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I Stand Here Ironing
by Tillie
Olsen
I stand here ironing, and what
you asked me moves tormented back and forth with
the
iron.
I'm sure you can
help me understand her. She's a youngster who
needs help and whom I'm
deeply
interested in helping.
her mother I have a key, or
that in some way you could use me as a key? She
has lived for
nineteen years. There is
all that life that has happened outside of me,
beyond me.
And when is
there time to remember, to sift, to weigh, to
estimate, to total? I will start
and
there will be an interruption and I will have to
gather it all together again. Or I will
become engulfed with all I did or did
not do, with what should have been and what cannot
be helped.
She
was a beautiful baby. The first and only one of
our five that was beautiful at birth.
You do not guess how new and uneasy her
tenancy in her now -- loveliness. You did not
know her all those years she was
thought homely, or see her poring over her baby
pictures,
making me tell her over and
over how beautiful she had been -- and would be, I
would tell
her
--
and
was
now,
to
the
seeing
eye.
But
the
seeing
eyes
were
few
or
non-
existent.
Including mine.
I nursed her. They feel that's
important nowadays. I nursed all the children, but
with
her, with all the fierce rigidity
of first motherhood, I did like the books then
said. Though
her cries battered me to
trembling and my breasts ached with swollenness, I
waited till the
clock decreed.
Why do I put that first? I
do not even know if it matters, or if it explains
anything.
She
was
a
beautiful
baby.
She
blew
shining
bubbles
of
sound.
She
loved
motion,
loved
light,
loved
color
and
music
and
textures.
She
would
lie
on
the
floor
in
her
blue
overalls
patting the surface so
hard in
ecstasy her hands and feet
would blur. She was a
miracle to
me, but
when she was eight
months
old
I had to
leave her daytimes
with
the
woman downstairs to whom
she was no miracle at all, for I worked or looked
for work and
for Emily's father, who
want with us.
I
was nineteen. It was the pre-relief, pre-WPA world
of the depression. I would start
running as soon as I got off the
streetcar, running up the stairs, the place
smelling sour, and
awake
or
asleep
to
startle
awake,
when
she
saw
me
she
would
break
into
a
clogged
weeping
that could not be comforted, a weeping I can hear
yet.
After a while I found
a job hashing at night so I could be with her
days, and it was
better. But it came to
where I had to bring her to his family and leave
her.
It took a long time to
raise the money for her fare back. Then she got
chicken pox and
I had to wait longer.
When she finally came, I hardly knew her, walking
quick and nervous
like her father,
looking like her father, thin, and dressed in a
shoddy red that yellowed her
skin and
glared at the pockmarks. All the baby loveliness
gone.
She was two. Old
enough for nursery school they said, and I did not
know then what I
know now -- the
fatigue of the long day, and the lacerations of
group life in the kinds of
nurseries
that are only parking places for children.
Except that it would have
made no difference if I had known. It was the only
place
there was. It was the only way we
could be together, the only way I could hold a
job.
And even without
knowing, I knew. I knew the teacher that was evil
because all these
years it has curdled
into my memory, the little boy hunched in the
corner, her rasp,
aren't you outside,
because Alvin hits you? that's no reason, go out,
scaredy.
hated it even if she did not
clutch and implore
mornings.
She always had a reason why
we should stay home. Momma, you look sick, Momma,
I feel sick. Momma, the teachers aren't
there today, they're sick. Momma, we can't go,
there
was a fire there last night.
Momma, it's a holiday today, no school, they told
me.
But
never
a
direct
protest,
never
rebellion.
I
think
of
our
others
in
their
three,
four
-year-oldness -- the explosions, the
tempers, the denunciations, the demands -- and I
feel
suddenly ill. I put the iron down.
What in me demanded that goodness in her? And what
was the cost, the cost to her of such
goodness?
The
old
man
living
in
the
back
once
said
in
his
gentle
way:
should
smile
at
Emily more when you look
at her.
There were all the acts of love.
It was only with the others
I remembered what he said, and it was the face of
joy, and
not of care or tightness or
worry I turned to them -- too late for Emily. She
does not smile
easily, let alone almost
always as her brothers and sisters do. Her face is
closed and sombre,
but when she wants,
how fluid. You must have seen it in her
pantomimes, you spoke of her
rare gift
for comedy on the stage that rouses a laughter out
of the audience so dear they
applaud
and applaud and do not want to let her go.
