-
Evelyn waugh
伊夫林
·
沃
,
(1903
年
10
月
28
日
—
1966
年
4
月
10
日)英国作家
,
全名阿瑟
·
伊夫林
·
p>
圣约翰
·
沃
.
p>
生于
英国汉普斯特德。其父阿瑟
·
沃系英国著名出版商兼文学批评家,也是一位虔诚的英
国圣公会教徒。伊
夫林
·
沃从小就受到两方面的环境薰陶:宗教与书本。沃的父母
给
孩子读故事,并与他们一起讨论作品。沃在
7
岁时就写过一个题为《赛马的诅咒》的
短篇小说,并被收入一个成人作品集中出
版。他和他的哥哥长大后都成为作家,与儿
时的家庭影响关系颇大。沃上中学时,被父亲
送到圣公会教会学校,每天早晚两次礼
拜,周末则要去
3
次。据沃本人回忆,他当时并不觉得这种宗教仪式过于繁琐。
1921
年至
1924
年,沃在牛津大学的赫特
福德学院学习,
1924
年遂转入希瑟利艺术学校学
习绘画。不久之后,沃便发现绘画亦非其爱好,又去当中学教员,可两年之内被开除
了
3
次,从此开始酗酒,并企图自杀。直到
1927
年,沃才正视现实,开始从事家人
所擅长
的文学创作。他先试笔创作了数篇短篇,还写了传记文学,
1928
年发表了第一
部长篇小说《衰落与瓦解》,一举成名。此后,沃专心写作,先后出版
了长篇小说
20
余部,短篇小说集两部,以及书信集数部,其中
被誉为佳作的有:《衰落与瓦解》,
《一抔土》(
1934
p>
)、《旧地重游》(
1945
)、《荣誉之
剑》(
1965
)等。沃曾于
40
p>
年代后期为
《旧地重游》
搬上银幕一事访问
好莱坞,
并根据此间搜集的素材创作了
《受
爱戴的》(
1948
),这是他最畅销的长篇小说之一。<
/p>
[1]
出身文学世家的
Evelyn
p>
waugh
最初表现出叛逆家庭传统的倾向。
20
年代早期就
读于牛津大学时,他更感兴趣的是装饰艺术而
非文学,但因成绩差而被迫离校,转入
一家艺术学校,后来又做过小学校长,两年内被三
个学校辞退。这一连串的挫折最终
将
waugh
拨归正途,他迟疑地拿起笔,开始了一个漫长的过程。四十年后,这个
―
英
语文学史上最具摧毁力和最有成果的讽刺小说家,以及最伟大的文体
家
‖
回首当年,
一言以蔽之:
―
我一开始是显然是个傻瓜。
‖
Wau
gh
在
25
岁时结束了他的傻瓜生涯,
小说《衰亡》以其讽刺锋芒和叛逆姿态
引起文坛关注。继之以《邪恶的躯体》和《黑祸》
,风格如故,技巧与内涵篇篇推进,
奠定了他作为一流讽刺小说家的文学声名。
《衰亡》是一部带有喜剧色彩的讽刺小说。描写天真直率的主人公
paul<
/p>
被牛津大
学开除后,进入社会开始自立的过程中的离奇遭遇。
p>
Paul
在一连串混乱而堕落的事件
中是一
个被动的观测者和承受者:
恶在滋生,
善被惩罚,
根本没有行为标准可以遵循;
他生活在一个
―
离道德观和离童话一样遥远的世界中。
‖
他是
waugh
喜剧中典型的叙事
者形象:
居中而立,无所不察,却又退避而求中立,被愤怒和荒唐感所围绕。
由于《
衰亡》中的丑闻描写,
waugh
的出版商曾要求他删去某些场
面,并在序言
中加以否认。确实如
doyle
< br>所言,小说粗读之下,会令人感觉
waugh―
在以最为
轻率的
态度,容许七宗罪甚嚣尘上,并欣赏邪恶堕落的胜利
‖<
/p>
。但进一步考察文本,就可以
看出
―
p>
在表面的荒唐和冷漠之下,存在着一个公平与正派的基本准则,与人类的思想
与行为偏差形成尖锐对照。
‖anthongy burgess
认为小说持续的魅力在于它内在的道德
目标。
如果不
是基于一个西方文学中的大主题
——
正派的人在世界上寻求正义
的权利
——
的话,很难想象《衰亡》能几十年来保持新鲜感和活
力。
如果说狂野的喧嚣充斥了《衰亡》,那么《邪恶的躯体》却缠绕着一种无可解释
的悲伤。
Waugh
的第二部小说的一个奇特
之处是读者无法在有罪和无辜间作出区分。
因为已经丢失了对于传统价值观的信仰,《邪
恶的躯体》中的
adame symes
是一个无
辜的人,天真地犯下了不可饶恕的罪过。他所处的世界摇摆不定,仿佛在急流中,在
< br>飞艇上举行的狂欢聚会就是这种状态的象征。这种不稳定性还表现在小说的叙事中,
没有太多连贯性的情节,从一个场景跳到另一个场景。
Ad
ame
的不稳定性也是战后
一代英国青年的普遍特征,因此,<
/p>
―
《邪恶的躯体》和《了不起的盖茨比》一样属于
那一类似乎总结并界定了一个时代的小说珍品
‖
。
p>
1980
年,
clive
james
在纽约书评上
写道:它依旧是世界上最有趣
的书之一。
Waugh
的第
< br>3
部小说《黑祸》是以非洲为背景演出的一部闹剧。
Az
ania
的国王
在英国受教育,拿到了牛津大学学位,回国后
准备励精图治,起用英国绅士
seal
来把
他落后的国家带向现代文明。
Seal
对文明的浅薄理解
和
seth
追随
seal
的指导的盲目
热情最终给他的人民带来了灾难性的后果。
Waugh
在此并不是要通过
azania
国建设
文明的失败来表明非洲国家分一杯文明之羹的不可能性,
而是对现代性本身的一次狡
猾嘲讽。这部狂野喧闹的喜剧,以更为辛辣的讽刺
,贯彻着此前小说的主题:西方文
化的浅薄鄙俗,制度的衰败与崩溃。以及充斥社会的野
蛮。
Waugh
的几部早期小说在
edmu
nd wilson
看来不仅仅是讽刺佳作。他把它们排在
20
年代最好的小说之列。他说
waugh
的小说是英国作品中唯一可以与
fitzgerald
和
hemingway
的作品相比的:
―
它们不那么有诗意,不那么激烈,但它们属于一个更古
