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英语演讲稿舞蹈
篇一:英语演讲稿
Discover yourself. Today
I'm going to talk about
discover
yourself.
今天我要谈的是:发现自己。
Ever since the accelerated
development of human
civilization,
perpetual
scientific
discovery
of
nature
have companied
mankind all along the journey.
自然科
学的发现始终伴随着人类文明的飞速发展。
It was by discovering the
around us that human
beings
have
been
able
to
live
a
more
sophisticated
life.
通过对周围事物的观察和发现,我们人类已经过着
更美好的
生活。
However, as G.K. Chesterton
once said
“
one may
understand the cosmos, but never the
ego, the self is
more distance than any
star.
然而,切斯特顿曾经说过:
“人们可以了解宇宙<
/p>
,
但从来不了解自己,自我的距离远超
过任何星辰的距离。
”
Thus, a life is a journey
of uelenting offers to
discover
more
of
ourselves.
因此,
生活是一个不屈不挠、
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努力发现自己的旅程。
When I was six, I
constantly picture myself as an
elegant
and
skilled
pianist
rendering
Xiao
Bang's
nocturnal
beautifully
on
the
stage,
receiving
award
and
applause after my
performance.
当我六岁时,就不断想
象自己像一
个优雅和娴熟的钢琴家,在舞台上演奏肖邦的优
美的小夜曲,在演奏结束后收获着奖励和
掌声
However,
as
I
further
my
piano
lessons,
it
was
hard
to be oblivious of my
non-gifted skills.
可是,在随
后
的
钢
琴
课
上
,
我
发
现
我
并
没
有
演
奏
钢
琴
的
天
赋
。<
/p>
Sometimes I
couldn't help
but
have this
feeling
of
despair,
when
I
woke
up
to
the
reality
and
discover
that
my goal was uealistic.
有时候,当
我从梦中回到现实,
发现自己的目标多么的不切实际,我忍不住感到绝望。
Brutal
but real.
现实是残酷的。
It was the
first time; I had discovered that I
couldn't have it at all, when I was
twelve. 12
岁的时
候,我第一次发现我不可能成为钢
琴演奏家。
I thought the coolest job in the entire
universe
was to be a surgeon.
我曾经以为在全世界外科医生是最
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酷的工作,
。
I spent hours
and hours watching the drama Grey's
Anatomy
and
couldn't
help
falling
in
love
with
the
kind
of live those doctor lead on the
scream.
我一遍又一
遍地观看情节剧《实习医生格蕾》
,并不自觉地被那些尖叫
的医生所吸引。
I
was
utterly
mesmerized
by
the
scalpel
and all those fancy
medical terms that use.
我完全被
手术刀和那些花哨的医疗用语迷住了。
However,
I
stop
to
dream
about
being
a
surgeon
when
I
discover
that
it
was
the
idea
of
being
a
surgeon
that
appeal to me, not what it truly was.
p>
但是,当发现成
为一名外科医生只是一厢情愿时,我就不再侈想。<
/p>
As a
result, the dream ended and I discovered some
more about myself.
此后,随着梦想的破
灭,我加深了对
自己的了解。
This
year,
I
turned
sixteen
and
I
could
proudly
say
I do
not dream to be, but ascertain to peruse being a
lower in the future.
在我十六岁那一
年,我可以自豪地
说,我不再梦想着成为什么什么,但却为未来制定了一个现
实的目标。
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Since
junior
high
school
I
had
always
been
awarded
the
most
eloquent
debater
in
every
single
debater
participated in. I
can not only think logically, but
also
deliver my thought promptly.
从初中开始,我总是<
/p>
在比赛中被评为最佳辩手,我思维缜密、善于表达。
My
huge
interest
in
philosophy
also
acts
my
reason
in
whenever
I
tried
to
argue
with
something
equivocal.
对哲学的巨大兴趣使我总是试图去为一
些模棱两可的问题
寻找答案。
Being aware of the
obstacles and the hardships on
the way
becoming a great lawyer never panics me, for
the simple reason that I have this
faith and passion
in what I am aspiring
after.