Where does it come from,
that comedy? There was none of it in her when she
came
back to me that second time, after
I had had to send her away again. She had a new
daddy
now to learn to love, and I think
perhaps it was a better time.
Except when we left her alone nights,
telling ourselves she was old enough.
just a little while you'll
be gone? Do you promise?
The
time we came back, the front door open, the clock
on the floor in the hall. She
rigid
awake.
times,
and
then
I
ran
downstairs
to
open
the
door
so
you
could
come
faster.
The
clock
talked loud. I threw
it away, it scared me -- what it
talked.
She said the clock
talked loud again that night I went to the
hospital to have Susan.
She was
delirious with the fever that comes before red
measles, but she was fully conscious
all the week I was gone and the week
after we were home when she could not come near
the new baby or me.
She did not get well. She stayed
skeleton thin, not wanting to cat, and night after
night
she had nightmares. She would
call for me, and I would rouse from exhaustion to
sleepily
call back:
sterner
voice,
go
to
sleep,
Emily,
there's
nothing
to
hurt
you.
Twice,
only
twice,
when I had to get up
for Susan anyhow, I went in to sit with her.
Now when it is
too
late (as if she would
let
me hold
and comfort
her like
I do the
others)
I
get
up
and
go
to
her
at
once
at
her
moan
or
restless
stirring.
you
awake,
Emily? Can I get you
something?
go back to sleep,
Mother.
They
persuaded
me
at
the
clinic
to
send
her
away
to
a
convalescent
home
in
the
country where
be
free
to
concentrate
on
the
new
baby.
They
still
send
children
to
that
place.
I
see
pictures on the society
page of sleek young women planning affairs to
raise money for it, or
dancing
at
the
affairs,
or
decorating
Easter
eggs
or
filling
Christmas
stockings
for
the
children.
They
never have a picture of the children so I do not
know if the girls still wear those
gigantic red bows and the ravaged looks
on the every other Sunday when parents can come
to visit
Oh it
is a handsome place, green lawns and tall trees
and fluted flower beds. High up
on the
balconies of each cottage the children stand, the
girls in their red bows and white
dresses, the boys in white suits and
giant red ties. The parents stand below shrieking
up to
be heard and the
children shriek down to
be
heard, and between them the invisible wall
There was a tiny
girl who always stood hand in hand with Emily. Her
parents never
came.
One
visit
she
was
gone.
moved
her
to
Rose
Cottage,
Emily
shouted
in
explanation.
She
wrote once a week, the labored writing of a seven-
year-old.
baby. If I write my Ieter
nicly I will have a star. Love.
every
other
day,
letters
she
could
never
hold
or
keep
but
only
hear
read
--
once.
simply
do
not
have
room
for
children
to
keep
any
personal
possessions,
they
patiently
explained
when
we
pieced
one
Sunday's
shrieking
together
to
plead
how
much
it
would
mean to Emily, who loved so to keep
things, to be allowed to keep her letters and
cards.
Each visit she
looked frailer.
(They had
runny eggs for breakfast or mush with lumps, Emily
said later, I'd hold it in
my mouth and
not swallow. Nothing ever tasted good, just when
they had chicken.)
It
took
us
eight
months
to
get
her
released
home,
and
only
the
fact
that
she
gained
back so little of her
seven lost pounds convinced the social worker.
I used to try to hold and
love her after she came back, but her body would
stay stiff,
and after a while she'd
push away. She ate little. Food sickened her, and
I think much of
life
too.
Oh
she
had
physical
lightness
and
brightness,
twinkling
by
on
skates,
bouncing
like a ball up and down up and down
over the jump rope, skimming over the hill; but
these
were momentary.
She fretted about her appearance, thin
and dark and foreign-looking at
a time
when
every little girl was supposed to
look or thought she should look a chubby blonde
replica of
Shirley Temple. The doorbell
sometimes rang for her, but no one seemed to come
and play
in the house or be a best
friend. Maybe because we moved so much.
There was a boy she loved
painfully through two school semesters. Months
later she
told me how she had taken
pennies from
my purse to
buy
him candy.
his
favorite and I brought him some every
day, but he still liked Jennifer better' n me.
Why,
Mommy?
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