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正确练习扬琴的基本规范
一、关于扬琴的基本常识
One,
basic
knowledge
about
the
dulcimer
(一)主要部件及其作用
(
a
)
the
main components and its
function
扬琴的外形是
一
个上窄下宽的梯形木箱。
琴体里设有音梁;
< br>音梁侧立,上
与面板,下与底板、两端与箱框连结成为扬琴的共鸣箱。
每台琴都有五六条音梁,每条音梁上的四五个圆孔为音
孔。
Yangqin shape is a trapezoid
wooden
box width.
The body
is provided with the sound beam; the sound
beam
Celi,
and
panel, and
the bottom
plate,
and both
ends of the lower box connected as
resonator dulcimer.
Each
organ
has
five
or
six
sound
beams,
each
sound
beam on the four or five hole to hole.
(二)如何挑
选新琴与琴竹
( two ) how to select new
Qin and Qin
Bamboo
1.
好的扬琴的标准主要包括以下几
个方面:
1
good
dulcimer
standard
includes
the
following:
看外观:
看面板上面的木纹疏密是否
均匀,
走向是否平直;
琴体做工是否精细。琴框应油漆均匀、色
泽纯正、
光洁度
高、且无裂纹、无掉漆、无破损。查部件:查看
左右两边
的盖板与琴体是否的吻合;
挂弦钉和弦轴是否排列的整
齐
均匀;
滚珠、
小桥码是否的齐全。<
/p>
听声音:
高音区要清脆、
明亮、纯净、富
有“颗粒感”
,
中音区要柔和、圆润;低音
区要浑厚、结实。
See
appearance:
see
the
panel
above
the
wood
density
is
uniform,
trend
is
flat;
the
body
is
working
fine.
Music
box
should
be
painted
uniform, pure color, high degree of
finish, and no crack,
no paint, no
breakage. Check the parts: view about the
cover plate and the body on both sides
of the whether
anastomosis;
hanging
string
nail
and
peg
are
neatly
arranged
evenly;
ball,
the
bridge
code
is
complete.
Listen to the voice: the treble area
must be clear, bright,
pure, rich
area to be vigorous, strong.
2.
挑选
琴竹应注意以下
几点:材料:有较大的弹性和韧性,手感要光滑。色泽:
颜色要偏粉黄,并富有光泽为佳。
形状:
把琴竹仰放在
桌
面上,
看看琴竹是否的平展,
竹头与
竹尾是否在一条直线
上。
2 choose the Qin Bamboo should pay
attention to
the
following
points:
Material:
greater
elasticity
and
toughness, smooth feel
to. Color: color to partial yellow,
and
rich
luster.
Shape:
the
Qin
Bamboo
lying
on
the
table,
have a
look whether
Qin
Bamboo
flat head
and
tail, bamboo bamboo is in a straight
line.
二、扬琴
演
奏
的
基
本
方
法
Two
basic
approaches,
dulcimer
performance
(一)演奏姿势
(
a
)
performing
posture
演奏扬琴以坐姿为主,
演奏时要放松
的坐在
琴凳的二分之一或三分之一处,身体应距离琴
20
—
25
公
分左右,两
腿自然的分开与肩同宽,
左腿稍前一些,
右腿
< br>稍后一些。大臂自然下垂,
平稳的抬起小臂。全身要自然
的放松,
随意而舒适,
上身的前后、
左
右活动应轻松自如。
Playing
dulcimer
in
a
sitting
position,
play
to
relax
sitting on the bench
for 1/2 or 1/3, the body should be
about
20
to
25
centimeters
from
the
piano,
legs
naturally
shoulder
width
apart,
the
left
leg
slightly
in
front,
right
leg
later.
Arm
natural
prolapse,
raised
his
arm
steady.
The
body
naturally
relax,
casual
and
comfortable,
the
upper
body
around,
around
activities
should be
relaxed.
(二)
持竹方法
( two ) hold the
bamboo
method
首先将琴竹全长的五分之一处放
在食
指的第一指关节,
要靠在指尖一些,
再将大指自然的
压在上面,轻捏住竹柄。通过三指将琴竹握稳,四、五指
自然的弯曲、
p>
收拢。
然后检查整个手的手形是否自然的收
拢,手的各个指关节是否僵硬。
The
Qin
Bamboo
1/5
full-length
on
the
index
finger
of
the
first
knuckle,
depend
on
in
the
fingertips,
then
the
largest
natural
pressure on it,
gently pinch bamboo handle. The three
refers to the Qin Bamboo hold steady,
four, five fingers
naturally bend, fold. Then
check the hand whole hand is
naturally
folded
hands,
each
finger
joints
are
stiff.
(三)击弦的方法与要领
(
three
)
and
essentials
of
striking
method
1.
击弦的动作
1
striking
action
< br>大臂要自然的下垂,然后将小臂平稳的抬起,左右手持
琴竹稍呈内八字形。
右手手腕抬起,
使琴竹的竹头呈高位
欲落击弦
之势。
然后琴竹从高位落下击弦,
这时要通过臂、
腕和指的力量传递到琴竹的竹头上,
然后在落下琴竹击弦
的一刹那,
将手腕和手指相结合,
以手腕为主产生的力量<
/p>
集中、
有力、
并富有弹性的击在琴弦上,
同时立即的放松,
并顺势利用琴竹反弹的力量,
回到下一次击弦的高度,
进
行第二次击弦。
Arm
natural
prolapse,
then
the
small
arm
smooth lift, left and right hand Qin Bamboo
slightly
inner splay. The right hand
wrist is raised, the bamboo
head
Qin
Bamboo
showed
a
high
tendency
to
fall
the
action. Then the Qin Bamboo falls from
the high time to
be
action,
through
the
arm,
wrist
and
finger
force
transmission
to
the
bamboo
head
Qin
Bamboo,
and
then in a moment of
falling Qin bamboo string, the wrist
and
finger
to
wrist
combination,
mainly
produce
the
power of concentration,
powerful, and flexible struck the
strings
at
the
same
time,
immediately
relax,
and