典的传统。
p>
‖
另一位评论家,
gene kellog
对这几部作品也给予了特别好评:
―
它
们具有
如此生气,人们一读到,
?
迷惘
一代
‘
以及所有困扰着一战后英国的悲凉空虚便犹如惊
梦重现。
‖
由于
waugh
把现代社会描绘得混乱而盲目,他经常被认为是一个社会保守主义
者。在接受一次采
访时,他阐明了自己的立场。当被问道:
―
你认为把你称为反对
派
合适吗
‖
时,他回答:
―
一个艺术家必须是个反对派。他必须站出时代的进程之外,而
不是亦步亦趋;他必须作出一些对抗。
‖
Waugh
与现代社会的疏离导致他在
1930
年最终皈依了天主教。
这在他的一生中
是个重要事件。
Waugh
第一次婚姻的破裂起了刺激作用。
他在寻找一个秩序和稳定性
的焦点,而这种稳定和秩序曾经为结婚誓言和道德感所强调。
新建立
起来的宗教信仰首次反映在
1934
年出版的《一捧尘土》中。
这部带有较
多自传色彩的小说追溯了
tony
< br>和
brenda
的婚姻在
bre
nda
与
john beaver
通奸
后的破裂
过程。
Brenda
的婚外情
受到她在伦敦的世故朋友的鼓励。小说的最后,绝望的
tony
为摆脱烦恼到非洲的丛林中旅行,被一个酷爱迪更斯的老人捕获,从此留在密林中为
其诵
读迪更斯的小说。
Evelyn Waugh
Arthur Evelyn St. John Waugh , known as
Evelyn Waugh, was an English writer of novels,
travel books and biographies. He was
also a prolific journalist and reviewer. His best-
known
works
include
his
early
satires
Decline
and
Fall
(1928)
and
A
Handful
of
Dust
(1934),
his
novel
Brideshead
Revisited
(1945)
and
his
trilogy
of Second
World War
novels
collectively
known as
Sword of
Honour
(1952
–
61).
Waugh is widely recognised as one of the great
prose
stylists of the 20th century.
The
son
of
a
publisher,
Waugh
was
educated
at
Lancing
and
Hertford
College,
Oxford
,
and
worked briefly as a schoolmaster before
becoming a full-time writer. As a young man, he
acquired
many
fashionable
and
aristocratic
friends,
and
developed
a
taste
for
country
house
society
that
never left him. In the 1930s he
travelled extensively, often as a special
newspaper correspondent;
he was
reporting from
Abyssinia
at
the time of the 1935 Italian invasion. He served
in the British
armed forces throughout
the Second World War, first in the
Royal Marines
and later in
the
Royal
Horse
Guards
. All these experiences, and the
wide range of people he encountered, were used in
Waugh's fiction, generally to humorous
effect; even his own mental breakdown in the early
1950s,
brought about by misuse of
drugs, was fictionalised.
Waugh had
converted to Roman Catholicism in 1930, after the
failure of his first marriage. His
traditionalist
stance
led
him
to
oppose
strongly
all
attempts
to
reform
the
Church;
the
changes
brought about in the
wake of the
Second Vatican
Council
of
1962
–
65, particularly the
introduction
of the vernacular
Mass
, greatly disturbed him.
This blow, together with a growing dislike for the
culture
of
the
postwar
world
and
a
decline
in
his
health,
saddened
his
final
years,
although
he
continued
to
write.
