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The Young King
Oscar Wilde
IT
was the night before the day fixed for his
coronation, and the young King was sitting alone
in
his
beautiful
chamber. His courtiers
had
all
taken
their
leave
of
him,
bowing
their
heads
to
the
ground, according to the ceremonious
usage of the day, and had retired to the Great
Hall of the
Palace, to receive a few
last lessons from the Professor of Etiquette;
there being some of them who
had still
quite natural manners, which in a courtier is, I
need hardly say, a very grave offence.
The lad - for he was only a lad, being
but sixteen years of age - was not sorry at their
departure,
and
had
flung
himself
back
with
a
deep
sigh
of
relief
on
the
soft
cushions
of
his
embroidered
couch,
lying
there,
wild-eyed
and
open-mouthed,
like
a
brown
woodland
Faun,
or
some
young
animal
of the forest newly snared by the hunters.
And,
indeed,
it
was
the
hunters
who
had
found
him,
coming
upon
him
almost
by
chance
as,
bare-limbed and pipe in hand, he was
following the flock of the poor goatherd who had
brought
him
up,
and
whose
son
he
had
always
fancied
himself
to
be.
The
child
of
the
old
King's
only
daughter by a secret marriage with one
much beneath her in station - a stranger, some
said, who,
by the wonderful magic of
his lute-playing, had made the young Princess love
him; while others
spoke of an artist
from Rimini, to whom the Princess had shown much,
perhaps too much honour,
and who had
suddenly disappeared from the city, leaving his
work in the Cathedral unfinished - he
had been, when but a week old, stolen
away from his mother's side, as she slept, and
given into the
charge of a common
peasant and his wife, who were without children of
their own, and lived in a
remote part
of the forest, more than a day's ride from the
town. Grief, or the plague, as the court
physician stated, or, as some
suggested, a swift Italian poison administered in
a cup of spiced wine,
slew, within an
hour of her wakening, the white girl who had given
him birth, and as the trusty
messenger
who bare the child across his saddle-bow, stooped
from his weary horse and knocked at
the
rude door of the goatherd's hut, the body of the
Princess was being lowered into an open grave
that had been dug in a deserted
churchyard, beyond the city gates, a grave where,
it was said, that
another body was also
lying, that of a young man of marvellous and
foreign beauty, whose hands
were tied
behind him with a knotted cord, and whose breast
was stabbed with many red wounds.
Such, at least, was the story that men
whispered to each other. Certain it was that the
old King,
when on his death-bed,
whether moved by remorse for his great sin, or
merely desiring that the
kingdom should
not pass away from his line, had had the lad sent
for, and, in the presence of the
Council, had acknowledged him as his
heir.
And it seems that
from the very first moment of his recognition he
had shown signs of that strange
passion
for
beauty
that
was
destined
to
have
so
great
an
influence
over
his
life.
Those
who
accompanied him to the
suite of rooms set apart for his service, often
spoke of the cry of pleasure
that broke
from his lips when he saw the delicate raiment and
rich jewels that had been prepared
for
him, and of the almost fierce joy with which he
flung aside his rough leathern tunic and coarse
sheepskin cloak. He missed, indeed, at
times the fine freedom of his forest life, and was
always
apt to chafe at the tedious
Court ceremonies that occupied so much of each
day, but the wonderful
palace -
Joyeuse, as they called it - of which he now found
himself lord, seemed to him to be a
1
new world fresh-fashioned
for his delight; and as soon as he could escape
from the council-board
or audience-
chamber, he would run down the great staircase,
with its lions of gilt bronze and its
steps of bright porphyry, and wander
from room to room, and from corridor to corridor,
like one
who was seeking to find in
beauty an anodyne from pain, a sort of restoration
from sickness.
Upon
these
journeys
of
discovery,
as
he
would
call
them
-
and,
indeed,
they
were
to
him
real
voyages
through a marvellous land, he would sometimes be
accompanied by the slim, fair-haired
Court pages, with their floating
mantles, and gay fluttering ribands; but more
often he would be
alone, feeling
through a certain quick instinct, which was almost
a divination, that the secrets of
art
are best learned in secret, and that Beauty, like
Wisdom, loves the lonely worshipper.
Many curious stories were related about
him at this period. It was said that a stout
Burgomaster,
who
had
come
to
deliver
a
florid
oratorical
address
on
behalf
of
the
citizens
of
the
town,
had
caught sight of him kneeling in real
adoration before a great picture that had just
been brought
from Venice,
and that seemed to herald the worship of some new
gods. On another occasion he
had been
missed for several hours, and after a lengthened
search had been discovered in a little
chamber in one of the northern turrets
of the palace gazing, as one in a trance, at a
Greek gem
carved with the figure of
Adonis. He had been seen, so the tale ran,
pressing his warm lips to the
marble
brow of an antique statue that had been discovered
in the bed of the river on the occasion
of
the
building
of
the
stone
bridge,
and
was
inscribed
with
the
name
of
the
Bithynian
slave
of
Hadrian.
He had passed a whole night in noting the effect
of the moonlight on a silver image of
Endymion.