我知道,要想成为一个伟
大的律师其前路困难重
重,但这并没有把我吓倒,那是因为
我对我的追求充满了信心和激情。
< br> rton was
absolutely
correct;
the
most
complicated
part
of
comprehending
the
world
is
the
study
of
somehow
smaller
world, ourselves.
切斯特顿是对的,要想
理解世界上最复
杂的部分需要从对小的地方着手研究即从研究我们自己开
始。
I
subsequently
realized
that
growing
up
is
a
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process that discover yourselves.
从那以后,我意识到
成长的过程就是一个不断发现自己的过程。
We
got
to
know
what we truly are and
become who we dream to be.
我
们需要知道真正的自己然后才能我成为我们梦想中的自己。
As
we
shape
ourselves
and
as
we
shape
of
our
lives.
当我们塑造自己时,同时也在塑造我们的生活。
We
gradually
become
more
aware
of
limits
and
potentials,
and
consequently
learn
to
adjust
learn
what's out there, and by that ladies
and gentlemen I'm
proud
to
say
that
I
have
discovered
part
of
myself,
sue
to discovering today and
definitely a lot more in the
future.
p>
当我们逐渐认识道自己的不足和潜力,进而学着去
适应和调整,
p>
并因此,
女士们,
先生们,
我可以很自豪地说,
我已经逐渐发现了自己,今天正在发现且明天会更多地发现
自己。
I
would
always
keep
this
in
embedded
in
my
heart.
我将会永远记住这一点。
Things
do
not
change,
we
do!
虽
然事情没有改变,但我们要改变!
My
great-great-grandfather
was
very
nervous,
even though he had done it thousands of
times.
我的
曾祖父很紧张,尽管他已经做了成千上万次
了。
He and his teammates held their breath
in total
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darkness
…
waiting
for the music.
他和他的队友们在黑
暗中屏住
了呼吸……等着音
乐。
At the age of 101, he
knew it was likely his
last
chance
to
compete
in
a
dancing
contest.
101
岁时,
p>
他就知道这是他最后一次参加舞蹈比赛的机会了。
The
drums kicked in and, slowly but surely,
he started the
moves of Gaoshan -- a
folk dance unique to my part of
China.
他鼓了,慢慢地,他开始高山的动作
--
一种民间舞
蹈,我的部分中国独特的。
The
music
was
serene...
the
motion
was
graceful....
and everything
was so harmonious.
音乐是宁静的…该议
案
是优雅的…一切都是如此的和谐。
And then, everything changed!
然后,一切都改变
了!
The tempo sped
up. The dancers started shaking
their
hips.
It
was
completely
unexpected
but
yes,
they
were dancing modern disco.
速
度加快了。舞蹈演员开始
摇晃他们的臀部。这是完全出乎意料的,但是的,他们是跳
p>
舞的现代迪斯科。
I was delighted, but not
everyone liked it. Some
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argued that the traditional dance was
compromised by
the
inclusion
of
Western
fluff.
So
I
asked
Angong,
“
Why
not just do a typical Gaoshan
dance?
”
我很高兴,但
不是每个人都喜欢它。一些人认为传统的舞蹈是由西方的绒
毛夹杂妥协
。所以我问
Angong
,
“为什么不
做一个典型的
Gaoshan
跳舞吗?“
“
Are you kidding me,
sweetheart?
”
he replied.
“
Where
would
we
be
without
some
clashes
and
conflicts?
”
“你在开玩笑吧,甜心?他回答说。
“如果没有一些冲突和
冲突,我们会在哪里?“
That
was
Angong
’
s
gut
reaction,
but
what
he
implied
set
me
thinking.
“
Where
would
we
be
without
some
clashes and
conflicts?
”
这是
Angong
的本能反应,但他
暗示让我思考
。
“如果没有一些冲突和冲突,
我们会在哪里?
“
Looking
back
on
the
life
of
my
great-great-grandfather,
it was a journey marked by
clashes
every step of the way.
回首我曾祖父的生活,
这是一个标志着每一步都有冲突的旅程。
When he was a teenager,
China
’
s door was busted
wide open. He cut off his ponytail
following the end
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of
Qing---China
’
s
last
feudal
Dynasty.
During
the
day,
cars ran
alongside rickshaws. At night, jazz clashed
with Chinese opera. Dancing was a
luxury reserved for
the rich and
privileged.
