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TV dramas need creative touch
A
Korean wave is sweeping across China, with many
Chinese women
worshipping South Korean
actors Kim Soo-hyun and Lee Min-ho as demigods.
Chinese netizens have always been
divided over South Korean TV dramas, but
there is no doubt that programs from
the neighboring country are now
enjoying a new round of popularity in
China. And a big part of the credit for
that goes to You Who Came From The
Star, the South Korean TV series which
is on the air now.
Top South
Korean actors Jun Ji-hyun and Kim Soo-hyun
recently earned a
popularity rating of
24.8 percent in their country, considered strong
by
Nielsen Korea. You Who Came From The
Star and The Heirs have been
subjects
of hot online discussions throughout Asia.
Besides, the book, The
Miraculous
Journey of Edward Tulane, read by the hero in You
Who Came
From The Star was a hard-to-
get item on Amazon for a while.
The two
TV programs have several common elements: a tall,
handsome, and
rich hero who loves the
heroine blindly and always protects her, and an
equally handsome man madly in love with
the same woman. Both programs
portray
the purity of love, which is expressed through a
kiss or a warm hug.
Perhaps that's the
secret of their success; perhaps people are still
fascinated by
Cinderella-type stories.
The widening wealth gap is a matter of
social concern both in South Korea and
China, and the challenges that young
people face in their quest for a better life
might have prompted many ordinary girls
to dream of marrying rich, caring
men.
This is precisely what the popular South Korean TV
dramas portray. In
fact, South Korean
TV dramas are tailored to meet the market's
demands.
In contrast, Chinese TV
screens are flooded by knock-off and/or poorly
made
soap operas. Most of the Chinese
TV dramas either distort the War of
Resistance against Japanese Aggression,
which is a distortion of history, or
blindly copy foreign programs. The lack
of good stories has of late resulted in
loads of TV series on time travel or
fights in the harems of Qing Dynasty
(1644-1911) emperors. These, in short,
are the bane of Chinese TV
productions.
In contrast, South Korean TV dramas
have re-invented themselves. In fact,
2013 could be said to be the year of
rebirth of South Korean TV dramas.
Shortly after the enormous craze
generated by Great Jang-Geum in 2003,
1
South Korean dramas lost
much of their popularity in other Asian countries
thanks partly to better produced works
from the United States and the United
Kingdom.
Many netizens even
said at the time that South Korean TV dramas had
become pass because of their
stereotyped themes: traffic accidents, and cancer
and other incurable diseases. But all
that has changed with the success of You
Who Came From The Star and The Heirs,
which Chinese directors can use as
examples, as well as inspiration, to
improve their productions.
The
resurgence of South Korean TV dramas can be
attributed to the joint
efforts of the
country's government and TV series makers. The
South Korean
government implemented a
policy to help TV productions back in the late
1990s, when the first wave of popular
dramas emerged from the country to
capture the imagination of the people
in the rest of Asia. Just before the turn
of the millennium, the South Korean
government issued regulations saying at
least 80 percent of the TV programs had
to be domestically produced. It also
fixed the minimum number of homemade TV
series to be broadcast in the
country.
That not only helped South Korean TV productions
gain a firm
foothold in the domestic
market, but also laid the foundation for their
successful foray into overseas markets.
Recent years have seen great
innovations in South Korean TV productions in
terms of themes and narrative patterns.
Take You Who Came From The Star
as an
example. Although aliens visiting Earth is an oft-
used theme, You Who
Came From The
Star's script remains logical and fast-paced. It
mixes the plot
with romance and murder
and keeps the audience guessing about how the
story will unfold. When it comes to
love stories, the new South Korean
teleplays no longer use the distress
card; instead, they intersperse them with
whimsy and romantic punch lines.
The three TV stations, SBS, KBS and
MBC, control the majority of South
Korean TV market, each specializing in
a different area and catering to people
of different ages. The productions are
sleek and use advanced technologies
such as high-speed photography and
computer-generated effects, creating a
real-life visual impact.
Moreover, the shooting for South Korean
productions generally starts when
the
scripts are just one-third ready. Many popular
productions have their own
websites,
where scriptwriters post part of the finished
scripts, inviting viewers
to leave
messages, discuss the plot and come up with
suggestions for future
episodes. This
not only keeps viewers' interest in the TV dramas
alive, but also
helps scriptwriters and
directors make changes to the storylines to suit
the
audience's demand.
2
Hopefully, the innovation-
induced success of South Korean TV programs will
prompt Chinese TV drama makers to think
up new ideas and abandon their
bad
practice of copying foreign productions in order
to attract more viewers at
home, and
possibly abroad.
