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List of concertos by Joseph Haydn
Contents
1. Concertos
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3. Operas
1.1 For violin
1.2 For violoncello
1.3 For
violone (double bass)
1.4 For horn
1.5 For trumpet
1.6 For
flute
1.7 For oboe
1.8 For 2
lire organizzate
1.9 For baryton
1.10 For harpsichord, organ or piano
2. Masses
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3.1 Composed as
a freelance musician
3.2 Composed
during Haydn's service for the Eszterházy family
3.3 Composed for the first London
journey
4.1 Early trios
4.2
Later trios
4. Piano Trios
5. Solo piano
1 Piano
Sonatas
2 Piano pieces
6.
String quartets
1 Opus 1
2
Opus 2
3 Opus 3 (spurious)
4
Opus 9 (1771)
5 Opus 17 (1771)
6 Opus 20, the
7 Opus 33,
the
8 Opus 42 (1785)
9 Opus
50, the
10 Opus 51 (1787)
11
Opus 54, 55, the
12 Opus 64, the
13 Opus 71, 74, the
14 Opus
76, the
dy
15 Opus 77, the
16 Opus 103 (1803)
7.
Symphonies
tos
1.1 For violin
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Violin Concerto No. 1 in C major, Hob.
VIIa/1 (ca. 1765)
Violin Concerto No. 2
in D major, Hob. VIIa/2 (lost)
Violin
Concerto No. 3 in A major, Hob. VIIa/3 (ca. 1770)
Violin Concerto No. 4 in G major, Hob.
VIIa/4 (ca. 1769)
Cello Concerto No. 1
in C, Hob. VIIb/1 (1761-5)
Cello
Concerto No. 2 in D, Hob. VIIb/2 (1783)
Cello Concerto No. 3 in C, Hob. VIIb/3
(lost)
Cello Concerto No. 4 in D, Hob.
VIIb/4 (spurious)
Violone Concerto in
D, Hob. VIIc/1 (lost)
Concerto for Two
Horns in E flat, Hob. VIId/2 (lost)
Horn Concerto No. 1 in D, Hob. VIId/3,
1762
Horn Concerto No. 2 in D, Hob.
VIId/4 (doubtful), 1781
Concerto for
Two Horns in E flat, Hob. VIId/6 (attrib.)
1.2 For violoncello
1.3 For
violone (double bass)
1.4 For horn
1.5 For trumpet
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Trumpet
Concerto in E flat, Hob.:VIIe/1, (1796)
Flute Concerto in D, Hob. VIIf/1,
(lost)
Oboe Concerto in C major, Hob.
VIIg:C1 (179?) (spurious)
Concerto No.
1 in C major, Hob.:VIIh/1, (1786)
Concerto No. 2 in G major, Hob.:VIIh/2,
(1786)
Concerto No. 3 in G major,
Hob.:VIIh/3, (1786)
Concerto No. 4 in F
major, Hob.:VIIh/4, (1786)
Concerto No.
5 in F major, Hob.:VIIh/5, (1786) second and third
movement later adapted to be part of Symphony No.
89
1.6 For flute
1.7 For
oboe
1.8 For 2 lire organizzate
1.9 For baryton
There are 3
concertos for baryton known but lost or have
doubtful authenticity.
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Concerto for baryton in D,
Hob. XIII:1 (before 1770)
Concerto for
baryton in D, Hob. XIII:2 (before 1770)
Concerto for 2 barytons in D, Hob.
XIII:3 (before 1770)
Keyboard Concerto
No. 1 in C, Hob. XVIII/1 (1756)
Keyboard Concerto No. 2 in D, Hob.
XVIII/2 (1767)
Keyboard Concerto No. 3
in F with French horns and strings, Hob. XVIII/3
(1771)
Keyboard Concerto No. 4 in G,
Hob. XVIII/4 (1770)
Keyboard Concerto
No. 5 in C with strings, Hob. XVIII/5 (1763)
Keyboard Concerto No. 6 in F with
violin and strings (Double Concerto), Hob. XVIII/6
(1766)
Keyboard Concerto No. 7 in F,
Hob. XVIII/7 (exists with a different slow
movement as the piano trio Hob. XV/40)
Keyboard Concerto No. 8 in C, Hob.
XVIII/8 (1766)
Keyboard Concerto No. 9
in G, Hob. XVIII/9 (1767)
Keyboard
Concerto No. 10 in C, Hob. XVIII/10 (1771)
Keyboard Concerto in F, Hob. XVIII/F2
Keyboard Concerto No. 11 in D, Hob.
XVIII/11 (1779-80)
2.