当他还是个孩子的时候,中国
的大门
被打开了。他切断了他的马尾辫清
---
中国最后的封
建王朝结束后。白天,车跑到旁边的人力车。在晚上,爵士
乐与中国歌剧
发生了冲突。舞蹈是一种为富人和特权而保留
的奢侈品。
Whe
n the People
’
s Republic was
founded in
1949, Angong danced on the
streets with joy. After
years
of
uest,
he
felt
a
sense
of
belonging
and
new
possi
bilities. That was the
moment he knew he wanted to
be an
artist.
当中华人民共和国成立于
1949
,
Angong
在
街头与
欢乐。经过多年的动荡,他感到一种归属感和新的可
能性。这是他知道他想成为一个艺术
家的时刻。
After the Cultural Revolution, Angong
witnessed
China
’
s
reform and opening-up.
文革后,
A
ngong
见证了
中国的改革开放
Both Deng Lijun
of Taiwan and the Carpenters of
America
were
huge
stars
at
the
time.
For
the
first
time
in years, Angong
didn
’
t have to follow one
set of
doctrines or one form of dancing
for that matter.
邓
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丽君对台湾
和美国的木匠在当时是巨大的恒星。多年来第一
次,
Angon
g
没有跟这件事一套教义或舞蹈的一种形式。
Angong
’
s
personal
journey
mirrored
the
transformation
of
a
nation,
a
transformation
encapsulated
in the life of a man who pursued artistic
expression.
Please
remember,
Angong
and
his
generations were born into a China that
was Angong
的
个人经历反映了一个国家的转型,一个
转型封装在一个追求
艺术表现的人的生活中。
请记住,
Angong
和他的后代出生在
中国,
struggling to keep at bay an outside
world that
threatened
China
’
s self-perception and
self-rule.
为
了保持在海湾的外界威胁中国的自我认
知和自我规则。
A century later, this is a different
China, and
fortunately, a China that
has learned lessons history
had to
offer, and now it seeks to re-engage the west.
一个世纪之后,
这是一个不同的中国,
幸运的是
,
一个中国,
了解历史的教训所能提供的,现在要重新接触西方
。
Angong was a man of his times, but he
has always
been open to new voices, new
ideas, new dances. He
adapted, changed
and grew by learning from the world
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around him, both Chinese and Western. A
ngong
是一个男
人的时代,但他始终是开放的新的声音,新
的想法,新的舞
蹈。他适应了,改变了,并通过从他周围的世界,无论是中
国和西方的学习。
By
being
open
to
each
other,
we
can
grow
in
unexpectedly beautiful
ways, just like my Angong
’
s
disco Gaoshan dance. Ladies and
gentlemen, I implore
you to join my
great-great-grandfather and me as we
dance
with
a
spring
in
our
step
into
that
great
unknown
that will be our future.
通过相
互开放,我们可以在意
外的美丽的方式成长,就像我的
Ango
ng
的迪斯科高山族舞
蹈。女士们,先生们,我恳求你们加入我
的曾祖父和我与春
天在我们步入伟大的未知,将是我们未来的舞蹈。
第八届
“
21
世纪杯”
全国英语演讲
比赛冠军——顾秋
蓓
AScene to
RememberGu QiubeiShanghai International
Studies UniversityAdvisor:
Gong
Longsheng
Good
afternoon,
ladies
and
gentle
men.
下午好,各位先生女士们
Today I would like to begin
with a story.
今天,
我想首先用一个小故事。<
/p>
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There
was
once
a
physical
1)
therapist
who
traveled
all the way from
America to Africa to do a 2) census
about mountain 3) gorillas.
曾
经有一个物理治疗师谁亲
赴从美国到非洲做一个关于山地大猩猩普查。
< br>
These
gorillas are a main attraction to tourists
from all over the world; this put them
severely under
threat of 4) poaching
and being put into the zoo.
这
些大猩猩是对游客的吸引力,主要来自世界各地,这使他们
严重不足的偷猎威胁,目前
到动物园付诸表决。
She went there out of curiosity, but
what she saw
strengthened
her
determination
to
devote
her
whole
life
to
fighting for those beautiful creatures.
