-
Ⅰ
.
1. Olmsted : Frederick Law
Olmsted Jr. ( 1870 -- 1975 ), American landscape
architect. A Harvard graduate (1894),he
studied under his father, Fredcrick Law
Olmsted, and began practice as
landscape architect in 1895. He was landscape
architect for the Metropolitan Park
System of Boston, 1898--1920; Baltimore Park
and Park Commission, 1902--1917; member
of the National Capital Park and
Planning Commission in 1929, and again
from 1945. He acted in consulting capacity
for and designed portions of the parks
or other public improvements of many towns
and cities and numerous instiutions,
land subdivisions, and private properties. Among
his designs in Washington D.C. were
those for Rock Creek and Ana-costia Parks, the
Mall, and the White House grounds. He
wrote numerous articles and reports on
professional subjects.
2. Bach. John Sebastian
Bach (1685--1750),German composer and organist,
one of
the greatest and most
influential composers of the Western World. He
brought poly-
phonic baroque music to
its culmination, creating masterful and vigorous
works in
almost every musical form
known in his period. Born into a gifted family,
Bach was
devoted to music from
childhood; he was taught by his father and later
by his brother
Johann cristoph. His
education was acquired largely through independent
studies.
Since
few of Bach's many works were published in his
lifetime, exact dates cannot
be fixed
for all of them, but most can be placed with some
certainty in the periods of
his life.
At Arnstadt and Miihlhausen he began a series of
organ compositions that
culminated in
the great works of the Weimar period; the
Passacaglia and Fugue in C
Mi-nor. At
Cothen he concentrated on instrumental
compositions, especially keyboard
works: the Chromatic Fantasy and Fugue;
the English Suites; and Book I of the
celebrated 7
violin Sonatas
and cellosuites, and the Brandenburg Concertos,
recognised as the best
concertigrossiever composed. As musical
director of St Thomas atLeipzig, he
composed many of his superb religious
compositions, the Christmas Oratorio, the
St. ]~lat hew Passion, etc. The
principal keyboard works of this period were Book
Ⅱ
of The Well-
Tempered Clavier and the four books of clavier
pieces in the Clavier
Cibung, which
includes: six partitas (1726--1731)~ the Italian
Concerto and the
Partita in B minor
(1735)~ and the Goldberg Variations.
The bulk of his
work is religious. In addition, he composed an
astonising number
of instrumental
works, many of them designed for the instruction
of his numerous
pupils. In his
instrumental and choral works he perfected the art
of polyphony,
displaying an unmatched
combination of inventiveness and control in his
great,
striding fugues. During his
lifetime, Bach was better known as an organist
than as a
composer. For decades after
his death his works were neglected, but in the
19th
century his genius came to be
recognized, particularly by romantic composers
such as
Mendelssohn and Schumann. Since
that time his reputation has grown steadily.
Ⅱ
.
1. N0, his hometown is
Seattle, a seaport in west central Washington
State on Puget
Sound. See paragragh 4.
2. These signs
show that New York is no longer the leading city
in the United
States.
3. New York no longer
begets the styles and sets the is no longer a
paeesetter.
4. Other cities have buildings more
inspired architecturally. The center of music
and sports have also shifted to other
cities. As a tourist attraction it is inferior to
New
Orlcans, San Francisco, Washington
or Disneyland. Finally, there are many beter
cities to live in than New York.
5. The
Europeans call New York their favorite city
because they like its
cosmopolitan
complexities, its surviving European standards and
its alien mixtures.
Perhaps some of
these are reassured by the international names of
jewelers, shoe
stores and designer
shops. But what most excites Europeans is the
city's charged,
nervous atmosphere, its
vulgar dynamism.
6. Tim writer went to New York because
he likes to live there and he could practice
the kind of journalism he wanted in
that city.
7.
The young people go to New York to test themselves
and to avoid giving in to
the most
banal and marketable of their talents. In New York
they also find the
company of many
other young people similarly fleeing from the
constricting
atmosphere of smaller
cities.
8. New
York is still the banking and communications head-
quarters for America.
The networks'
news centres, the largest book publishers, the
biggest magazines, the ad
agencies are
all here, appraising and ratifying the films, the
plays, the music, the
books that others
have created.
9. Newcomers can find or form their
little groups and, though these groups lie close
to each other, there is no contact or
intercourse between groups. This gives the city
its
sense of freedom.
