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新编英语教程 5 Unit 11 教案

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2021-03-03 01:07
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2021年3月3日发(作者:佃农)


Unit 11


TEXT 1



CULTIVATING A HOBBY


Winston Churchill



Objectives:



to take notes as completely as possible in class.














to present their interpretations of each paragraph.



Section one


Pre- reading questions:




(15 mins.)



1.



What does ‘hobby’ mean


?



(refer to Lib. work)


2.



Do you have any hobbies?



What are they?


3.



Do your hobbies do you any good?



In what ways?


4.



Who is W. Churchill?



What’s his hobby you know from


what


you have


learned or from this text?



(refer to Lib. work)



In-reading interpretation:






The teacher explains every sentence to the students while the latter try to


take notes as quickly and completely as possible.



After the text interpretation,


the students are required to explain some sentences by their own.



Para.1



(15 mins.)



1.



Worry is a spasm of emotion;



the mind catches hold of something and will


not let it go.







spasm:



an involuntary muscular contraction; here, a sudden violent spell


(of); a sudden convulsive movement






Worry


is


a


kind


of


feeling


which


catches


y


ou


suddenly


so


that


you


can’t


have any peace of mind.



This feeling arises when you think about something


without being able to discontinue thinking about it.



Thus worry results.


2


.



It is useless to argue with the mind in this condition


.






in this condition = when


the mind



catches hold of something and will not


let it go






It is of no use trying to stop the troubled mind / the worry when it


catches



1


hold of something and will not let it go


.



i.e., when worry comes.


3.



The stronger the will, the more futile the task.




(LW6-1)






The stronger your will (to


argue with the mind,


or to stop the worry) is, the


more ineffective/unsuccessful/useless


it will be for you to


achieve this task


of


stopping the worry.






The more you attempt to shake off your worry, the harder it will be for you


to get rid of it / have it off your mind.






Then what can we do to stop the worry?


4.



One can gently insinuate something else into its convulsive grasp.






insinuate = introduce indirectly and subtly






convulsive grasp = the worry






The


only


way


is


to


have


something


else


in


mind


so


that


it


will


not


be


grasped by worry / so as to replace the worry.






What does ‘something else’ imply?







Something else


implies the hobby.


5.



And if this


something else is


rightly chosen, if it is


really attended by the


illumination of another field of interest, gradually, and often quite swiftly, the


old undue grip relaxes and the process of recuperation and repair begins.







attend


= accompanied



(comp.3-2)






illumination


= enlightenment, edification






another field of interest


= hobby






the old undue grip


= worry






recuperation and repair


= not becoming worried any longer






If


you


choose


the


right


thing


to


conquer


your


mind,


if


you


have


another


field


of


interest


to


enlighten


you,


your


worry,


gradually


or


swiftly,


will


be


relieved. / you will be released from the worry.


6.



This


para.


is


about


worry,


which


is


repeatedly


talked


about.



Instead


of


mentioning ‘worry’ again and again whenever it is talked about, Churchill uses


some


other


phrases


to


refer


to


this


annoying


state


of


mind


so


as


to


avoid


the


monotony


of


expressions.



Identify


these


phrases


in


the


1st


paragraph.



(comp.3-1)






a spasm of emotion, its convulsive grasp, the old undue grip



2



Para.2




(10 mins.)



1.



The cultivation of a hobby and new forms of interest is therefore a policy of


first importance to a public man.






It is the most important for a public man to cultivate a hobby, because he is


likely to have more worries in his work concerned with interrelationships with


various kinds of people.


2.



But


this


is


not


a


business


that


can


be


undertaken


in


a


day


or


swiftly


improvised by a mere command of the will.




The growth of alternative mental


interests is a long process.






improvise = make or do without preparation, practice, sufficient material,


etc.






But a hobby cannot be cultivated and developed so quickly as you expect in


your


business.



No


matter


how


strong


your


will


is,


hobby


cultivation


has


to


undergo a long process.


3.



The seeds must be carefully chosen;



they must fall on good ground;



they


must be sedulously tended, if the vivifying fruits are to be at hand when needed.









(comp.3-3)



This


is


a


metaphor


to


describe


the


cultivation


of


a


hobby.



Explain it.






The


author


compares


‘hobby’


to


‘seed’,



‘fitness


(of


a


hobby)


to


an


individual’


to


‘good


ground’,


and


‘the


effect


(in


lessening


one’s


worry)’


to


‘fruit’


so


that


the


reader


can


have


something


concrete


to


look


at.



