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拯救大兵瑞恩》之结构
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人物
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艺术特色浅谈《拯救大兵瑞恩》是一部描写二战时期的影
片,
讲述了盟军一只八人小分队潜入德军后方,
历尽千辛万苦
,
终于成功找到并带回一位名
叫瑞恩士兵,把他送还给他那已失
去四个儿子中三个的母亲的故事。
In the past, war films are often rhythm
is compact, while the film is an exception, or her
took
40 minutes to describe Normandy
bloody scenes, that many in the audience for
couldn't handle the
visual stimulus
exit ahead of a
audience with the
film's content is very consistent situation, war
is brutal and bloody, people at
that
time
is
so
fragile,
bullets
helmets,
body;Soldiers
on
the
beaches
to
find
their
own
residual
limb
arm;After
exploding,
miller
dragged
the
injured
only
half...Reduction
of
rare
battle
strong atmosphere foil, director also smart to set
the stage, is the team into the German
people in the future the huge risk of a
comprehensive forecast, let the audience in his
own heart
have
the
contrast,
of
course
also
more
urgently
want
to
know
how
difficult
task
to
ion
this
platform
successfully
set,
open
up
the
's
also
enter
into
the
the
unit's first small climax occurred in the 56th
minute, private private caparzo shot
by
a sniper, unfortunately sacrifice;The second
climax of 58 points in just two minutes later, the
two sides inadvertently generate
standoff, finally ended in the enemy were orgasms
so
closely, as if the spirit of
adumbrative should have a rest and do not let go,
in war, and rightly so,
but insisting
that vigilant, danger is not in conformity with
the audience's aesthetic demand, not
only are their own threshold mat is
high, so the new factor intervention - the first
Ryan with funny
play stupid gas, after
a little disappointed, leaving the audience more
third climax comes,
with several
nameplate for transition, team doctor and a member
of the dick before Mr. Weidner
died
in
the
attack
the
paratroopers
fortress;Followed
by
urban
let
the
germans
caused
a
fourth
movement
is
not
strong,
but
more
important:
private
rubin
threatening
to
leave,
sergeant
ward
Howe blocking their climax of
character relationship began to change, not only
is the
supervisor in the team, there
are differences, as well as the ultimate
contradiction - the action is
worth a
point, the director made the most intelligent
answer generation miller.
比照以往,
战争题材的影片往往节奏紧凑,
而这部影片却是个例外,
挥毫泼墨用了整整
40
分钟描写诺曼底登陆的血腥场面,
以至许多观众都因受不了这样的视觉刺激
而提前退场。
作为一个
“
极热
”
的热开场,导演无疑为屏幕前的观众们制造了与电影内容极为相符的情
境,
战争是惨烈而血腥的,人在彼时显得如此脆弱,枪林弹雨穿透头盔、撕裂身体;士兵
在滩头
上寻找自己的残肢断臂;
一声炸响过后,
米勒拖着的伤员只剩半截
……
战争场面的还原达到
p>
罕见的真实。
而气氛烘托浓烈之余,
导演也
精明地埋了铺垫,
即为日后把人小分队深入德军
的巨大危险性作
了全面预告,
先让观众在自己心里有了对比,
当然也就更迫切地
想知道艰巨
的任务如何完成。
情境这座平台的成功设置,
开拓了日后情节冲突发展的空间。
四十分钟漫
长视听刺激过后,
本片节奏的功力开始凸现:
导演仅用了五分钟
的胶片,
八人小分队就已走
在了寻找大兵瑞恩的路上,
情节交待简洁明了。
一行人行军的过程可算开端单元的句号,
到
此为止,
每个成员的性格都已有所体现,
小翻译厄本跑前跑后问这问那既松弛了气氛,
又为
下文揭开
“
米勒战前的职业
”
p>
打下伏笔。
全片也进入带入过程。
带入单元
的第一个小高潮发生
在第
56
分钟,列
兵卡帕佐被狙击手击中,
不幸牺牲;第二个高潮仅在两分钟后的
58
分,双
方无意间产生对峙,
最后以
敌方被击毙告终。
两个高潮连接得如此紧密,
仿佛预示着本该得
到休息的精神并不可放松,置身战争,理当如此,但一味强调警惕、
危险不但不符合观众的
审美需求,
也难免把自己的门槛垫高
,
于是新因素介入
——
第一个瑞恩带着
搞笑的蠢气上场,