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服装中英文翻译

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来源:https://www.bjmy2z.cn/gaokao
2021-01-29 10:18
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-河狸

2021年1月29日发(作者:风云榜)


Change Of Chinese Clothing




Traditional Clothing





An outstanding characteristic of traditional Chinese clothing is not only an


external


expression


of


elegance,


but


also


an


internal


symbolism.


Each


and


every


piece


of


traditional


clothing


communicates


a


vitality


of


its


own.


This


combination of external form with internal symbolism is clearly exemplified in


the


pair


of


fighting


pheasant


feathers


used


in


head


wear


originating


in


the


battle wear of the Warring States period (475-221 B.C.). Two feathers of a ho


bird


(a


type


pheasant


good


at


fighting)


were


inserted


into


the


head


wear


of


warriors of this period to symbolize a bold and warlike spirit.


Archaeological findings of 18,000 year-old artifacts such as bone sewing


needles


and


stone


beads


and


shells


with


holes


bored


in


them


attest


to


the


existence


of


ornamentation


and


of


sewing


extremely


early


in


Chinese


civilization. Variety and consistency in clothing were roughly established by the


era


of


the


Yellow


Emperor


and


the


Emperors


Yao


and


Shun


(about


4,500


years


ago).


Remains


of


woven


silk


and


hemp


articles


and


ancient


ceramic


figures further demonstrate the sophistication and refinement of clothing in the


Shang Dynasty (16th to 11th century B.C.).



The three main types of traditional Chinese clothing are the pien-fu, the


ch'ang-p'ao, and the shen-i. The pien-fu is an ancient two-piece ceremonial


costume of a tunic-like top extending to the knees and a skirt or trousers


extending to the ankles. The ch'ang-p'ao is a one-piece garment extending


from the shoulders all the way to the heels. The shen-i is a cross between the


pien-fu and the ch'ang-p'ao; it consists of a tunic and a skirt or trousers like the


pien-fu, but the tunic and the skirt are sewed together and essentially one


piece like the chang-pao. Consequently, the shen-i was the most widely worn


of the three types. Typical of these three types of clothing were wide and


voluminous sleeves and a very loose fit. Tunic and trousers or tunic and skirt,


utilized a very minimum number of stitches for the amount of cloth used. So


because of their relatively plain design and structure, embroidered edgings,


decorated bands, draped cloth or silks, patterns on the shoulders, and sashes


were often added as ornamentation. These varied designs came to be one of


the unique features of traditional Chinese dress.



Darker colors were favored over lighter ones in traditional Chinese


clothing, so the main color of ceremonial clothing tended to be dark while


bright, elaborate tapestry designs accented. Lighter colored clothing was worn


more frequently by the common people for everyday and around the house


use. The Chinese associate certain colors with specific seasons: green


represents spring, red symbolizes summer, white represents autumn, and


black symbolizes winter. The Chinese are said to have a fully developed


system of matching, coordinating, and contrasting colors and shades of light


and dark in apparel.




Contemporary Clothing






Today, Fashion designers use a mixture of traditional and modern ideas to


create new fashions. These new fashions also incorporate age-old motifs such


as guardian deities, lions, and masks of Chinese opera characters. Chinese


bronze is another source of printed, woven, embroidered, and applied design


for clothes. Some of the distinctive designs include dragons, phoenixes, clouds,


and lightning. Motifs from traditional Chinese painting also end up in woven or


printed fashion designs.



In modern society, men are seen at social occasions wearing the dignified


and refined traditional Chinese long gown, and women often wear the ch'i-p'ao,


a modified form of a traditional Ching Dynasty fashion, on formal occasions.


The variations of height, length, width, and ornamentation of the collar, sleeves,


skirt, and basic cut of this Oriental fashion are limitless.



Many accessories such as macramé


are used to decorate shoulders,


bodices, pockets, seams, and openings of clothing, as well as belts, hair


ornaments, and necklaces. Some successful examples of combinations of


modern and traditional fashion elements are the modern bridal tiara, based on


a Sung Dynasty design and the Hunan Province style of embroidered sash


made in the traditional colors of pure red, blue, and green. From these


examples, it can be seen how traditional Chinese dress is the foundation of


modern fashion. However, the Chinese have also adopted many Western


styles of clothing such as business suits and jeans.


译文:



中国服装的变迁



传统的服装



中国传统服饰的突出特点 是不仅优雅的外在表现,


也是一个内部的象征。



一件传统小菜衣服传达了自己的生命力。


与内部象征外在形式的结合显然是体 现


在对战斗在头用在战国时期(公元前


475-221


)的战斗服穿始发野鸡羽毛。两个

-河狸


-河狸


-河狸


-河狸


-河狸


-河狸


-河狸


-河狸



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