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外文翻译---神话传说的数字时代

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2021-02-11 21:11
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2021年2月11日发(作者:demonstrates)


外文翻译:



神话传说的数字时代





原文来源



This


article


was


written


for


the


book


Tradigital


Mythmaking,


edited


by


HannesRallofNanyang Technological University, Singapore & will be on the market in June 2009



译文正文




神话传说一直在对过去


50


年有重大的影响。

< br>


在东西方文化相冲撞交融的今天,


纵观国外经典动漫,


每个国家每个区域都在探索标志


性的地域文化,


都在关怀本民族的人文情感。


西方和东方文化都有着显著的差异,


它或呈现


出鲜明的地域风情,


或展现出经典的本土文 化,


或流露出触动人内心的感怀。


正是这些差异


性让动画绽放出它的独特魅力,


它是一个复合体,


一个 集文化、


功能及情感三种语言与一身


的复合体。



动画的技巧随着电影艺术的发展


< br>早就不再局限于用线条描绘的一种方式而已了



现在



动画已经在多方面领域实现应用。


Nor man McLaren


这位动画大师就说过:动画不是“会动


的画”的艺术,而是“画出来的运动”的艺术




动画看似一门小小的学科,


在文化体现上确有着不可忽视的作用,

< p>
它以独特的方式传递


着不同国家、地区、民族的文化。同样又以自身的形象 传达着人类的进步与文明。



在如今数字化时代,


观众全神贯注地坐在有大屏幕的黑暗的剧院观看动画。


正是这些神

< p>
话的英雄和魔鬼,动画让他们复活,


相互对立,刚才还在地面上,


下一刻就在空中以惊人的


速度移动,不畏危险奋勇战斗。这些神话人物是 一名艺术家的全面创新,大放异彩!随着


3D


眼镜的诞生,观众 被完全笼罩,伴随着


THX


环绕声。此外他们所创作的故事比以 前任何


时候在史册中的神话更神奇。


欢迎到数字时代,


已经变成了以前从未在人类历史上出现的电


影形式,

tradigital


电影杰作——创造一个惊人的新艺术形式。他们的疯狂的幻想 甚至可以


对人们的视觉效果产生眩晕,


威利斯奥布莱恩,


乔治和雷哈里豪森帧动画曾经预见到的技术


和想象力将在


21


世纪的电影里实现。


如在


20


世纪


60


年代麦克卢汉指出,< /p>


机器将


'


变成一种


艺术形式,那么今天的数字时代和


tradigital


电影 制作人也变成了独特的艺术形式,神话无


处不在。而这种新的艺术


(同时也让我们很高兴)


正在发挥现代世界的混乱,在我们生活中

扮演非常重要的角色,而唯一确定的是不确定性。今天,不符合逻辑的故事和微妙的真理,

< br>他们组合在一起变得更为重要。他们给我们指导,用亚里士多德的话说,


“我们如 何生活的


生活”



< br>这些从远古以来的神话故事已经称为亚洲国家的文化传统的一部分。


最能体现这一 问题


的是在在阴皮影戏的演出。


所谓的皮影戏在努沙登加拉地区 已被确认是一种采用每种特殊形


式的电影,皮影戏的对话形式和木偶形象和声音都伴随着 音乐。




20


世纪到


21


世纪,


古代英雄,


国王,


魔鬼和巫师的故事从来没有比现在电影在数字

< br>化时代发展的快。


技术发展带来了神话故事搬上银幕,


颠 覆了故事的作者对故事的理解,



开了传统的制作方式。古老的 讲故事的创建,从无数的传说,寓言和民间故事到梦幻世界。


这些故事的灵感是来自于神 话,


也是人们着迷的宗教信仰的一部分。


他们所展现的奇妙世界 ,


神圣和半人半神人居住的世界,


能够自由飞翔的天空,


突按自己的愿望变换形态,


有丰富的


山水和超 现实环境。



在中国,西天取经的神话故事,可追溯到


16


世纪的史诗之旅。它是基于一个传说,从


一 个和尚前往印度带回佛经的故事。


孙悟空是故事中的主角,


和哈 努曼一样,


孙悟空是一个


强大的猴子,但与哈努曼造型不同,谈 到这个就不能不提及万氏兄弟(万籁鸣、万古蟾、万


超尘、万涤寰)

,他们可谓中国动画片的鼻祖。孙悟空的动画片是一个了不起的电影,战斗


场面,< /p>


透过京剧的军事风格,


对戏曲的影响还表现在其丰富多彩的背景和 人物造型。


其他动


画的西游记人物到西方的电影人哪吒征服龙王 (严定宪


/


万书趁


/

< br>阿大,


1979


年)和孙悟空


征 服的恶魔(德卫,


1985














































The


current


animation


wraps


does


not


provide


the


feasible


character


the


creation


and


the


variation. In this article, we design a character life and the rhythmic level prototype frame active


control plan. From first floor control high level by with the operations order achieves the basis the


motion


and


the


time


parameter


tradition


animation


principle.


The


motion


sequence


which


has


custom-made


through


the


choreography


in


the


rhythm,


the


order


active


character


carries


out


a


fierce Chinese lion and the intuition user control dance.


How can the traditional design cartoon creation convince the vivid coal ash to move through


the design moves is the gap basis individuality, the characteristic and a person's character and the


movement physics achievement animation esthetic aspect. From the lowest horizontal pendulum


to


the


pendulum


in


the


construction


overlap


sound


of


something


being


struck


or


falling


to


the


ground's in character movement motion refinement, the design cartoon by arranges strong or the


weak motion control change common custom release. From director's spot view, the development


character


motion


is


the


very


similar


music


constitution


or


the


ballet


dances


art


to


involve


the


rhythmic


progress


the


dance.


Our


idea


is


decomposes


the


human


behavior


and


the


motion


subjective


sensation


motion.


Enters


the


level


by


the


parametrization


motion's


these


subjective


factor


animation


control,


we


can


create


the


character


motion


with


other


style


highly


with


the


intuition time, when carries out the rhythmic coal ash animation. This sees artistic performance


holiday celebration event for example Moon new year. A set of typical lion clothing and manages


symbolic another management including a big lion and vivid color's head by a dancer the bodily


clothing.


It


is


follows


typically


with


the


number


in


execution


period,


leads


the


extra- curricular


performance the play. In this article, we will use this to explain interesting how art displays the


vice- character


animation


aspect


to


be


possible


to


be


by


easily


intuition


high-level


command


assigning.


Was


synthesizing


person's


motion


many


recently


diligently


and


the


user


control


address


question


integrated


circuit


or


dynamics


basis


is


angry


the


vigorous


character.


The


genuine


substitute


person


actor


carries


out


various


repertoire


through


to


integrate


two


state


space


motor


controller. In another hand, was discussed highly recently in the extraction research style or from


the motion. A typical China dances the lion by two to legislate the dancer. The lion dancer takes


the


head


foreleg,


when


a


below


lion


tail


dancer


performance


hind


leg.


Because


the


lion


head


dancer lifts the head model in with in his shoulder, above it on is reasonable we entrusts with the


life relatively to the lion to the upside dancer's body. Dance from lion's two arms must take the


lion, as soon as the closed kinematics chain approval estimated that the place finished two arm's


effectors through to assign the disposition and an only motion lion. Moreover, always attaches the


head dancer's waist from the tail dancer's hand, we may also calculate the tail dancer's terminal


effector place easily.


Proposed


that


before


the


animation


control


system


has


a


practical


plan


character


motion


which, the creation may control by each rhythmic form. The control mechanism we the system is

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