她去了好
奇,但她看见她的决心,增强她的一生奉献为这些美丽的生
< br>物战斗。
She
witnessed
a
scene,
a
scene
taking
us
to
a
place
we
never
imaged
we've
ever
been,
where
in
the
very
depth
of
the
African
rainforest,
surrounded
by
trees,
flowers
and butterflies, the mother gorillas 5)
cuddled their
babies.
她亲眼目睹
的场景,场景带我们到一个地方,我
们从来没有影像,我们经历过的,其中在非洲热带雨
林的深
处,
树木,
花卉,
蝴蝶,
大猩猩包围的母亲拥抱自己的婴儿。
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Yes,
that's
a
memorable
scene
in
one
of
my
favorite
movies, called Gorillas in the Mist,
based on a true
story
of
Mrs.
Dian
Fossey,
who
spent
most
of
bet
lifetime
in
Rwanda
to
protect
the
ecoenvironment
there
until the very end of her life.
< br>是的,在我最喜欢的电
影之一难忘的场景,呼吁在薄雾大猩猩的基础上,戴安娜弗
西夫人,谁在此度过了一生中最卢旺达保护,直到她生命的
最后
的生态环境有真实的故事。
To
me,
the
movie
not
only
presents
an
unforgettable
scene but also
acts as a 6) timeless reminder that we
should not develop the tourist industry
at the cost of
our ecoenvironment.
对我来说,电影,不仅提供了一个难
忘的场景,而且也是一个永恒提醒我
们,我们不应该在发展
我们的生态成本,环境,旅游业行为。
Today, we live
in a world of prosperity but still
threatened by so many new
篇二:英语歌舞青春演讲稿
High School Musical is a XX
American television
film,
first
installment
in
the
High
School
Musical
trilogy. Upon its release on January
20, XX, it became
the most successful
film that Disney Channel Original
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Movie
(DCOM)
ever
produced,[2][3][4]
with
a
television
sequel High School Musical 2 released
in XX and the
feature
film
High
School
Musical
3:
Senior
Year
released to theaters in
October XX. It is the first
Disney
Channel
Original
Movie
to
have
a
theatrical
sequel.[5] The film's soundtrack was
the best-selling
album in the United
States for XX.[6]
歌舞青春(英语:
High School Musical<
/p>
)是美国一部
获得艾美奖的电视电影。它于
XX
年
1
月
20
日发行,是迪士
尼频道最成功的原创电影。
XX
年又发行了它的续集歌舞青春
2
< br>。歌舞青春
3
:毕业季(香港译名:歌舞青春
3
:毕业嘉年
华)是歌舞青春首次在电影院播映,
并于
XX
年
10
月
24
日
在台湾、香港及美国同步上
映。
Reality series
Main
article:
High
School
Musical:
Get
in
the
Picture
During
July
and
August
XX,
ABC
broadcast
a
reality
competition based on
the series, High School Musical:
Get in
the Picture [36] hosted by Nick Lachey. The
winner
of
the
show
appeared
in
a
music
video
during
the
credits of High School Musical 3.[37]
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The
series
premiered
to
poor
ratings,
with
the
show
coming in fourth place
in its timeslot.[38] In the UK,
a
reality show titled Hairspray: The School Musical
premiered
in
XX
on
Sky1.
It
saw
a
team
of
vocal
coaches,
acting coaches and choreographers hold
auditions at a
regular comprehensive
school where a mix of students
could
audition for a West End production of the hit
Broadway
musical,Hairspray.
Although
the
musical
being
performed
was
not
High
School
Musical,
the
film
was
the
inspiration
behind
the
show.
The
show
was
presented
by
Denise Van
Outen
and was
credited, along with
High
School
Musical,
for
inspiring
a
generation
of
children
in the United
Kingdom to get into theatrical work.
查克·艾弗隆
维基百科,自由的百科全书
(重定向自查克·艾佛朗)
查克·
艾弗隆
(
Zachary
David
Alexander
<
/p>
Efron
)
(
1987
年
10
月
18
日-)
,美国电影演员,以演出迪士尼原
创电视电影《歌舞青春》系列而知名。
[
编辑
]<
/p>
早年生活
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