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(一)
People have
been painting pictures for at least30,000 years.
The earliest pictu
res were painted
bypeople who hunted animals. They used to
paintpictures of
the animals they
wanted to catch and es of this kind have been
fou
nd on the walls ofcaves in France
and Spain. No one knows why theywere
pai
nted there. Perhaps the painters
thoughtthat their pictures would help them
t
o catch theseanimals. Or perhaps human
beings have always wanted to tell
st
ories in pictures.
About 5,000 years ago, the Egyptians
and other people in the Near East bega
n
to use picturesas kind of writing. They drew
simple pictures or signs to repr
esent
things and ideas, and also torepresent the sounds
of their language. Th
e signs these
people used became a kind
of
alphabet
.The Egyptians
used to r
ecord information and to tell
stories by putting picture writingand pictures
tog
ether. When an important person
died, scenes and stories from his life
werep
ainted and carved on the walls of
the place where he was buried. Some of
the
se pictures arelike modern
comic
strip
stories. It has been
said that Egypt is
the home of the
comic
strip
.But, for the
Egyptians, pictures still had magic
p
ower. So they did not try to make
their way ofwriting simple. The ordinary
pe
ople could not
understand
it.
By the year 1,000 BC, people who lived
in the area around the Mediterranean
Sea haddeveloped a simpler system of writing. The
signs they used were ver
y easy to
write, and therewere fewer of them than in the
Egyptian system. Th
is was because each
sign, or letter,represented only one sound in
their langua
ge. The Greeks developed
this system and formedthe letters of the Greek
alp
habet
. The
Romans copied the idea, and the Roman
alphabet
isnow used
all
over the world.
These days, we can write down a story,
or record information, without using
p
ictures. But westill need pictures of
all kinds: drawing, photographs, signs
and
diagrams. We find themeverywhere:
in books and newspapers, in the street,
and on the walls of the places where
welive and work. Pictures help us to
und
erstand
and
remember things more easily, and they canmake a
story much
more
interesting.?
1. Pictures of
animals were painted on the walls of caves in
France and Spain
because ?___
___?.?
A. the hunters wanted
to see the pictures?
B. the
painters were animal lovers?
C. the painters wanted to show
imagination?
D. the pictures
were thought to be helpful?
2. The Greek
alphabet
was simpler than
the Egyptian system for all the
follo
wing reasonsEXCEPT that
?______.
A. the former was
easy to write?
B. there were
fewer signs in the former?
C. the former was easy to
pronounce?
D. each sign
stood for only one sound?
3.
Which of the following statements is
TRUE??
A. The Egyptian signs
later became a
particular
alphabet
.?
B. The Egyptians liked to write
comic
?
strip
stories.?
C. The Roman
alphabet
was developed from
the Egyptian one.?
D. The
Greeks copied their writing system from the
Egyptians.?
4. In the last
paragraph, the author thinks that pictures
?______?.?
A. should be made
comprehensible
?
B. should be made
interesting?
C. are of much
use in our life?
D. have
disappeared from our life
参考答案:
1. D)
根据文章第一段第五行
“Perhaps
the
paintersthought that their pictures would help
them to catchthes
e
animals.”
可知古代人以为在墙上画画会对他们有所帮助,故选项
D
为正确答案。
?
2. C)
在做此类题时要注意题干的要求。
通过阅读文章第四段很清楚就知道选项
p>
C
“
前者容
易发
音
”
在文中没有提及,故为正确答案。
?
3. A)
可用排除法来做本题。通过阅读文章很清楚选
项
B
和
D
为错
误陈述。
选项
C
< br>“
罗马字母是从埃及字母发展而来的
”
< br>根据文章第四段第四,五句可知为错误论述,
因此只有选项
A
为正确答案。
4. C)
p>
文章最后一段讲述了图画在今天的用途,故选项
C
< br>为正确答案。
(二)
As the
merchant
class expanded in the eighteenth?century North
American C
olonies, the
silversmith
and the
coppersmith businesses rose to serve
a
few silversmiths were
available
in New Yorkor
Boston in the late seventee
nth century,
but in theeighteenth century they could be found
in all majorcolo
nial cities. No other
colonial artisans rivaled
thesilversmiths’
prestige
. They
h
andled the mostexpensive materials and
possessed direct connections to
pros
perous colonial merchants.
Theirproducts, primarily silver plates and bowls,
re
flected their exalted
status
and testified to
theircustomers’
prominence.
Silve
r stood as one of the surest ways
to store wealth at a time
beforeneighborhoo
d banks existed.
Unlike the silver coins from which they were made,
silver arti
cleswere readily
identifiable
. Often formed
to individual specifications, they
always carried
the
silversmith
’s
distinctive
markings and
consequently
co
uld be traced and ers generally
secure
the silver for the
silv
er object they ordered. They saved
coins, tookthem to smiths, and discussed
the type of pieces they desired.
Silversmiths complied with theserequests by
melting the money in a small
furnace
, adding a bit of
copper to form a
stron
ger
alloy
,
and casting the
alloy
in
rectangular
blocks. They
hammered these
ingots to
the
appropriate
thickness
by hand, shaped
them and pressed desi
gns into them for
adornment
.Engraving was also
done by hand. In
addition
to
plates and bowls, some customers soughtmore
intricate
products, such
a
s silver teapots. These were made by
shaping or casting partsseparately and
t
hen soldering them together. Colonial
coppersmithing also come of age in
the
early eighteenth century and
prospered in northern cities.
