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2021年3月1日发(作者:英雄史诗)


A History of Native Art in Canada and North America



A History of Native Art in Canada and North America



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乡土艺术



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乡土艺术




Native Art


乡土艺术



A History of Native Art in Canada and North America


一个在加拿大


和北美本土艺术史< /p>



The story of the development of native art in North America is complex and must rely a great


deal on archaeological and ethnographical evidence.


作者在北美本土艺术的发展故事是 复杂的,


必须依靠考古和民族学的证据很大。



The history of native art in Canada began sometime during


the last ice age although the earliest surviving artifacts...


在加拿大本土艺术史的某个时候开始,


在最后一个冰河时代,虽然最早的文物


... decorative and depictive carvings from the Lower


Fraser Valley in British Columbia...appear to date from only 5000 years ago .


从装饰性和描述


性雕刻下在不列颠哥伦比亚省弗雷泽河谷


...


似乎只有日期由


5000

< p>
年以前。











The development of native art may be divided into three distinct p eriods:


对本地艺术的发展


可分为三个不同的时期:



prehistoric art


史前艺术



contact or


接触或



历史性



的艺术



contemporay native art


本土的当代艺术



Ethnographers have shown that a correct interpretation of the function and meaning of


Native artworks depends upon an understanding and appreciation of the ways of life,


aesthetic values and principles of the peoples themselves.


人类学家已经表明,一个函数 的正确


解释和乡土艺术作品的意义时的理解和人生,审美价值和原则的人民自己的方式表 示赞赏而定。




Prehistoric Native Art


史前本土艺术




Relative to the other periods, there is little known about the prehistoric period of native art


in North America.


相对于其他时期,很少有了解的北美本土艺术的史前时期。



The end of the


prehistoric period varies from region to region across the con tinent.


史前时期的结束因地区而


异整个非洲大陆。



For example in Canada, the first contact with the French explorers in the


Maritimes and along the St. Lawrence River took place in the 16th century, but Europeans


didn't meet up with the First Nations people living on the west coast until late in the 18th


century.


对于在加拿大的例 子,在大西洋省份与法国探险家沿圣劳伦斯河第一次接触发生在


16

世纪的地


方,但不符合欧洲人与原住民生活在西海岸直到晚在人民行动


18


世纪。



Climatic and geographic conditions don't allow for the survival of artworks made from


perishable materials like wood, fibre or hide, so most prehistoric art has been lost.


气候和地


理条件不允许从材料如木头易腐艺术品生存,纤维或隐藏,所 以大多数史前艺术已丢失。



A major


exception has been rock art...paintings in red ochre or carvings incised upon natural rock


surfaces.


一个主要的例外是岩石艺术


...


画红色赭石或切开后,自然岩石表面雕刻。



Yet there have


been some important discoveries.


然而,有一些重要的发现。



A tiny antler figurine, probably


4000 years, old gives evidence of the beginnings of what would become historic northwest


coast art and a 5000 year old petroglyph site in northwestern Ontario speaks of the imagery


that is used by contemporary artists.


小小的鹿茸雕像,大概

< br>4000


年,旧的起源提供了证据,什么


将成为西北海岸 的艺术和历史


5000


年安大略省西北部的古老岩石雕刻的网站 是由当代艺术家们用形象


说话。



The discovery and dating of prehistoric artworks depends on painstaking excavation and


careful interpretation. Totem poles were once thought to be the product of European contact,


but its since been verifired that they have had a continuous on-site development dating


back at least 2500 y ears.


约会的发现和艺术品史前取决于挖掘和认真细致的解释。图腾柱一度被认为< /p>


是联系产品欧洲,但其被


verifired

他们曾连续在现场开发,至少可以追溯到


2500


年。



Like contemporary art, prehistoric art has varied not only in genre, style, function, imagery


and meaning from region to region, but has undergone changes from period to period.


像当


代艺术, 史前艺术各不相同,不仅在体裁,风格,功能,形象和区域意义的地区,而且经历了从时间变

化的时期。



Across North America these changes accelerated around 1000BC when pottery,


agriculture and settled village life in the Eastern Woodlands made its imp act.


