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学位英语考试内部押题
A
卷
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Test 15
Part I.
Situational Conversations (10%)
Directions:
In
this part, there are ten short incomplete
dialogues between two
speakers, each
followed by four choices marked A, B, C and D.
Choose the
one that most appropriately
suits the conversational context and best
completes
the
dialogue.
Mark
your
answer
on
the
ANSWER
SHEET
with
a
single
line through the center
of
the corresponding letter
.
1. Vivian: Chr
istina! I
haven’t seen you for ages. How are you
Christina: Fine. And you
Vivian: Pretty good. How’s
Christopher
Christina: Oh,
don’t you know We got divorced two years
ago.
Vivian: __________
A. Hope you’ll
be
better. B. It is really a
problem.
C. What a pity!
D.
Oh, I’m
sorry.
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2. Richard: How much is it to rent an
economy car
Tina: $$15.00 a day or $$95.00 a week,
unlimited mileage.
Richard: Could I have one for tomorrow
morning
Tina:
___________________________
Richard: Sure. Here it is.
Tina: Good. Now just
complete this form, please.
A. Could you please show
me your phone number, please
B. Can you tell me your
address, please
C
. Do you have your driver's
license
D. May I have your
name, please
3. Harry:
_______
Elizabeth: I’m an
engineer.
Harry: Oh, are
you
Elizabeth: How about
you
Harry: I work for a
trading company.
A. What
are you doing B. How do you do
C.
What do you do
D. How are you doing
4.
Johnson: Do you mind if I put some of my things in
your room overnight
Pamela: ______.
Johnson: That’s great.
They
are painting the walls in my
room
.
A
.
No, you are
welcome
.
B
.
Sure, my
pleasure
.
C
.
Sure, you are
always the best
.
D
.
No, not at
all
.
5. Customer:
_________ if you’d serve me as quickly as possible
as I’ve got an
appointment at two
fifteen.
Shopkeeper: I’ll do
my best, Madam.
A
. I’d be most grateful
B. I’d be most delightful
C.
It’ would be very helpful D. It would be
very kind of you
6.
Paul:
Go
down
Main
Street
and
turn
left
at
the
first
corner.
Then
walk
two
blocks
and you'll see the
library just in front of you.
Janet: _____________________
Paul: That's right.
A
. Main Street, first left, two blocks.
Right
B.
Is what you're
saying right
C.
Do you think I can find the library easily
D. The library on the
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right
7. Guest:
_________.
Clerk: Certainly.
Do you have a reservation
Guest: Yes. The name is Green. Mr. and
Mrs. Green.
Clerk:
Here
we
are.
For
five
nights.
Could
you
fill
in
the
registration
card,
please
And I’ll need your
credit card.
A. I’d like
to stay in, please
B.
I’d like to
check in, please
C. I’d like
to rent a room, please D. I’d like to rest
here, please
8. Speaker A:
Do you think your boss will expect you to work
late again tonight
?
Speaker B: ___________.
A.
Such has never been
the case with my boss.
B.
Does the sun come up in
the west
?
C.
How can we work late for our boss
D.
To work late again
tonight My boss has never done such a foolish
thing.
9. Jack: I have a
pair of tickets for a concert Sunday night. Would
you like to go
Wendy: I
don’t think so. __________.
A. I’m not very anxious about concert
B. I’m not very excited about
concert
C. I’m
not too interested about concert
D
. I’m not too wild about
concert
10.
Customer: Have you got Michel Jackson’s latest CD
album?
Salesman: ______.
A. No. I
don't care for singer's
photographs
.
B.
No. It has been sold
out
.
C. Yes. They
don't have it anymore
.
D. Yes. I can't afford one
Part II
Reading Comprehension (40%)
Section A
Directions
:
There
are 3 passages in this part. Each passage is
followed by some
questions or
unfinished statements. For each of them there are
four
choices marked A), B), C) and D).
You should decide on the best choice
and write the corresponding letter on
the Answer Sheet.(30%)
Passage One
Questions 11 to 15 are based on the
following passage:
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Rising
global
carbon
dioxide
levels
tied
to
global
warming
may
not
be
as
crucial
in
determining the composition of plant communities
as other, localized climate
changes.
“Nobody
really
knows
what
the
increases
in
carbon
dioxide
are
going
to
entail
in terms of future
changes in vegetation types
,” said Mark
Brenner, a University
of Florida
assistant professor of paleont
ology,
the study of ancient lakes. “It
looks
like climate changes in different areas may be
more important than carbon
dioxide, at
least carbon dioxide by itself,” he
said.
Brenn
er’s
research
team
based
their
conclusions
on
an
analysis
of
sediment
from
two
lake
bottoms,
one
in
northern
Mexico
and
one
in
northern
Guatemala.
The
researchers used new techniques that
allowed them to analyze only the remains of
land
plants,
specifically
their
leaf
waxes.
By
measuring
the
composition
of
the
leaf
waxes,
the
researchers
were
able
to
distinguish
two
broad
categories
of
plants
living
in
these
areas
---
so-called
C3
and
C4
plants,
which
have
different
photosynthetic
processes. Many C4 plants are tropical
grasses, while most tropical trees are C3
plants. The researchers analyzed
sediments deposited over the last 27,000 years,
from
the
last
ice
age
to
the
current
geological
period.
