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国王的演讲英文影评

作者:高考题库网
来源:https://www.bjmy2z.cn/gaokao
2021-02-28 04:09
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2021年2月28日发(作者:higher)


Rarely do you get to see a movie that promises a lot and then, lives up to it's


promise. The King's Speech is a rare piece, indeed.



The movie starts off with a stammering speech and signs off with a staggering


one, with hardly any glitches in between. The basic premise of the movie is


fairly simple. A king with a stutter is helped by a maverick speech therapist to


overcome his problem and become an inspiring orator. That sounds like a very


known territory to most movie goers. But few minutes into the movie, and you


realize that this one simply pushes the bar a notch higher.



It is a very pleasing movie, doesn't lead the audience into a lot of


uncomfortable questions. However, the artistry lies in the overall balance of the


movie. You slowly start getting gripped by David Seidler's screenplay. The


actors are superb, takes it slow and steady with superb grip on each of their


characters. While Colin Firth puts in a spectacular performance (one you can't


miss), Geoffrey Rush goes a bit more old school and pulls off a subtle and


deep portrayal. One that fills up your heart but also keeps your brain active.


Humor comes in here and there, with a very easy flow and steady pace. Not for


a single moment do you perceive the movie as dull. Helena Bonham Carter is


good. Guy Pearce is appropriate, though he does look a bit too casual at times


(maybe that was an intentional character flaw).



Most of the movie had been filmed indoors, albeit with eloquent art direction.


But the occasional sequences shot outside had been filmed very beautifully,


portraying a very dreamy picture of the then England. Sometimes, the camera


goes in too close to the characters, and stays there for a while, just long


enough to give us a sense of suffocation, quite an artistic equivalent of a


speech disorder ! But then again, negative shades had been whitewashed with


joyous ones and you never perceive it as a dark movie. Direction wise, Tom


Hooper is bang on ! This is the kind of a movie where you want to give a lot of


credit to the director. The set-up is such that the dramatic elements are high


but needs to be tamed, so that it doesn't goes over board. And hits


the bulls eye ! Perfect balance.



All points considered, it's a brilliant movie and a must watch.




Even now, the die is being cast. By 5pm


today Pacific Tim


e (1am


tom


orrow GMT),


academ


icians will have lodged the last of their Oscar votes. On Sunday, these m


ay or


m


ay not provide The King's Speech with the coronation so m


any expect. Yet even if, in


spite of that avalanche of nom


inations, this doesn't happen, perhaps i


t won't m


atter all


that m


uch.


This


film


can m


anage without Hollywood's ul


tim


ate accolade. It's


built its own


legend already.




本片不止获得了盛赞的影评、无数的奖项和惊人的票 房收入。它让人们在街道上排队等待观影、


在播放演职员表时起立鼓掌。


本片是英国人热衷于拍摄的那种低成本历史剧,没有什么特效。因此其


成功颠覆 了许多传统看法。



It's not just the ecstatic reviews, the sackload of awards and the startling box offi


ce


takings. This is a film


that's had people queuing around the block


to see it and standing


up


to


applaud as


the


credits roll.


Yet i


t's a low-budget


costum


e piece of


the kind the Brits


have delivered so often before to no parti


cular effect. Its trium


ph has therefore


shattered m


uch conventional wisdom


.




普遍看法是,如今不再有观众在大银幕上观看小成本戏剧。老影迷已经灭绝。

< p>
英国电影别指望赚


大钱:本土市场不够广阔;


需要 资金雄厚的投资商,但无从觅得;


公共资助不足,


而且投资者不 知如


何挑选优胜者;同时即便有优秀影片诞生,它们也进不了本土影院,遑论出口海外了 。


2


We were told that these days, there's no longer a big-screen audience for sm


all-scale


dram


a. That


older


cinem


agoers have becom


e extinct.


