jauntdetail翻译

第一篇

Editorial

Sharp- edged

exposed

concrete,rough

surfaces

made

of

natural

stone

or

rammed

earth

,rendered

or

clad

building

envelopes,vividly

structured

brick

facades-solid construction materials exist in a multitude of selection

of building examples in this edition reflects this diversity

.Concrete in

various

forms

plays

a

decisive

it,a

city

hall

in

the

Netherlands

shows

which

vivid kind of impression light can cast on a brick facade.A residential

house in Munich is characterised by the contrast between its sensually rough

exterior and its hard and clear glazed ,an indoor pool draws its

almost

archaic

appearance

from

its

brown

walls

made

of

rammed

present

and

in

general,solid

construction

materials

such

as

concrete

or

masonry

brick

are

typically

and

in

most

cases

concealed,due

to

thermal

insulation

considerations-and

often

clad

in

the

composite

systems

with

rendered surface that rather lack popularity among r,the fact

that these systems can be part of appealing designs of buildings is exemplified

by the muti-family building in Zurich or the facades of the BTV Stadtforum in

bank

building

features

an

exterior

that

was

designed

with

deliberate

clarity

and

restraint

and

an

impressive

foyer

that

surprises

its

visitors with a sculpturally formed roof-here,concrete surfaces remain exposed

and display

their intrinsic qualities.T

oday,exposed concrete in all its possible

variations and structures

has once more regained its position as an almost

natural

design

choice

of

r,

this

was

not

always

the

three

decades

ago,when

this

construction

material

symbolised

society

’

s

discomfort

with

a

breed

of

modernism

that

had

degenerated

into

monotony,it also

fell

from grace among tely

unrestrained by

such inhibitions,T

adao Ando,a master of space that inspire people,appeared in

the spotlight and contributed to the renaissance of exposed concrete with his

concrete surfaces that were detailed to our anniversary series

“

A

second

look

”

,we

not

only

ask

the

question

what

happened

to

his

key

project,the little Church of Light in

Ibaraki,but also

how the architect and the

trend that he helped launch back then have developed further.

Christian Schittich

第二篇

Editorial

The current debate concerning

the environment

raises the bar for architects

with

respect

to

resourceful

construction;

correspondingly

,

in

view

of

wood

’

s

favourable

influence

on

a

building

’

s

life-cycle

assessment,

this

material

is

increasingly in demand. Wood is

forging ahead into areas that

were

to date

beyond reach, be it the

urban context or large-scale, multi- storey apartment

wide

range

of

potential

uses-which

has

customarily

extended

from structural

member

to the building envelope and fitting out-is continually

being

added

to.

The

many

experimental

and,

in

most

cases,

digitally

developed and fabricated

wood pavilions recently built-in

many instances on

university

campuses

as

part

of

the

coursework-testify

to

this

many

instances

these

structures,

which

are

by

and

large

free

of

function,call

attention

to

the

material

’

s

fascinating is true of a curved shell

structure

modelled

on

the

sea

urchin;

it

was

developed

by

architecture

students in Stuttgart and made of ultra-thin plywood sheets (see page 118).The

temporary installation

that embellished

the entrance

to the Victoria & Albert

Museum

in

London

for

a

few

weeks

last

fall

is

also

experimental

in

character(see

page

120);

the

undulating

eye-catcher

commissioned

for

the

London

Design

Festival

is

the

result

of

an

elaborate

development

and

fabrication

process

that,among

other

things,

showcase

the

possibilities

of

hardwoods.

The

projects

in

the

main

section

of

this

issue

demonstrate

the

spectrum

of

possibilities

:

these

include

a

bathhouse

on

a

lake,

a

privately

initiated

residential

complex

employing

a

combination

of

load-bearing

materials,a simple yet thoroughly detailed production hall, and a high-minded

education facility. Our T

echnology section addresses, among other topics,the

variety

of

coatings

available

to

preserve

wood

used

out

hout

history

,

wood-

one of mankind’s most ancient building materials

-has

time and

again been the basis for exquisite buildings and structures. It has seldom been

as relevant as it is right now .

Christian Schittich

第三篇

Editorial

Building for gastronomic purposes covers a broad typological spectrum, from a

kiosk for snacks in a pedestrian precinct to a luxury restaurant, or from the

coffee bar round

the corner to a staff canteen.

These

various situations are

subject to different conditions on the design. Apart from the general theme of

food

preparation

and

catering,

all

locations

of

this

kind

have

one

thing

in

common: the need for qualitative architecture. For that season, Claudia Fuchs

has given

her introductory article on current trends in restaurant design the

title

”

A Feast for All the Senses

”

.

In the meantime,numerous fast-food chains have also come to recognize the

importance of a good visual ambience and have given their establishments a

modern

corprate

design.

The

Salad

Station

in

Istanbul(page

256)

is

an

example of this.

Whereas people go to a kiosk, a fast-food restaurant or a university dining hall

mainly for something quick to eat, in a restaurant or a cafe they may wish to

stay

longer to enjoy

the scope for communication that exists

there, and they

will often expect to experience something special. For that reason, one

’

s stay

in such a environment should be given a appropriate staging by architects and

designers, who create a special field of tension with its own dramaturgy

. This

extends

from

the

reception

area

through

the

dining

room

to

the

kitchen-of

which guests may catch a glimpse-and the sanitary facilities. In many cases, a

wide range of materials may be combined, as in the Pollen Street Social in

London by Neri & Hu(page 284). But the fact that a company canteen can also

make a strong impact is demonstrated by the new dining space of Der Spiegel

magazine by Ippolito Fleitz with its speaking,illuminated ceiling and reflecting

panels(page

292).

As

the

projects

in

this

issue

show,

restaurant

design

is

moving

away

from

cool,

minimalist

concepts

and

acquiring

an

increasingly

emotional quality

Christian Schittich