All
rare
and
costly
materials
had
certainly
a
great
fascination
for
him,
and
in
his
eagerness
to
procure
them
he
had
sent
away
many
merchants,
some
to
traffic
for
amber
with
the
rough
fisher-
folk of the north seas, some to Egypt to look for
that curious green turquoise which is found
only in
the tombs of kings,
and is said to possess
magical properties, some
to
Persia for silken
carpets and painted
pottery, and others to India to buy gauze and
stained ivory, moonstones and
bracelets
of jade, sandalwood and blue enamel and shawls of
fine wool.
But what had
occupied him most was the robe he was to wear at
his coronation, the robe of tissued
gold, and the ruby-studded crown, and
the sceptre with its rows and rings of pearls.
Indeed, it was
of this that he was
thinking to-night, as he lay back on his luxurious
couch, watching the great
pinewood log
that was burning itself out on the open hearth.
The designs, which were from the
hands
of the most famous artists of the time, had been
submitted to him many months before, and
he had given orders that the artificers
were to toil night and day to carry them out, and
that the
whole world was to be searched
for jewels that would be worthy of their work. He
saw himself in
fancy standing at the
high altar of the cathedral in the fair raiment of
a King, and a smile played
and lingered
about his boyish lips, and lit up with a bright
lustre his dark woodland eyes.
After some time he rose from his seat,
and leaning against the carved penthouse of the
chimney,
looked
round
at
the
dimly-lit
room.
The
walls
were
hung
with
rich
tapestries
representing
the
Triumph of Beauty. A large press,
inlaid with agate and lapis-lazuli, filled one
corner, and facing
the window stood a
curiously wrought cabinet with lacquer panels of
powdered and mosaiced gold,
on
which
were
placed
some
delicate
goblets
of Venetian
glass, and
a
cup
of
dark-veined
onyx.
2
Pale poppies were broidered on the silk
coverlet of the bed, as though they had fallen
from the
tired hands of sleep, and tall
reeds of fluted ivory bare
up the
velvet canopy, from
which great
tufts
of
ostrich
plumes
sprang,
like
white
foam,
to
the
pallid
silver
of
the
fretted
ceiling.
A
laughing Narcissus in
green bronze held a polished mirror above its
head. On the table stood a flat
bowl of
amethyst.
Outside
he
could
see
the
huge
dome
of
the
cathedral,
looming
like
a
bubble
over
the
shadowy
houses, and the
weary sentinels pacing up and down on the misty
terrace by the river. Far away, in
an
orchard, a nightingale was singing. A faint
perfume of jasmine came through the open window.
He
brushed
his
brown
curls
back
from
his
forehead,
and
taking
up
a
lute,
let
his
fingers
stray
across the cords. His heavy eyelids
drooped, and a strange languor came over him.
Never before
had he felt so keenly, or
with such exquisite joy, the magic and the mystery
of beautiful things.
When
midnight
sounded
from
the
clock-
tower
he
touched
a
bell,
and
his
pages
entered
and
disrobed him with much
ceremony, pouring rose-water over his hands, and
strewing flowers on
his pillow. A few
moments after that they had left the room, he fell
asleep.
And as he slept he
dreamed a dream, and this was his dream. He
thought that he was standing in a
long,
low
attic,
amidst
the
whirr
and
clatter
of
many
looms.
The
meagre
daylight
peered
in
through the grated
windows, and showed him the gaunt figures of the
weavers bending over their
cases.
Pale,
sickly-looking
children
were
crouched
on
the
huge
cross-beams.
As
the
shuttles
dashed through the warp they lifted up
the heavy battens, and when the shuttles stopped
they let
the battens fall and pressed
the threads together. Their faces were pinched
with famine, and their
thin hands shook
and trembled. Some haggard women were seated at a
table sewing. A horrible
odour filled
the place. The air was foul and heavy, and the
walls dripped and streamed with damp.
The young King went over to one of the
weavers, and stood by him and watched him.
And the weaver looked at
him angrily, and said, `Why art thou watching me?
Art thou a spy set on
us by our
master?'
`Who is thy
master?' asked the young King.
`Our
master!'
cried
the
weaver,
bitterly.
`He
is
a
man
like
myself.
Indeed,
`there
is
but
this
difference between us
that he wears fine clothes while I go in rags, and
that while I am weak from
hunger he
suffers not a little from overfeeding.'
`The land is free,' said
the young King, `and thou art no man's slave.'
`In war,' answered the
weaver, `the strong make slaves of the weak, and
in peace the rich make
slaves of the
poor. We must work to live, and they give us such
mean wages that we die. We toil
for
them all day long, and they heap up gold in their
coffers, and our children fade away before
their
time,
and
the
faces
of
those
we
love
become
hard
and
evil.
We
tread
out
the
grapes,
and
another drinks the wine.
We sow the corn, and our own board is empty. We
have chains, though
no eye beholds
them; and are slaves, though men call us free.'
3
`Is it so with all?' he asked.
