,


beauty


relies


on


good


make-up


performance - it will be different.


Chinese


clothing


culture


differs


from


western


clothing


culture


in


the


following aspects.


2.1 Design



The


Chinese


style


is


decided


by


the


unique


Chinese


culture


and


the


Oriental body feature. As the cu


rve of we yellow race’s body is not so obvious,


and


Chinese


are


fastidious


about


self-respect,


implicitly


and


the


doctrine


of


the


mean,


our


clothing


is


a


straight


overall


with


wide


coat


and


fat


sleeves,


which


emphasizes


plane


design.


Men’s


wear


is


a


one


-piece


robe


while


women’s


wear


is


a short


Chinese


-style


jacket


and


a long


skirt.


The


western


style


is


determined


by


the


western


aesthetic


thought


of


pragmatism


and


nationalism


and


the


white


race’s


body


structure.


Their


body


curve


is


pretty


sharp. Stressing scientific nature, the western clothing is in keeping with the


law


of


motion.


Its


semi-stereoscopic


designed


with


muffs,


puckers,


etc.


Besides,


it


advocates


individuality


and


physical


beauty.


Various


kinds


of


designs sharply revealed the body line. Men wear a suit of coat and trousers


while women wear a one-piece dress. In a word, Chinese costume culture is a


“covering” one while the western one is a “revealing” one.



2.2 Color


Chinese


clothing


color


lays


particular


stress


on


ethic


and


asks


for


maintaining social order, but western- style clothing color lays particular stress


on


emotion


and


pays


attention


to


psychological


adjustment.


The


most


important factor is the color element of clothing. Clothing color falls into two


colors which are the pure color and the secondary color in ancient China. The


pure color is blue, yellow, red, white and black, the other colors are secondary


color, and it provides that:



The upper garment is the pure color, the under


garment


is


the


secondary


color.



(




礼记


·


玉藻



)


Darker


colors


were


favored over lighter ones in traditional Chinese clothing, so the main color of


ceremonial clothing tended to be dark while bright. Lighter colored clothing


was worn more frequently by the common people for everyday. Chinese are


6




said to have a


fully


developed


system


of


matching,


coordinating


colors and


shades of light and dark in clothing.


People


in


ancient


China


also


use


different


colors


of


clothing


to


distinguish people’s identity. The black color was regarded as the one of the


Celestial


Ruler


Supreme


God


to


rule


everything.


So


in


the


Xia


Shang


and


Zhou Dynasty, the clothing was mainly black. With the development of the


feudal Unitarianism, people began to adore the ground (yellow) instead of god


(black).


So


it


formed


the


rulers


in


ancient


China


believed


in


the


theory


of


“Five


Element”.


They


though


the


blue,


red


yellow,


white


and


black


represented respectively five elements of the wood, fire, earth, gold and water.


“Yellow, regarded as the noblest, symbolized the east



red, the south



white


< p>
the west;


and black, the north. These five colors were “principal colors,” and


in


some


dynasties


were


exclusive


to


the


garment


of


emperors


and


officials,


Common people were allowed to wear only secondary colors.”


(



Zhi 73) This


system of clothing colors had lasted to the Qing Dynasty and the yellow robe


had been the symbol of imperial power all the time. The red color is regarded


as


an


auspicious


color.


While


having


a


happy


event,


such


as


wedding,


the


bride


and


bridegroom


will


wear


red


clothes


and


shoes


in


ancient


China


to


show


their


happy


feelings


and


wishes


for


good


luck.


Today


Chinese people


still tend to choose red color on happy occasion.


However, in the western countries, the red color is too showy to be sexy.


The white and purple are more popular. White symbolizes purity, innocence


and


justice,


purple


means


nobility.


At


weddings,


the


bride


will


wear


white


wedding grown to symbolize her purity and nobility. In the medieval period,


the colorful windows of the unique church were decorated splendidly to guide


people to the heaven. So the designs with religious colors are adored. Jesus


teaches in a blue garment, and the Virgin Mary is usually depicted in a blue


mantle. So, blue is considered as the color for the spirit and the intelligent. It


is loved by many western people.