北美各地约


1000BC


时, 这些陶器,农业和定居在东兀兰乡村生活作出了加速变化的影响。



There are several exceptional occurrences of prehistoric art in Canada.

在加拿大有许多史前艺


术中的几个特殊事件。



The Marpole culture which existed from approximately 500BC to 500 AD along the Fraser


River delta and the surrounding Gulf Islands produced a plentiful variety of stone and bone


carvings in the shape of ceremonial bowls, effigies and utensils that are distinct forerunners


of the style and iconography of historic west coast native art.


从文化的马波尔约


500BC



500


沿菲沙河三角洲及周边海湾群岛广告对其存在制作的礼仪形状的石头雕刻 丰富的品种和骨碗,肖像和器


具属于不同的风格和意象的先行者历史悠久的西部沿岸的土 著艺术。



In southern Ontario the precontact Iroquoian culture between 900 - 1600 AD produced


highly technical and visually appealing pottery that was decorated with representational and


geometric designs.


在安大略省南部的


precontact


易洛魁文化之间


900 -


公元


1 600


年生产的高度技


术性和视觉吸引力的陶器,与代表和几何 图案装饰。



The same culture produced clay and stone


effigy pipes of fascinating shape and iconographic variety.


同样的文化生产粘土和各种迷人的形


状和肖像石头肖像管道。

< br>


The bowls and stems were carved in high relief or incised with human


and zoomorphic images (lizards, turtles and birds) which are still powerful animals in the


iconography of Great Lakes religious ar t.


碗和茎高浮雕或刻在人力和兽形图像(切蜥蜴,龟,鸟),


而后者仍然在大湖区的宗教艺术意象强大的动物。




Historic Native Art


乡土艺术的历史




Because so many examples of postcontact native art have been collected, sketched and


written about by explorers, traders, missionaries, artists and scholars for more than 400


years, much is known of historic native art.


由于


postcontact


本土艺术这么多的例子已经收集,


勾画和关注,探险家,商人,传教士, 艺术家和学者超过


400


年写的,许多是历史本土艺术闻名。< /p>



The


distribution and cultural character of Native groups in the early contact period have resulted


in a distorted view of the great depth, diversity and richness of native art history.


的分布及


在早期接触期间乡土群体的文化性格也导致了大深度扭曲的观点,多样性和丰富的本土艺术史。< /p>



Native Art in Canada can be divided into seven regional subdivisions


在加拿大本土艺


术可分为


7


个区域分 支机构




The Eastern Subarctic native art is probably the oldest in Can ada.


东部亚寒带本土艺术可能是


加拿大历史最悠久的。



The majority of prehistoric and early contact rock art sites are located


in this region of the Canadian shield.< /p>


在史前和早期接触岩石艺术网站大部分都位于这一地区的加拿


大盾 牌。



The inhabitants - the Ojibwa, Cree, Algonquin, Ottawa, Montagnais, Naskapi,


M'qMak and the Maliseet - were largely Algonquin speaking people who lived a nomadic


lifestyle based on hunting, fishing and the gathering of wild foods.


居民



-


的奥吉布瓦,克里,


阿尔冈金,渥太华,蒙塔奈斯,纳斯卡皮,


M'qMak


和马利塞特



-


在很大程度上阿尔冈昆母语的人士谁


住一个游牧的生活方式的基础上狩猎,捕鱼和采集的野生食物。



In some cases the lifestyle


continued well into the 20th century.


在某些情况下,生活一直持续到


20


世纪。



The Western Subarctic native art came from a region of environmental and cultural


conditions similar to that inhabited by the Cree in the eastern Subarctic, but was produced


by Athapaskan speaking peoples.


西部亚寒带本土艺术来自不同的环境和文化条件类似的地区由克


里居住在东部亚寒带的,


而是由人民产生


At hapaskan


发言。



The Dene Nation, as the Athapaskans


prefer to be called, are linguistically distinct, but share a comparable culture with their


eastern neighbours.


民族的代内,


作为


Athapaskans


宁愿被称为是语 言不同,


但都有一个与其东部邻

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