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作者:高考题库网
来源:https://www.bjmy2z.cn/gaokao
2021-02-10 03:42
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2021年2月10日发(作者:委屈)


服装英语论文



文章一



Change Of



Chinese Clothing




Tradition





An


outstanding


characteristic


of


traditional


Chinese


clothing


is


not


only


an


external


expression


of



elegance,


but


also


an


internal


symbolism.


Each


and


every


piece


oftraditionalclothing communicates a vitality of its own. This combination of external form with


internal symbolism is clearly exemplified in the pair of fighting pheasant feathers used in head


wear originating in the battle wear of the Warring States period (475-221 B.C.). Two feathers


of a ho bird (a type pheasant good at fighting) were inserted into the head wear of warriors of


this period to symbolize a bold and warlike spirit.


Archaeological


findings


of


18,000


year-old


artifacts


such


as


bone


sewing


needles


and


stone beads and shells with holes bored in them attest to the existence of ornamentation and


of


sewing


extremely


early


in


Chinese


civilization.


Variety


and


consistency


in


clothing


were


roughly established by the era of the Yellow Emperor and the Emperors Yao and Shun (about


4,500 years ago). Remains of woven silk and hemp articles and ancient ceramic figures further


demonstrate the sophistication and refinement of clothing in the Shang Dynasty (16th to 11th


century B.C.).




The three main types of traditional Chinese clothing are the pien-fu, the ch'ang-p'ao, and


the shen-i. The pien-fu is an ancient two-piece ceremonial costume of a tunic-like top


extending to the knees and a skirt or trousers extending to the ankles. The ch'ang-p'ao is a


one-piece garment extending from the shoulders all the way to the heels. The shen-i is a cross


between the pien-fu and the ch'ang-p'ao; it consists of a tunic and a skirt or trousers like the


pien-fu, but the tunic and the skirt are sewed together and essentially one piece like the


chang- pao. Consequently, the shen-i was the most widely worn of the three types. Typical of


these three types of clothing were wide and voluminous sleeves and a very loose fit. Tunic and


trousers or tunic and skirt, utilized a very minimum number of stitches for the amount of cloth


used. So because of their relatively plain design and structure, embroidered edgings,


decorated bands, draped cloth or silks, patterns on the shoulders, and sashes were often


added as ornamentation. These varied designs came to be one of the unique features of


traditional Chinese dress.



Darker colors were favored over lighter ones in traditional Chinese clothing, so the main


color of ceremonial clothing tended to be dark while bright, elaborate tapestry designs


accented. Lighter colored clothing was worn more frequently by the common people for


everyday and around the house use. The Chinese associate certain colors with specific


seasons: green represents spring, red symbolizes summer, white represents autumn, and


black symbolizes winter. The Chinese are said to have a fully developed system of matching,


coordinating, and contrasting colors and shades of light and dark in apparel.




Today






Today, Fashion designers use a mixture of traditional and modern ideas to create


new


fashions.


These


new


fashions


also


incorporate


age-old


motifs


such


as


guardian


deities,


lions,


and


masks


of


Chinese


opera


characters.


Chinese


bronze


is











another source of printed, woven, embroidered, and applied design for clothes. Some of


the


distinctive


designs


include


dragons,


phoenixes,


clouds,


and


lightning.


Motifs


from


traditional Chinese painting also end up in woven or printed fashion designs.



In modern society, men are seen at social occasions wearing the dignified and


refined traditional Chinese long gown, and women often wear the ch'i-p'ao, a modified form of


a traditional Ching Dynasty fashion, on formal occasions. The variations of height, length,


width, and ornamentation of the collar, sleeves, skirt, and basic cut of this Oriental fashion are


limitless.



Many accessories such as macram?are used to decorate shoulders, bodices, pockets, seams,


and openings of clothing, as well as belts, hair ornaments, and necklaces. Some successful


examples of combinations of modern and traditional fashion elements are the modern bridal


tiara, based on a Sung Dynasty design and the Hunan Province style of embroidered sash


made in the traditional colors of pure red, blue, and green. From these examples, it can be


seen how traditional Chinese dress is the foundation of modern fashion. However, the Chinese


have also adopted many Western styles of clothing such as business suits and jeans.










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