Masses
1.10 For harpsichord,
organ or piano
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No.
1a in G major, Missa 'Rorate coeli desuper' (H.
22/3) (c.1750).
No. 2 in F major, Missa
brevis (H. 22/1) (1750)
No. 3 in C
major, Missa Cellensis in hon. BVM, also known as
the C?cilienmesse (St Cecilia) (H. 22/5) (1766)
No. 4 Missa 'sunt bona mixta malis' (H.
22/2) (1768; Fragment)
No. 5 in E flat
major, Missa in honorem Beatissimae Virginis
Mariae, also known as the Grosse Orgelmesse (Great
Organ Mass) (H. 22/4) (1766)
No. 6 in G
major, Missa Sancti Nicolai, Nicolaimesse (H.
22/6) (1772)
No. 7 in B flat major,
Missa brevis Sancti Joannis de Deo, also known as
the Kleine Orgelmesse (Little Organ Mass) (H.
22/7) (c.1775)
No. 8 in C major, Missa
Cellensis, Mariazellermesse (H. 22/8) (1782)
No. 9 in B flat major, Missa sancti
Bernardi von Offida, also known as the Heiligmesse
(H. 22/10) (1796)
No. 10 in C major,
Missa in tempore belli (Mass In Time of War), also
known as the Paukenmesse (Kettledrum Mass) (H.
22/9) (1796)
No. 11 in D minor, Missa
in angustiis (Mass in Troubled Times), also known
as the Nelson Mass (H. 22/11) (1798)
No. 12 in B flat major, Theresienmesse
(named for the Maria Theresa of the Two Sicilies)
(H. 22/12) (1799)
No. 13 in B flat
major, Sch?pfungsmesse (Creation Mass) (H. 22/13)
(1801)
No. 14 in B flat major,
Harmoniemesse (Wind-band Mass) (H. 22/14) (1802).
3. Operas
3.1 Composed as a
freelance musician
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1752:
Der krumme
Teufel
, Hob. 29/1a, Singspiel (libretto
by Joseph von Kurz), composed during Haydn's time
as a freelance musician. Now lost.
3.2
Composed during Haydn's service for the Eszterházy
family
Date
1762
revised 1773-1774
1766
1763?
1768
1769
1773
Title
Hob.
28/1
28/2
30/1
28/3
28/4
28/5
Genre
festa teatrale
intermezzo in musica
comedia
dramma giocoso
dramma
giocoso
burletta per musica
Subdivisions
1 act
2 acts
3 acts
3 acts
2 acts
G A
Migliavacca
Carlo Goldoni, revised by Carl
Friberth?
Carlo Goldoni, revised by
Carl Friberth?
Marco Coltellini,
revised by Carl Friberth?
Libretto
Acide e Galatea
La canterina
(
The
Songstress
)
La
marchesa nespola
Lo
speziale
(
The
Apothecary
)
Le
pescatrici
(
The
Fishwives
)
L'infedeltà
delusa
(
Deceit
Outwitted
)
1773
1775
1777
1779
1779
1780
1782
1783
Philemon
und Baucis
L'incontro
improvviso
(
The
Unexpected Encounter
)
Il mondo della luna
(
The
World on the
Moon
)
La vera
costanza
(
True
Constancy
), revised 1785
L'isola disabitata
(
The
Deserted
Island
)
La fedeltà
premiata
(
Fidelity
Rewarded
)
Orlando
paladino
(
The
Paladin Orlando
)
Armida
29b/2
28/6
28/7
28/8
28/9
28/10
28/11
28/12
Singspiel
dramma giocoso
dramma
giocoso
dramma giocoso
azione teatrale
dramma
giocoso
dramma eroicomico
dramma eroico
1 act
3 acts
3 acts
3
acts
2 parts
3 acts
3 acts
3 acts
G K
Pfeffel
Carl Friberth, after L H
Dancourt's
La rencontre
imprévue
Carlo Goldoni
Francesco Puttini
Pietro
Metastasio
after Giambattista's
Lorenzi's
L'infedeltà fedele
Nunziano Porta, based on Carlo
Francesco Badini's
Le
pazzie
d'Orlando
, after Ludovico Ariosto's
Orlando furioso
after Torquato Tasso's
Gerusalemme liberata
3.3 Composed for the first London
journey
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1791: L'anima del filosofo, Hob. 28/13,
dramma per musica in 4 acts (libretto by Carlo
Francesco Badini). Haydn's own version of the
Orpheus tale, the plot of
a great many
operas. Haydn's only post-Esterházy opera,
composed for his 1791 trip to London but never
performed there, due to intrigues.