10. Despite all the faults
of the city, a New Yorker still prefers to live in
New York
because he prefers the
unhealthy hassle and vitany of urban life. What he
finds
attractive about New York is its
rawness, tension, urgency; its bracing
competitiveness the rigor of its
judgements; and the congested, democratic presence
of so many other New Yorkers, encased
in their own worlds.
11. It is in fact the first truly
international metropolits because here one finds a
much wider mixture of nationalities
Asians, Africans, Latins and all varieties of
Europeans.
Ⅲ
.
article is a piece of expository writing. The main
theme or thesis is stated by
the title
the last paragraph: “Loving and hating
New York becomes a matter of alternating
moods, often in the same day.
2. Griffith
develops his main thesis by both objective and
emotional description of
New York and
the life and struggle of New Yorkers. It is very
effective. (See the
answer to 4.)
3. This article
is full of American English terms, phrases and
constructions. Such as
T-shirt, hassle,
plush, holdout, comeback, putdown, measure up,
expense-account, etc.
4. The writer states that he both loves
and hates New York, but the reader fails to
see where or why he hates New York. It
is clear that Griffith loves New York and
feels exhilarated living there. He may
sometimes feel exasperated but this feeling is
never strong enough to turn to hate.
The writer shows his love for New York with the
words such as energy, contention
striving, etc.
5. The first five paragraphs act as a
general introduction, set- ting forth the present
status of New York city in the Unit- ed
States and in the eyes of foreigners. The last
sentence of paragraph 5 also acts as a
transition to the
York city itself:
line of paragraph 5 leads to the
paragraph 6.
6. The topic sentence of paragraph 8 is
the first sentence.
much qualified in
New York.
paragraph and to back up the
statement made in the topic sentence.
7. In New York, a shrewd
understanding or ability to appraise things is
appreciated
and paid for, and skill and
learning by themselves are not considered
valuable. 8. Free.
Student’s choice.
Ⅳ
.
1. Nowadays New York cannot
understand nor follow the taste of the American
people.
2. New York boasts that it is a city
that resists the prevailing trends (styles,
fashion)of America.
3. Situation comedies made
in Hollywood and the actual performance of Johnny
Carson now replace the scheduled radio
and TV programs for California.
4. New York is
regaining somewhat its status as a city that
attracts tourists.
5. A person who wins in New York is
constantly disturbed by fear and anxiety
(because he is afraid of losing what he
has won in the fierce competition).
6. The chance to enjoy the
pleasures of nature is very limited.
7. At night the city of New
York is aglow with lights and seems proudly and
haughtily to darken the night sky.
8. But a pure
and wholehearted devotion to a Bohemian life style
can be
exaggerated.
9. In both these roles of
banking and communications head- quarters, New
York
starts or originates very few
things but gives its stamp of approval to many
things
created by people in other parts
of the country.
10. The television generation was
constantly and strongly influenced by
extravagant promotional advertising.
11. Authors
writing long serious novels earn their living in
the meantime by also
writing articles
for popular magazines.
12. Broadway, which seemed unable to
resist the cheap, gaudy shows put on in the
surrounding areas, is once again busy
and active.
13.
(If you tell a New Yorker about the vigor of
outdoor pleasures, he will reply
that)
he prefers the unhealthy turmoil and animated life
of a city.
14.
Those who failed in the struggle of life, the
down-and-outs, are not hidden
away in
slums or ghettoes where other people can't see
them.
15. New
York constantly irritates and annoys very much but
at times it also
invigorates and
stimulates.
Ⅴ
. See the translation of
the text.
Ⅵ
.
1.
holdout: (Americanism) a place that holds out;
hold out= continue resistance;
stand
firm; not yield
2. live: transmitted during the actual
performance
3.
charged : tense intense
4. put-down: (American slang) a
belittling remark or crushing retort
5. foothold: a secure
position from which it is difficult to be
dislodged
6.
measure up: (Americanism) prove to be competent or
qualified
7.
jingle: a verse that jingles; jingling arrangement
of words or syllables
8. expense-account. (Americanism) an
arrangement whereby certain expenses of an
employee in connection with his work
are paid for by his employer
9. illustration= a picture,
design, diagram, etc. used to decorate or explain
something
10. commercial: (radio and TV) a paid
advertisement
11. distancing: be reserved or cool
toward; treat aloofly
12. democratic: treating persons of all
classes in the same way; not snobbish
13, jealous : very watchful
or careful in guarding or keeping
14. high-rise:
(Americanism) designating or of a tall apartment
house, office buil
ding, etc., of many
stories /(noun) a high-rise building
15. mean: poor in
appearance; shabby.