That Britfli


cks shouldn't expect


to


hit the jackpot: our hom


e m


arket's not large enough; deep-pocketed investors are


needed but can't be found; there isn't enough public funding, and those who disburse


what there is don't know how to pick winners; while even if the right film


s were to get


m


ade, they couldn't get into our own cinem


as, let alone the rest of the world's.



现在英国人打开了眼界,但为了从此经验中受益,英国人还需要知道:为什么《国王的演讲》如


此成功?



We've now learned


different, but


to benefit


from


this lesson,


there's som


ething we need


to know. Just why has The King's Speech been such a success?



业内专 家并不知道答案,因为他们并没有预料到本片的胜利。现在,他们会推崇


Presci< /p>


ence



司和英国电影协会等投资方的 远见、四象限受众选择法、针对评奖季的定位、


Mom


entu m


公司和英


国分销商的卓越营销,


以及 美国同行温斯坦兄弟机智的搭桥引线。


不过他们也承认除此以外还有更多


原因。



We've now learned


different, but


to benefit


from


this lesson,


there's som


ething we need


to know. Just why has The King's Speech been such a success?



于是, 和许多评论家(以及电影艺术与科学学院奖的提名者)一样,这些专家表示他们相信本片


有杰出的表演、精致的剧本、


优秀的美术指导以及动人的摄影、服装、

< br>剪辑、作曲和混音。


然而,即


使你相信所有这些好评都不 算过誉,


但从什么时候开始电影只要够出色就能被大众接受呢?我们现在


不是在谈论一部经典电影


(本片还不够老)



我们讨论的是一部大卖电影。


大卖电影往往要引发共鸣,


而不仅仅是铺陈其优点。



So, like m


any of the critics (and the Academ


y of Motion Pi


cture Arts and Sciences


nominators),


they point


to what


they deem


to


be m


agnificent acting, a fine script,


classy


production design and, for that m


atter, im


pressive cinem


atography, costum


es, editing,


score and sound-m


ix. Yet, even if you're sure that all this esteem


isn't at least


a little


excessive, since when was m


ere ex


cellence enough to bring in the crowds? We're not


talking about a


classic (yet);


we're discussing a hit.


And


those


tend


to strike a


chord, not


just parade m


erit.



《国王的演讲》 导演汤姆


·


霍伯认为本片和《阿凡达》一样是在挖掘相同的跨文 化理念。好吧,那


到底是什么理念?



The


film's director,


Tom


Hooper, has opined


that


The King's Speech appears


to be m


ining


the sam


e cross-cultural m


yths as the likes of Avatar. OK, so what m


yths are we talking


about?



一位美国分析 师以《功夫梦》为范例,在本片中准确找到


10


个关键元素,证 明本片就是披着一


线大片外皮的


B


级片 ,和其他类似电影一样受他鄙视。对于小说家米歇尔


·


罗伯茨而 言,本片就是关


于性别的:



从艺术手 法上讲,有缺陷的国王象征了所有普通人,当他重获话语权时,就能恢复所有


力量。继而 他可以领导人民去战斗。




An Am


erican analyst has identified 10 key elem


ents that locate the film


firm


ly in the


paradigm


of The Karate Kid,


thus revealing it


to be


a B


-m


ovie story decked out


rags


le Roberts, it's all about


gender:


aged king, who


by artisti


c


sleight


of hand is Everym


an,


can be restored


to full potency when he gets his voice back. Then he can lead his people into war.



你被说服了吧?这就是麻烦所在:任何人都可 以发表意见。如果你要用个人偏见来支持自己的理


论,


那么要如 何证明你错了?询问影迷也没有多大作用,


因为许多理论会臆断影迷们拥有一些潜意识< /p>


反应,


而且即便影迷认识到这种反应存在也可能不肯承认。不过, 有一些常见的对电影的诠释好像非


常合理。



Persuaded yet? That's the trouble wi


th this gam


e. Anyone can play. If you want to fuel


-


-


-


-


-


-


-


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