Copper’s
ability to
conduct
heat
efficiently
and to
resist
corrosion
contributed to its
attractive
ness. But because it
wasexpensive in colonial America, coppersmiths
were ne
ver very
numerous
. Virtually all
copperworked by Smiths was imported as
sh
eets or obtained by recycling old
copper goods. Copperwas used for practical
i
tems, but it was not admired for its
beauty. Coppersmiths employed it
tofashi
on pots and kettles for the
home. They shaped it in much the same manner
a
s silver
or
melted
it in a foundry
with lead or
tin
. They also
mixed it with zinc
to make brass for
maritimeand scientific instruments.?
ing to the passage, which of the
following eighteenth century
develop
ments had
strong
impact
on
silversmiths? ?
A. A decrease in the
cost of silver. ?
B. The
invention
of heat
efficient
furnaces. ?
C. The growing economic
prosperity
of colonial
merchants. ?
D. The development of new
tools used to shape silver. ?
colonial
America, where did silversmiths usually
obtain
the material to
make silver articles? ?
A.
From their own mines. ?
B. From
importers. ?
C. From other
silversmiths. ?
D. From customers.
passage mentions all of the following
as uses for copper in Colonial Am
erica
EXCEPT ?______?.?
A. cooking pots ?
B. scientific instruments ?
C. musical instruments ?
D.
maritime instruments
ing to the
passage, silversmiths and coppersmiths in colonial
America
were similar inwhich of the
following ways? ?
A. The amount of
social
prestige
they had.?
B. The way they shaped the
metal
they worked with. ?
C. The cost of the goods they made. ?
D. The
practicality
of the goods
they made.
参考答案:
1. C)
根据文章第一句
“As
the
merchant
classexpanded in
the eighteenth?century North AmericanC
o
lonies,...”
可知,随着在十八世纪的北美殖民地商人阶级膨胀起来,也就是
说那时的商人
财富有了很大的发展,银匠铜匠们有机会发挥他们的专长了,这与选项
p>
C
正好相符。
?
2. D)
根据文章第十四、五行
“
Customers
generallysecures
…object
they ordered. They
saved coins, took th
em to smiths,
and...”
可知顾客要做银器,首先要积攒银币,然后拿到银匠处加工
成他们
想要的形状。选项
D“
来自客户
”
与之相符。
3. C)
文章末尾在提到铜的用途时惟独没有提到乐器。
?
4. B)
根据文章倒数第四行
“They
shaped it in much the same manner as silver or
melted
it in afoundry
with lead or
tin
.
”
可知银匠和铜匠在银器和铜器的塑型方式上是一样的,
故选项
B
为正确
答案。
(三)
?
Nature's Gigantic Snow
Plough
On January 10,
1962, an
enormous
piece of
glacier
broke away
and tumbled down the side
of amountain
in Peru. A mere seven
minutes
later, whencascading
ice finally
came to a stop ten miles
downthe mountain, it had taken the lives of 4,000
p
eople.
This
disaster
is one of the
most“
devastating
”examp
les
of a very common e
vent:
an
avalanche
of snow or ice.
Because it is
extremely
cold
at very high
altitudes, snow rarely
melts. It just keeps piling up higher andhigher.
Glaciers
are
eventually
created when the
weight of the snow is so great that the
low
erlayers are pressed into solid ice.
But most avalanches occur long before
this
happens. As snowaccumulates on a
steep
slope
, it reaches a
critical
point
at
which the slightest
vibration
willsend it
sliding into the valley below.
Even an
avalanche
of light power can be dangerous, but the Peruvian
catast
rophe
wasparticularly terrible because it was caused by
a heavy
layer
of
ice.
It is estimated that the icethat
broke off weighed three million tons. As it
cra
shed down the
steep
mountainside like
agigantic snow
plough
, it
swept up tr
ees, boulders and tons of
topsoil
, and completely
crushedand destroyed the
six villages
that lay in its path.
At
present there is no way to
predict
or
avoid
such
enormous
avalanches,
but, luckily, theyare very
rare
. Scientists are
constantly
studying the
smalle
r, more common avalanches, to
tryto
understand
what causes
them. In the f
uture, perhaps dangerous
masses of snow and icecan be found and removed
before they take human
lives.?
1. The first
paragraph catches the reader's attention with a
?_____?.
A. first hand
report?
B.
dramatic
description
?
C. tall tale?
D.
vivid
world picture
?
2. In this passage
devastating
A.
violently
ruinous
?
B. spectacularly
interesting?
C.
stunning?
D.
unpleasant
?
3. The passage is mostly about
?______?.?
A.
avalanches
B.
glaciers
C. Peru
D. mountains
参考答案:
1. A)
文章的第一段就像一个新闻报道,
报道了在秘鲁发生的雪崩的灾难性后果,
一下子就
吸引了读者的注意力。
?
2. A)
根据语境线索可判断出词义为
A
。
?
3. A)
通读全文可知,文章主要是讲述雪崩的形成。
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