Ⅶ
.
1.
skyline: noun+ noun=noun Examples: bookcase;
teacup; skyrocket; sealskin; sea
port
pigsty
2.
pacesetter : noun + verb + er = noun Examples :
shareholder leaseholder
pathfinder
; painstaker watchmaker
3. trash-strewn : noun + past
participle = adjective Examples: homespun;
bloodstained; landlocked; henpecked
homemade
4.
international: a combining form+
adjective=adjective Examples: inter American;
interchangeable; interdepartmental
interplanetary intersectional
5. anti-septically : prefix
4-adverb = adverb Examples : preemptively;
preeminently;
predominantly;
prefiguratively prehistorically
6. juxtaposition: a
combining form+ noun=noun Examples:
photochemistry;
photocopy; phonograph;
telephone television
7. NBC: composed of initials N+B+C from
National Broadcasting Company
Examples:
BBC -- British Broadcasting Corporation; NCO --
noncommissioned
officer; UN -- United
Nations; MIA -- missing in action; PFLI -- Peking
Foreign
Languages Institute
8. Wasp: an acronym from
white Anglo-Saxon protestant Examples: Awacs --
airborne warning and control system (a
sophisticated surveillance plane); UFO --
unidentified flying object; Nato --
North Atlantic Treaty Organization; Asean --
Association of South-east Asian
Nations; Anzac -- (a soldier in the) Australian
and
New Zealand Army Corps
9
.
ad<
/p>
:
a shortening of
“advertisement” Examples
:
aut
o(automobile)
;
kilo(kilogram)
;
exam(examination)
;
gent(gentleman)
;
pram(perambulator)
1 0
.
Cabana
:
a loan word from Spanish
Examples
:
blitz
(German)
;
judo
(Japanese)
;
discontheque
(French)
;
kolkhoz
(Russian)
;
solo
(Italian)
11
.
sitcom
:
a blend word
from “sit(uation)+corn(edy)” Examples
:<
/p>
smog
—
sm(oke)+(f)og
;
smaze
—
sm (oke)+(h)aze
;
brunch
—
br(eakfast)+(1)unch
;<
/p>
moped…mo(tor)+ped(a1)
;
motel-mo(tor)+ (ho)tel
12
.
Bu
ick
:
a trade name for a car
Examples
:
Omega(a
watch)
;
Kodak(a
camera)
:
Boeing(an
airplane)
;
Fiat(a
car)
;
Biro(a ball point pen)
Ⅷ
.
指带着极大的信心,但却没有经客观
证实的一种明确的陈述。如:
He
asserted
that man’s nat
ure would never change
.
declare
指公开地或者正式地断言,
通常是针对反面而言。如:
They declared
their independence
.
affirm
指在一个人
的陈述中隐含着一种极深的说服力,
而且不可能为他人所否定。
如:
I cannot
a
.
所
Fill that he
was there
.
e
隐含着一种结构上的精密,以致于
很容易打碎。如
a fragile china
teacu
p
。
brittle
隐含着一种僵硬性
、无弹性,以致于在重压和打击之下很容易破
碎。如:
The
bones of the body become brittle with
age
.
隐含着一种多种事物相
}
昆合,
以致于在其形成的新事物中,
不管单个的
p>
元素组成部分能否互相区别开来,它们都协调地结合在一起。如
to
mix paints
。
mingle
通常隐含着在这种结合中,
各个单个的元素组成部分能互相区别开来。
< br>如
mingled feelings of joy and sorrow<
/p>
。
merge
强调在这种结合过程中单个
元素组成部
分的差别消失,或者指一种事物完全为另一事物所吸收。如:
The companies
merged to form a
large corporation
.
4
.
p>
common
用来形容在一个组织或者在一个机构等单位中,为所有
的人或者
大多数人所能共享的、或者是人们经常碰见的事物,而且还隐含着一种通常性、
广泛性,
或者一种贬义,
一
种劣质性。
如
a
common belief
,
a common car
p>
。
general
隐含着一个类别、
一个种类、
一个组织中的所有的或者大多数的事物的相互连接,
强调一种广泛性。如
general unrest among
the people
。
popular
隐含着在通常公众
的场合或者在人民大众之中的一种广泛流行的时尚,为人所接受和喜
爱。如
a
popular
song
。
Ⅸ.
Formal
Informal
1
.
pathetic
pitiful
-
-
-
-
-
-
-
-
-
上一篇:世界文化遗产名录中英文对照
下一篇:(完整版)2017河南专升本英语真题