To
the
public
at
large
he
generally
displayed
a
mask
of
indifference,
but
he
was
capable
of
great
kindness
to
those
he
considered
his
friends,
many
of
whom remained devoted to him throughout
his life. After his death in 1966, he acquired a
new
following through film and
television versions of his work, such as
Brideshead Revisited
in
1982.
Years of celebrity
Recognition
Waugh's
biographer,
Christopher
Sykes
,
records
that
after
the
divorce
friends
or believed
they
saw,
a
new
hardness
and
bitterness
in
Waugh's
outlook.
Nevertheless,
despite
a
letter
to
Acton
in
which
he
wrote
that
he
not
know
it
was
possible
to
be
so
miserable
and
live
Waugh
soon
resumed
his
professional
and
social
life.
He
finished
his
second
novel,
Vile
Bodies
,and
wrote articles including (ironically he thought)
one for the
Daily Mail
on
the meaning
of the marriage ceremony.
Between September and January 1930, when the novel
was published,
Waugh moved between the
various houses of his friends, a practice he was
to continue as he was
to have no
settled home for the next eight years.
Vile Bodies
, a satire on the
Bright Young People
of the
1920s, was published on 19 January 1930
and was Waugh's first major commercial
success. Despite its quasi-biblical title, the
book is dark,
bitter,
manifesto
of
disillusionment
according
to
biographer
Martin
Stannard.
As
a
best-selling
author
Waugh
could
now
command
larger
fees
for
his
journalism.
[67]
Amid
regular
work
for
The
Graphic
,
Town
and
Country
and
Harper's
Bazaar
,
he
quickly
wrote
Labels
,
a
detached account of his honeymoon
cruise with She-Evelyn.
Conversion to Catholicism
On
29 September 1930 Waugh was received into the
Roman Catholic Church. This shocked his
family
and
surprised
some
of
his
friends,
but
the
step
had
been
contemplated
for
some
time.
Although he had lost his Anglicanism at
Lancing and had led an irreligious life at Oxford,
from
the mid-1920s there are references
in his diaries to religious discussion and regular
church-going.
On 22 December 1925 Waugh
writes:
morning arguing about the Roman
Church
[70]
The entry for 20
February 1927 includes
visit a Father
Underhill about being a parson
his
friend Olivia Plunket-Greene, who had converted in
1925 and of whom Waugh wrote later:
Martin D'Arcy
,
who persuaded
Waugh
firm
intellectual
convictions
but
little
emotion
that
Christian
revelation
was
genuine
In
1949
Waugh
explained
that
his
conversion
followed
his
realisation
that
life
was
Writer and traveller
Emperor
Haile
Selassie
, whose coronation Waugh
attended in 1930, on the first of his three trips
to
Abyssinia
On 10 October 1930 Waugh, representing
several newspapers, departed for
Abyssinia
to cover the
coronation
of
Haile
Selassie
.
He
reported
the
event
as
elaborate
propaganda
effort
to
convince
the world that Abyssinia was a civilised nation,
concealing the truth that the emperor had
achieved power through barbarous means.
A subsequent journey through the British East
Africa
colonies
and
the
Belgian
Congo
formed
the
basis
of
two
books;
the
travelogue
Remote
People
(1931) and
the comic novel
Black
Mischief
(1932). Waugh's next extended
trip, in the winter of
1932
–
33, was to
British Guiana
(now Guyana)
in South America, possibly taken to distract him
from a long and unrequited passion for
the socialite
Teresa
Jungman
. On arrival in
Georgetown
,
Waugh
arranged
a
river
trip
by
steam
launch
into
the
interior.
He
travelled
on
via
several
staging-posts
to
Boa
Vista
in
Brazil,
then
took
a
convoluted
overland
journey
back
to
Georgetown.
[77]
His various adventures and encounters found their
way into two further books: his
travel
account
Ninety-two days
, and
the novel
A Handful of Dust
,
both published in 1934.
[78]
Back
from
South
America,
Waugh
faced
accusations
of
obscenity
and
blasphemy
from
the
Catholic journal
The Tablet
, which objected
to passages in
Black
Mischief
. He defended himself in
an open letter to the
Archbishop of Westminster
,
Cardinal
Francis Bourne
. In
the summer of 1934
he went on an
expedition to
Spitsbergen
in
the Arctic, an experience he did not enjoy and of
which
he made minimal literary use. On
his return, determined to write a major Catholic
biography, he
selected the
Jesuit
martyr
Edmund Campion
as his
subject. The book, published in 1935, caused
controversy
through
its
forthright
pro-Catholic,
anti-
Protestant
stance
but
brought
its
writer
the
Hawthornden Prize
. He
returned to Abyssinia in August 1935, to report
the opening stages of the
Second
Italo-Abyssinian
War
for
the
Daily
Mail
.
Waugh,
on
the
basis
of
his
earlier
visit,
considered Abyssinia
fellow-reporter
William
Deedes
. Waugh saw little action, and
was not wholly serious in his role as