4.
Piano trios
4.1 Early trios
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No. 1 in F major, Hoboken 15/37
No. 2 in C major, Hoboken 15/C1
No. 3 in G major, Hoboken 14/6
No. 4 in F major, Hoboken 15/39
No. 5 in G minor, Hoboken 15/1
No. 6 in F major, Hoboken 15/40 (exists
with a different slow movement as the piano
concerto Hob. 18/7)
No. 7 in G major,
Hoboken 15/41
No. 8 in D major, Hoboken
15/33 (lost)
No. 9 in D major, Hoboken
15/D1 (lost)
No. 10 in A major, Hoboken
15/35
No. 11 in E major, Hoboken 15/34
No. 12 in E flat major, Hoboken 15/36
No. 13 in B flat major, Hoboken 15/38
No. 14 in F minor, Hoboken 15/f1
No. 15 in D major, Hoboken 15/deest
No. 16 in C major, Hoboken 14/C1
No. 17 in F major, Hoboken 15/2
No. 18 in G major, Hoboken 15/5 (1784)
No. 19 in F major, Hoboken 15/6 (1784)
No. 20 in D major, Hoboken 15/7 (1784)
No. 21 in B flat major, Hoboken 15/8
(1784)
No. 22 in A major, Hoboken 15/9
(1785)
No. 23 in E flat major, Hoboken
15/10 (1785)
No. 24 in E flat major,
Hoboken 15/11 (1788)
No. 25 in E minor,
Hoboken 15/12 (1788)
No. 26 in C minor,
Hoboken 15/13 (1789)
No. 27 in A flat
major, Hoboken 15/14 (1790)
No. 28 in D
major, Hoboken 15/16 (1790)
No. 29 in G
major, Hoboken 15/15 (1790)
No. 30 in F
major, Hoboken 15/17 (1790)
No. 31 in G
major, Hoboken 15/32 (1792)
No. 32 in A
major, Hoboken 15/18 (1793)
No. 33 in G
minor, Hoboken 15/19 (1793)
No. 34 in B
flat major, Hoboken 15/20 (1794)
No. 35
in C major, Hoboken 15/21 (1794)
No. 36
in E flat major, Hoboken 15/22 (1794)
No. 37 in D minor, Hoboken 15/23 (1794)
No. 38 in D major, Hoboken 15/24 (1795)
4.2 Later trios
Three trios
(H. 18-20) dedicated to Princess Maria Anna, wife
of Prince Anton Esterházy:
Three trios
(H. 21-23) dedicated to Princess Maria Josepha,
wife of Prince Nicholas Esterházy:
Three trios (H. 24-26) dedicated to
Rebecca Schroeter:
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No. 39 in G major, Hoboken
15/25 (1795)
No. 40 in F sharp minor,
Hoboken 15/26 (1795)
No. 41 in E flat
minor, Hoboken 15/31 (1797)
No. 42 in E
flat major, Hoboken 15/30 (1797)
No. 43
in C major, Hoboken 15/27 (1797)
No. 44
in E major, Hoboken 15/28 (1797)
No. 45
in E flat major, Hoboken 15/29 (1797)
5. Solo piano
Two stand-
alone trios (H. 31,30):
Three trios (H.
27-29) dedicated to Theresa Jansen:
5.1
Piano Sonatas
Landon
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
Hob. XVI
8
7
9
G1
11
10
D1
5
4
1
2
12
6
3
13
14
Eb2
Eb3
47bis
18
2a
2b
2c
2d
2e
2g
2h
15
16
17
5a
45
19
46
44
20
33
43
21
22
23
24
25
26
27
28
29
30
31
Key
G major
C major
F
major
G major
G major
C major
D major
A
major
D major
C major
B-flat major
A major
G major
C major
E
major
D major
E-flat major
E-flat major
E minor
B-flat major
D minor
A major
B major
B-flat major
E minor
C major
A major
C
major
E-flat major
B-flat
major
D major
E-flat major
D major
A-flat major
G minor
C minor
D
major
A-flat major
C major
E major
F major
D
major
E-flat major
A major
G major
E-flat major
F major
A major
E
major
Date
1766
1766
1766
1767
1767
1763
1760
1760
1760
1767
1766
1760
1767
1767
1765-67
1767
1765-67
1767
1765-67
1765-67
1777
1784
1783
1773
1773
1773
1773
1773
1773
1774-76
1774-76
1774-76
1774-76
1774-76
original version of L.57
lost
lost
lost
lost
lost
lost
lost
Reduction of
Divertimento Hob. II/11
doubtful
doubtful
incomplete
Notes
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