This


is


certainly a more effective way to explain an idea, esp. an abstract or complex


idea.



(Analysis)






sedulously = diligently, carefully, assiduously






vivifying fruits = results that give one relaxation / refreshment






The cultivation of a hobby is compared to that of a plant.



First of all, the


right


hobby (the seed of a plant)


must


be


carefully


chosen


for


a


person


(good


ground);



then the process of cultivating a hobby, like that of growing a plant,


requires care and effort.



Only in this way can one reap in due time the fruit of


one’s labor


-


the relaxing effect of one’s h


obby.


4.



There


are


some


other


expressions


used


in


this


para.


to


refer


to


‘hobby’.




3


Identify them.






new forms of interest, alternative mental interests, another field of interest


(Para.1)



Para.3




(15 mins.)



1.



To be really happy and really safe, one ought to have at least two or three


hobbies, and they must all be real.






Hobby


is


an


entertainment


that


gives


you


joy


and


makes


you


free


from


worries.



Hobbies should be what you are really interested in.


2.



It is no use starting late in life to say: ‘I



will take an interest in this or that’



(LW6-2)






It is not a good idea to begin thinking of pursuing a hobby when you have


already grown old.





3.



Such an attempt only aggravates the strain of mental effort.






aggravate =


make worse



or more serious







the strain of mental effort


= worry






To begin pursuing a hobby at an old age will not do you any good but make


your worries more serious. / involve you into more worries.


4.



A man may acquire great knowledge of topics unconnected with his


daily


work, and yet hardly get any benefit or relief.






A


saying


goes


that


it


is


never


too


late


to


learn.



Yes,


a


man


can


learn


anything throughout his life, ( may acquire this knowledge or that concerned or


not concerned with his work,) but not everything he learns benefits him, or gives


him


relief,


joy,


or


makes


him


‘happy


and


safe’


as


in


the


1st


sentence.



Therefore,


if


he


starts


a


hobby


too


late,


he


involves


himself


into


worry


and


trouble.


5.



It is no use doing what you like; you have got to like what you do.


(LW6-3)





(It


is


no


good


believing


that


you


are


in


a


position


to


enjoy


at


a


moment’s


notice any pastime which happens


to


catch your fancy;



pleasure comes from


exerting one’s talents in a hobby suited to one’s circumstances.)







It is good to enforce yourself to enjoy whatever you are doing.



It is not a


wise way to do what you are interested in. / do whatever you will, or wish, or



4


like.


6.



Broadly speaking, human beings may be divided into three classes:



those


who


are


toiled


to


death,


those


who


are


worried


to


death,


and


those


who


are


bored to death.






What


kind


of


people


do


you


think


Churchill


had


in


mind


when


he


made


such


a


classification?



(comp.3-4)



or,


what


do


these


three


classes


of


people


refer to according to Churchill?






Those


who


are


toiled


to


death



refers


to


manual


laborers,


blue-color


workers.






Those


who


are


worried


to


death



refers


to


people


who


work


with


their


brains,


e.g.,


professionals,


public


men.



(We’ll


be


worried


to


death


about


the


teaching, the research work, the TEM8.)






Those who are bored to death


refers to people who are not doing anything


seriously, perhaps the leisured class.



They are the class of non-industrious and


useless creatures.


7.



It is no use offering the manual laborer, tired out with a hard week’s sweat


and


effort,


the


chance


of


playing


a


game


of


football


or


baseball


on


Saturday


afternoon.



It is


no use inviting the politician


or


the professional


or business


man, who has been working or


worrying about


serious things for


six days, to


work or worry about trifling things at the week-end.






It


is


no


use


offering


the


exhausted


laborers


the


chance


of


playing


these


effort-consuming sports


no matter how


exciting


they


are;



it


is


no


use


asking


those


who


have


been


troubled


greatly


on


weekdays


to


worry


about


trifles


at


weekend since they have been tired of using their brains, or they have been fed


up with all the troubles.








(These are two illustrations to support the viewpoint that


it is no use doing


what you like; you have got to like what you do


.)


8.



Have


you


no


ticed


that


in


this


para.


‘it


is


no


use’


is


repeated


four


times.



What’s the function of this stylish use of synonymous expression?



(Analysis)







to


aid


in


the


vividness


and


effectiveness


of


the


passage


and


to


gain


emphasis.




5

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