Over
this
period,
there
was
a
worldwide,
relatively
uniform
increase
in
atmospheric
carbon
dioxide
concentrations.
Brenner
said
that
if
carbon
dioxide
played
the
major
role
in
determining
plant
composition, one would
assume that analysis of the sediments would reveal
very
similar changes in relative
abundance of C3 and C4 plants in the two places
over
the study period. But, in fact,
the researchers found that trends in the two types
of plants were different at the two
locations. The changes were related not with
carbon
dioxide
levels,
but
with
shifts
in
rainfall.
“The
result
appears
to
be
that
climate
factors,
especially
moisture
availability,
determine
whether
C4
or
C3
plants
dominate in an area,
not carbon dioxide,” Brenner said.
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Many scientists believe global warming
will cause major variation in local
climates worldwide, with some wet areas
becoming dry and dry areas becoming wet.
If
that
happens,
it
could
have
more
impact
on
relative
C3
versus
C4
plant
distribution
than the rising
carbon dioxide levels.
11.
What can be inferred in the first
paragraph
A).
Climate
changes
are
more
important
to
the
composition
of
plant
communities
than rising global carbon
dioxide.
B). Localized climate shifts may not
be as crucial as carbon dioxide.
C). Nobody
knows which one is important.
D). Carbon
dioxide levels is crucial to the global
warming.
12. What is Mark
Brenner
A). He studies co-
author’s
opinion.
B). He is assisting the University of
Florida.
C). He is an expert in the field of
ancient lakes.
D). His research team composed of six
geologists and geographers.
13. According to the third paragraph,
which one is NOT true
A). Tropical grasses are
usually C4 plants.
B). C3 and C4 plants used
to live in northern Mexico and
Guatemala.
C).
C3 and C4 plants don’t
have the same processes.
D). Tropical trees are all
C3 plants.
14.
Why,
in
the
4th
paragraph,
the
researchers
found
that
trends
in
C3
and
C4
plants
were
different at the two locations
A). The
assumption that carbon dioxide played the major
role is wrong.
B). The carbon dioxide played an
important role.
C). The moisture availability was
different.
D). The carbon dioxide level was
different.
15
.
What’s the main idea of the passage
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A).
Climates
factors
determine
the
plant
distribution
and
composition
of
plant
communities.
B). Global warming will
cause major variation.
C).
How has
Brenner’s research team proved
a
truth.
D). C3 and C4 plants
are important plants in determining the
composition of
plant
communities.
Passage
Two
Questions 16 to 20 are
based on the following passage:
Between
about
1910
and
1930,
new
artistic
movements
in
European
art
were
making
themselves felt in
the United States. American artists became
acquainted with the
new
art
on
their
trips
to
Paris
and
at
the
exhibitions
in
the
famous
New
York
gallery
(named
after
its
address
on
Fifth
Avenue)
of
the
photographer
Alfred
Stieglitz.
But most important in the spread of the
modern movements in the United States was
the sensational Armory Show of 1913
held in New York, in which the works of many
of the leading European artists were
seen along with the works of a number of
progressive American
painters.
Several
of
the
American
modernists
who
were
influenced
by
the
Armory
Show
found
the
urban landscape, especially New York, an appealing
subject. Compared with the
works of the
realist painters, the works of American modernists
were much further
removed from the
actual appearance of the city; they were more
interested in the
of
the
city,
more
concerned
with
the
meaning
behind
appearance.
However,
both
the
painters of the
nineteenth century or
earlier styles, while the early modernists shared
in the
international breakthroughs of
the art of the twentieth century.
The
greatest
of
these
breakthroughs
was
Cubism,
developed
most
fully
in
France
between
1907
and
1914,
which
brought
about
a
major
revolution
in
Western
painting.
It
overturned
the
rational
tradition
that
had
been
built
upon
since
the
Renaissance
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(
文化复兴
)- In
Cubism, natural forms were broken down
analytically into geometric
shapes. No
longer was a clear differentiation made between
the figure and the
background
of
a
painting:
the
objects
represented
and
the
surface
on
which
they
were
painted became one. The Cubists
abandoned the conventional single vantage
< br>(
优越
的地位
)
point
of
the
viewer,
and
objects
depicted
from
multiple
viewpoints
were
shown
at the same
16. With what topic is the
passage primarily concerned
A) The development of
Cubism.
B) Modern art
movements in the United States.
C) Contemporary artists in the United
States.
D) The influence of
photography on landscape painters.
17. It can be
inferred
from the
passage that
European art trends
probably affected
United States' art most during which of
the following years
A)
1901. B) 1908.
C) 1913.
D) 1936.
18.
Which
of
the
following
is
NOT
mentioned
as
a
means
through
which
American
artists
learned about new
movements
A) Lessons from
successful artists.
B) The
exhibitions at the gallery
C) Trips to Europe.
D) The Armory Show of 1913.
19. Why does the author mention Alfred
Stieglitz
A) To demonstrate
that photography was the major influence in modern
art.
B) To compare him with
other artists of the time.
C
)
To point out
that many artists learned their craft by studying
with him.
D) To give an
example of someone who had an influence on modern
art.
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