2.3 Pattern and ornaments


The


former


emphasizes


color


matching,


pattern


design,


the


effect


of


embroidery and the change of the clothing’s front piece, collar, sleeves, and


buckles


and


so


on.


Representing


the


Chinese


writers’



ideal


spirits,


plum


blossom, orchid, and chrysanthemum and pine tree can be commonly seen on



7



Chinese


clothing.


Among


all


ornaments,


the


jade


is


the


most


popular


one.


However,


the


latter


pays


more


attention


to


the


lace


and


embroidery


of


the


neck, chest and sleeves. The patterns are mostly regular pomegranate grains


and water chestnut lines. Its layout is symmetrical, modeling full and colors


gorgeous.



The female attire is usually decorated with jewelry like pearls and


diamonds. Besides, the hat and gloves are indispensable ornaments. For men,


a hat and a walking stick are enough.


2.4 Material




The relationship of human to nature is also reflected in the choice of the


materials. During the Stone Age, Chinese invented the bone awl and the bone


needle


and


created


primitive


clothing


with


the


aid


of


these


tools.


Approximately


5000


years


ago,


China


was


in


the


Neolithic


Primitive


agriculture


and


the


textiles


industry.


At


first


people


use


plant


fiber,


such


as


linen,


ramie,


etc.,


and


animal


fibers,


such


as


wool


to


weave.



Later


they


discovered how to raise the silk worn and spin silk, and the pure silk clothes


were liked by many Chinese people, especially the wealthy. It is a symbol of


their


social


status.


Silk


is


a


great


contribution


to


human


life


from


Chinese


people, so it is impossible to talk Chinese clothing culture without silk.



Different


from


silk


culture


in


China,


flax


culture


prevails


in


ancient


Egypt, wool culture prevails in the Mesopotamia and cotton culture prevails


in


India.


Ancient


Greece


and


Ancient


Rome


have


no


pioneering


work


in


materials, and they imports flax and wool cultures from Mediterranean coasts


and


Upper


Paleozoic


civilizations.


As


for


silk,


although


ancient


Rome


has


touched silk from Far East through Silk Road in 138 BC, they were never able


to


understand


the


mysteries


of


this


beautiful


fabric.


Lately,


they


known


the


secrets of silk from two missionaries send to China by the Byzantine Empire.


Then


one


century


later,


the


first


silk


is


produced


in


Byzantine


Empire,


but


Europeans produced first silk until the Italian Renaissance in 13-14 century.


In a word, Chinese clothing prefers silk, cotton, linen and co-hemp while


the western one tends to use flax, wool, cotton and velvet. The silk is one of


the contributions China has made to the world. “W


e westerners have received


too much from the Chinese.”


(



法国服装设计师伊夫


·

< p>


·


洛朗,



中国美术馆


举办作品回顾展时的前言,



1985



5




The former adopts basting, hand


needle and patch while the latter pays more attention to adapting to clothing’s


8




function in sewing craft.


2.5 Structure and Modeling



The


elegant


line


depends


primarily


on


the


structure


of


purity


and


refine ment.


”(



Yves


Saint


Laurent



It


reflects


that


the


structure


is


very


important for clothing. The structure of Chinese-style costume is completely


planar,


straight


and


comfortable.


However,


the


structure


of


Western-style


dress is stereo split type and suitable the body.



Chinese and western dress is designed by different body posture. So


it


forms


different


structure.


From


the


system


of


ancient


deep


clothing,


traditional


Chinese


clothing


had


adopted


the


structure


of


human


body


that


opened his hand flat and split his legs lightly. Therefore, the tailored clothing


is


straight


line,


whole


chip


and


flat-screen.


