服装专业外语重点段落翻译

Fashion,which is as old as time and as new as tomorrow,is one of the most powerful forces in our

lives .It influences what we wear,the way we talk,the foods we eat,the way we live,how and where

we travel,what we travel,what we look at,and what we listen n is what lead us todiscard

a product that is still useful but is no longer

―

in

‖

.It is also what makes us sometimes wear more

clothes than we may actually need,and sometimes less than is needed to product us from the ccold

or the sun.

流行是这样一 种事物，

是我们抛弃了还可以使用，

但不再时髦的产品。

有时候使我们穿比我

们真正穿的衣服多，有时候比我们穿抵御严寒酷暑 的少。

If

there

is

one

absolute

constant

pertaining

to

fashion,it

is

the

fact

that

it

is

always

changing-sometimes

rapidly,sometimes

slowly,but

it

is

never

static

or

element

of

change is recognized in the definitions of fashion itself cited earlier,by the use of such words as

< br>―

prevailing

‖

or

―

a given period of time.

‖

To ignore the element of change is like looking at a still

photograph in place of a motion still tells you what is happening here and now the

motion picture shows you what came before and what may lie ahead.

如果存在着一种符 合流行的绝对永恒，那就是流行是永远变化着的这一事实，

（这种变化）

时快时慢，但绝不会固定下来或呈休止状态。

“

Fashion is a social phenomenon which reflects the same continuing change that rides through

any given age .

‖

Change in fashion ,he emphasized,

‘

correspond with the subtle and often hidden

network of forces that operate on society

??

’

“流行是一种社会现象，

它反映了任何特定年代同样都要经历的持续变化。< /p>

‖

他强调说：

“流

行变迁与那些作用于社会的影响力量所具有的微妙，而又常常是暗藏着的系统是一致的。

”

It is

only in restrospect that fashion changes seem marked or sudden .Autually ,they come about

as

a

result

of

a

series

of

gradual

shifts

from

one

season

to

the

example

,when

women

’

s

skirts

began

inching

up

from

midcalf

in

the

1960s,this

gradual

shortening

was

not

particularly noticeable at first .It was only when skirts moved thigh- high,in the form of minis and

micro- minis

,that

people

took

notice

of

the

approaching

rly,when

men

begin

to

abandon

ultrannarrow

ties

and

suit

lapels

in

favor

of

more

and

more

width,the

changs

are

not

noticed at first.

只有当追溯过去的时候，

流行的变迁才显 得特别引人注目或突然，

实际上，

这些变迁的发生

是从一个季节到另一个季节的一系列逐渐变化的结果。

例如，

女裙的逐渐变短的时候并没有

被注意到，

。

??????????????????????

Color

can

be

the

basis

for

a

whole

group

or

line .It

is

the

first

element

to

which

consumers

respond .People relate personally to color,usually either selecting or rejecting a garment beccause

of its ccolor ore,designers must cconsider their customers and provide colors that are

both appealing and flattering.

色彩是整个款式系列中的基本要素，

它是能够引起顾客回应的第一要素。

人们把色彩和个人

联系起来，

他们往往 根据颜色来选择或拒绝一件衣服，

因此设计师必须考虑他们的顾客，

并

且提供出令他们喜爱和满意的色彩，消费群体。

In clothing,neutrals such as beige,tan,brown,white ,gray,and black are even more popular than the

ccolors

just

reason

is

probably

that

they

present

a

pleasing

background

for

the

wearer

without

completing

for

attention.

Neutrals

are

part

of

every

season

‖

s

fashion

picture

,as

either a strong fashion statement or a way to round out a color story.

在服装中，中色调例如灰中色，深褐，褐色，白灰和黑色，甚至还有比刚刚提到的更多的

颜色。

原因大概是因为这些中间色调不会因 被关注而引发攀比，

从而为竞争者提供了一个满

意的穿着环境，

每季时装系列中都会运用一部分中间色调，

不是用以加强时装的 表达，

便是

使色彩系列搭配更趋完善。

The Brewster and Prang therories define red ,yellow,and blue as the three primarries from which

all

other

colors

are

yellow

and

red

paints

creats

orange

;red

and

blue

creat

purple

;and

blue

and

yellow

creat

green

—

the

three

secondary

es

of

primary

and

secondary

colors creat every color in between.

布鲁斯特和普朗定义红，

黄，蓝为三原色，即所有颜色的起源。将黄 色和红色的颜料混合变

成橘黄，红色加蓝色变成紫色，

蓝色和黄 色变成绿色，三种二次色。混合原色和二次色将会

变成两色之间任何一种颜色。