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Text B
Out-of-Home Advertising
------- Billboard Boom
The
future of out-of -home advertising is rosy, and
digital ROADSIDE billboards, posters on
buses and subway escalators, ads in
airport terminals--a type of publicity known as
out-of-home
advertising
used
to
be
the
dull
end
of
the
industry.
No
more.
The
falling
price
and
improving
quality
of
flat
screen
displays
mean
that
static
posters
printed
on
paper
are
being
replaced
by
snazzy digital commercials
with
moving pictures, sound
and sometimes
interactive features. As
some advertising media, especially
newspapers see their audiences fade, streets,
airports and other
public spaces are
becoming crowded with
more potential
viewers than ever, as people continue
moving to cities and travel more.
Magna
Global,
a
media
researcher,
predicts
that
worldwide
spending
on
out-
of-
home
advertising will
expand by 8.3% in 2011 to about $$26.4 billion,
faster growth than that seen for
other
non-internet forms of advertising. Spending on
digital billboards and posters is expected to
double
in
the
next
five
years,
to
$$5-2
billion.
William
Eccleshare,
who
runs
the
international
operations
of
Clear
Channel
,
an
American
firm
which
is
one
of
the
largest
out-of-home
ad
companies,
thinks
that
in
some
countries
more
than
90%
of
its
business
will
be
digital
by
the
decade's
end.
His
archrival,
Jean-Charles
Decaux,
the
boss
of
France's
JC
Decaux,
agrees
that
there will be a
significant switch to digital, but mainly inside
airports, railway stations, shopping
malls and other controlled
environments.
Ads in bus
shelters and other outdoor spots at risk of
vandalism will take a lot longer to move
away from paper, Mr Decaux thinks.
Digital displays already account for about one-
quarter of his
company's sales in
transport hubs, but for less than 6% in street
furniture and billboards. The pace
of
the switch to digital is but the least of several
areas of disagreement between the two men. JC
Decaux boasted in February that it had
overtaken Clear Channel to become the world's
largest out-
of-home
ad
company,
with
revenues
of
2-4
billion
($$3.2
billion)
last
year.
is
rare
that
a
European media company is bigger than
an American one,
less indebted than the
others, Mr Decaux says it could consider buying
the American operations of
CBS Outdoor,
the world number three, or indeed those of Clear
Channel itself, if the opportunity
arose.
Mr
Eccleshare
dismisses
such
provocative
talk,
noting
that
Mr
Decaux
has
repeatedly
talked
of
big
acquisitions
in
America
where
it
is
a
weak
number
four
in
the
market
without
anything happening.
He acknowledges that there will be consolidation
in the highly fragmented
industry;
though
he
expects
it
to
take
place
within,
rather
than
across,
national
borders.
For
instance, China has 6o,ooo out-of-home
advertising firms,
many of them
micro-businesses with
one or
two signs, and is clearly ripe for
rationalization. Clear Channel is so optimistic
about digital
posters
because
it
believes
they
offer
enormous
potential
for
making
advertisements
more
effective.
Advertisers can tailor their pitch to
the time of day: McDonald's can advertise its
sausage and
egg McMuffin at breakfast
time change to its regular. Big Mac fare at lunch
and follow that with
ads for apple pie
and ice cream during teatime. They can also react
to events as they happen: when
Spain
won
the
football
World
Cup
last
year,
digital
billboards
in
Madrid,
sponsored
by
Nike,
showed
the
result
within
seconds.
Advertisers
constantly
talk
about
wanting
to
with
consumers,
so they are taking great interest in the potential
for interactivity that digital technology
will bring. JC
Decaux, for example, is offering a free iPhone
application called
a snap: when a
consumer sees a poster (paper or
digital) for something that attracts his interest
and takes a photo
of it on his phone,
the app recognizes it, gives him product
information and discount vouchers and
directs him to the nearest retailer.
Then
there
is
and
a
rather
sinister-sounding
idea
in
which
billboards
with
embedded
cameras,
linked
to
face-
tracking
software,
detect
the
mood
of
each
consumer who passes by,
and change the advertising on display to suit it.
The technology matches
movements of the
eyes and mouth to six expression patterns
corresponding to happiness, anger,
sadness, fear, surprise and disgust. An
unhappy-looking person might be rewarded with ads
for a
sun-drenched beach or a luscious
chocolate bar, while those wearing an anxious
frown might be
reassured
(some
might
say
exploited)
with
an
ad
for
insurance.
Such
Big
Brotherish
software
would
no
doubt
detect
a
satisfied
grin
on
the
faces
of
out-of-home
advertising
bosses
as
they
contemplate
the
next
18
months,
in
which
a
string
of
big
events
will
boost
their
business:
the
Rugby World Cup, the
American presidential election, the Euro 2012
football championship and
the London
Olympics. Wherever you go the street, the subway,
the airport or the bus station there
will be no escape from ads linked to
these events, and the out-of-home advertising
firms will be
raking it in.
New
Words and Expressions
rosy
potential
significant
vandalism
overtaken
revenue
indebted
provocative
acquisition
boost
be crowded with
at risk of
account for
CBS Outdoor
be rewarded with
adj.
adj./n.
adj.
n.
v.
n.
adj.
adj.
n.
v.
前景美好的;充满希望的
潜在的,有可能的
/
潜力,潜能
重要的;有重大意义的
(
尤指对公共财产的
)
故意破坏,捣毁
赶上,超越
收入,收益
负债的
煽动性的,刺激行的,挑衅的
收购,并购
促进,推动
挤满
,
满是
有
……
风险
占据;解释,说明
户外广告
得到……的奖赏
Special
Terms
digital roadside billboard
airport terminal
Micro-
business
路边数字广告牌
机场候机室
小型企业
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