It


is


straight


and


comfortable,


simple and handy and also good for work. Dressed in Chinese- style costume,


you may fell very convenient. The structure of Chinese clothing feature is that


there is no shoulder seam on the shoulder, a thread links the front dress to the


back garment and even sleeves are also out of the body. If the width of fabric


is not wide enough, then add sleevelet at both sides of the sleeves. So there is


no “outside sleeve” in Chinese


-style clothing. That word is replaced by



chu


shou



which are starting from the middle of the body to the size of the palm.


According to the measurement of western-style clothes, the size of



chu shou




including


two


parts


data


that


half


shoulder


and


the


length


of


upper


limb.


Because western-style clothing emphasizes that it fits body type and thus the


structure


of


clothing


is


more


complex.


It


designs


collar,


clothing,


sleeves,


trouser legs and other main parts with some of its subsidiary, constitutes the


whole clothing and pants by the body structure's trunk, upper and lower limbs


in


all


parts.


While


each


of


the


major


components


is


in


accordance


with


the


body contour's length, short and thickness, composes irregularly tubular form


and


so


on.


Such


as


the


coarse


chest


circumference,


hipline


and


smaller


waistline,


smaller


collars,


clothing


constitutes


irregularly


tubular


body


and


ring-shaped


collar.


Western


clothing


is


a


fragmented,


curve-shaped,


three- dimensional


clothing,


its


most


notable


feature


is


the


shoulder


seam,


sleeves, the front of clothing and the back of garment are separate, the whole


garment


is


consist


of


many


pieces


of


garments


.


And


the


outline


of


the


garment is the arc- shaped or curve-shaped, as for coat, its chest circumference



9



is loose, waistline is folded, hipline is release, and shoulders are oblique. The


whole


garment


sculpt


is


full


of


curve


shape,


which


is


undulating


and


three-dimensional structure, and completely compatible with the human body.


The


structure


of


Western-style


pants


is


completely


different


from


Chinese-style pants. The waist of Western-style pants is tight, when you wear


trousers, you should open the front, rear or side, and otherwise you don't wear


them.


Pants


are


split


into


four


pieces


on


all


sides,


both


sides


of


pants


legs


stitch seam, the outlines of pants legs are designed according to the shape of


hips and thighs, the upside is large and round, the underneath is narrower and


slightly straight. The back part of pants is big, but the front part is small. The


appropriate


level


of


Western-style


trousers


almost


wraps


a


material


outside


the body, which shows the curve of human body. The structure is very fit, so


western-style trousers are not wearing before and after.



Chinese


clothing


modeling


is


closed


and


implicative,


western


clothing


modeling is open and revealed. Some people also regard clothing modeling as


dress


design


or


style.


In


fact,


modeling


and


style


have


connections


and


differences.


Generally


speaking,


modeling


refers


to


the


contour


of


clothing,


which


is


a


big


picture,


such


as


the


popularly


loose


H-type


or


tight-fitting


X-type.


At


present,


Chinese


people


often


mix


the


clothing


modeling


and


clothing style. It is the shape of clothing design, but also the combination of


clothing inside sew and the decoration of detail. Traditional Chinese costumes


ask the human body to be tightly wrapped by the closely collar, wide clothing,


long sleeves and pants, skirts, and it seems like a pocket, the human body is


inside. It is extremely closed, conservative and dull. For thousands of years, if


it is not up and down separate


bottom


are


always


wrapped


by


leather


gear,


long


clothing


drags


to


the


ground


and


inside and outside of clothes are overlapping, these are commonly referred to


as “triple clothing” or “Five clothing


.




As western dress concept advocates revealing the human body, focusing


on


self-expression,


and


shows


off


the


beauty


of


its


own.


Consequently,


in


terms


of


clothing style,


it


becomes


open,


revealing


and varied.


All


types


of


bare, open styles are still the mainstream of western- style clothing, all kinds


of large collar, V-neck, short sleeve and waistcoat sleeves are frequently used.


10


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