`It is so with all,'
answered the weaver, `with the young as well as
with the old, with the women as
well as
with the men, with the little children as well as
with those who are stricken in years. The
merchants grind us down, and we must
needs do their bidding. The priest rides by and
tells his
beads, and no man has care of
us. Through our sunless lanes creeps Poverty with
her hungry eyes,
and
Sin
with
his
sodden
face
follows
close
behind
her.
Misery
wakes
us
in
the
morning,
and
Shame sits with us at
night. But what are these things to thee? Thou art
not one of us. Thy face is
too happy.'
And he turned away scowling, and threw the shuttle
across the loom, and the young
King saw
that it was threaded with a thread of gold.
And a great terror seized
upon him, and he said to the weaver,
`What robe is
this that thou
art
weaving?'
`It is the robe for the coronation of
the young King,' he answered; `what is that to
thee?'
And the young King
gave a loud cry and woke, and lo! he was in his
own chamber, and through
the window he
saw the great honey-coloured moon hanging in the
dusky air.
And he fell
asleep again and dreamed, and this was his dream.
He thought that he was
lying on the deck
of a huge galley that
was being rowed by a hundred
slaves. On
a carpet by his side the master of the galley was
seated. He was black as ebony, and his
turban was of crimson silk. Great
earrings of silver dragged down the thick lobes of
his ears, and
in his hands he had a
pair of ivory scales.
The
slaves were naked, but for a ragged loincloth, and
each man was chained to his neighbour.
The hot sun `beat brightly upon them,
and the negroes ran up and down the gangway and
lashed
them with whips of hide. They
stretched out their lean arms and pulled the heavy
oars through the
water. The salt spray
flew from the blades.
At
last they reached a little bay, and began to take
soundings. A light wind blew from the shore,
and covered the deck and the great
lateen sail with a fine red dust. Three Arabs
mounted on wild
asses rode out and
threw spears at them. The master of the galley
took a painted bow in his hand
and shot
one of them in the throat. He fell heavily into
the surf, and his companions galloped away.
A woman wrapped in a yellow veil
followed slowly on a camel, looking back now and
then at the
dead body.
As
soon
as
they
had
cast
anchor
and
hauled
down
the
sail,
the
negroes
went
into
the
hold
and
brought up a long rope-
ladder, heavily weighted with lead. The master of
the galley threw it over
the side,
making the ends fast to two iron stanchions. Then
the negroes seized the youngest of the
slaves, and knocked his gyves oil, and
filled his nostrils and his ears with wax, and
tied a big stone
round his waist. He
crept wearily down the ladder, and disappeared
into the sea. A few bubbles
rose where
he sank. Some of the other slaves peered curiously
over the side. At the prow of the
galley sat a shark-charmer, beating
monotonously upon a drum.
4
After some time the diver
rose up out of the water, and clung panting to the
ladder with a pearl in
his right hand.
The negroes seized it from him, and thrust him
back. The slaves fell asleep over
their
oars.
Again and again he
came up, and each time that he did so he brought
with him a beautiful pearl.
The master
of the galley weighed them, and put them into a
little bag of green leather.
The young King tried to speak, but his
tongue seemed to cleave to the roof of his mouth,
and his
lips refused to move. The
negroes chattered to each other, and began to
quarrel over a string of
bright beads.
Two cranes flew round and round the vessel.
Then the diver came up for
the last time, and the pearl that he brought with
him was fairer than all
the pearls of
Ormuz, for it was shaped like the full moon, and
whiter than the morning star. But his
face was strangely pale, and as he fell
upon the deck the blood gushed from his ears and
nostrils.
He quivered for a little, and
then he was still. The negroes shrugged their
shoulders, and threw the
body
overboard.
And the master
of the galley laughed, and, reaching out, he took
the pearl, and when he saw it he
pressed it to his forehead and bowed.
`It shall be,' he said, `for the sceptre of the
young King,' and
he made a sign to the
negroes to draw up the anchor.
And when the young King heard this he
gave a great cry, and woke, and through the window
he
saw the long grey fingers of the
dawn clutching at the fading stars.
And he fell asleep again, and dreamed,
and this was his dream.
He
thought
that
he
was
wandering
through
a
dim
wood,
hung
with
strange
fruits
and
with
beautiful poisonous flowers. The adders
hissed at him as he went by, and the bright
parrots flew
screaming from branch to
branch. Huge tortoises lay asleep upon the hot
mud. The trees were full
of apes and
peacocks.
On
and
on
he
went,
till
he
reached
the
outskirts
of
the
wood,
and
there
he
saw
an
immense
multitude of men toiling in the bed of
a dried-up river. They swarmed up the crag like
ants. They
dug deep pits in the ground
and went down into them. Some of them cleft the
rocks with great
axes; others grabbled
in the sand. They tore up the cactus by its roots,
and trampled on the scarlet
blossoms.
They hurried about, calling to each other, and no
man was idle.
From the
darkness of a cavern Death and Avarice watched
them, and Death said, `I am weary;
give
me a third of them and let me go.'
But Avarice shook her head. `They are
my servants,' she answered.
And Death said to her, `What hast thou
in thy hand?'
`I have three
grains of corn,' she answered; `what is that to
thee?'
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