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worship
['w
?
:
?
ip]
n.
崇拜;礼拜;尊敬
vt.
崇拜;尊敬;爱慕
vi.
拜神;做礼拜
demigod
['demi
ɡ?d]
n.
受崇拜的人,英雄人物;半神半人;小神
fascinate
['f?
sineit
vt.
使着迷,使神魂颠倒
vi.
入迷
distort
[dis't
?
:t
t.
扭曲;使失真;曲解
vi.
扭曲;变形
harem
['h
ɑ:ri:m
n.
为一个雄性动物所控制的许多雌性动物;
闺房里的妻妾群;
闺房
(伊斯兰教教徒的)
Apple's iPhone loses the New York
Times' selfie
smackdown
自拍神器大
赛,苹果
iPhone
垫底
Hollywood),
blown-out,
backlit, grainy and worst of all, distorted (I
swear, I have a normal
size
nose!).
Some may be more terrible than
others, however. So Wood, deputy tech editor
for the Times' business section, set
out for Times Square to shoot some
pictures of herself with what she
describes as
phones in the U.S.
market.
have to say I'm not
very impressed with the iPhone's front-facing
camera.
She's surprised because the 5S
has, in her words,
cameras available,
and is easily capable of replacing a snapshot
camera
entirely.
But the
iPhone's selfies were a disappointment:
colors tended to appear washed out, and
its lens produced the most distortion
of the bunch (once again: My nose does
not look like that in real life).
As for
the rest ...
3
?
had rich, true colors, and the camera
performed better in low light than the
competition.
?
e
Nokia Lumia 1020 was a close second, despite its
lower resolution, but
indoor shots were
worse than outdoor shots.
?
inconsistent, and any bright lights in
the background resulted in badly
blown-
out images.
But none of the phones were
good enough for Wood. She blames the pressure
on manufacturerers to make every new
generation of smartphones thinner
than
the old -- a design priority she lays at Apple's
feet.
But there may be a larger issue
issue for Apple.
Selfies, like Facebook
and Twitter, are a major social media phenomenon.
The
word
year. And
With 184 million selfies on Instagram,
how could Apple miss it?
?
?
?
快照
grainy
['
ɡreini]
adj.
粒状的;多粒的;有纹理的
distorted
[dis't<
/p>
?
:tid]
adj.
歪曲的;受到曲解的
v.
扭曲(
p>
distortasd
的过去式和过
去分词
)
snapshot
['sn?
p
??
t]
p>
n.
快照,快相;急射,速射;简单印象
vt.
< br>给
…
拍快照
vi.
拍
resolution
[,rez
?
'lu:
?
?
n, -,lju:-]
n.
[
物
]
分辨率;决议;解决;决心
?
?
neologism
[ni:'
p>
?
l
?
d
?
iz
?
m,
ni-]
n.
新词;新义;
Dim lighting helps people
make better decisions,
scientists claim
Dim lighting is usually associated with
relaxation, and winding down after work.
But scientists now claim that by
harnessing the subduing effect on emotions
caused by dim lights.
Therefore, by dimming the lights,
people become more rational, negotiate
better and are therefore able to make
better decisions.
4
Alison Jing Xu, assistant professor of
management at University of Toronto
Scarborough and Aparna Labroo of
Northwestern University, made the
findings by examining the link between
lighting and human
emotion,PsychCentral
reported.
Participants in the study
were asked to rate under different lighting
settings
subjects including the
spiciness of chicken-wing sauce, how aggressive a
fictional character was being, how
attractive someone was and the taste of two
juices.
All of their
reactions were intensified in bright light, a
phenomena which
Professor Xu attributes
to the body perceiving light as heat, which can
trigger
emotions.
of stimulus including
products and people,
In fact, they found
that bright light intensifies feelings so
dramatically that
people prone to
depression “actually become more depressed” on
sunny days,
according to Professor Xu.
Professor Xu said: ‘Marketers may also
adjust the lightening levels in the retail
environment, according to the nature of
the products on sale.
?
are selling emotional
expressive products such as flowers or
engagement rings it would make sense to
make the store as bright as
possible,
?
?
dim
[dim] adj.
昏暗的;悲观的,怀疑的
vt.
使暗淡,使失去光泽;
n.
笨蛋,傻子
subdue
[s
?
b'dju:]
vt.
征服;抑制;减轻
depression
[di'pre
??
n]n.
沮丧;洼地;不景气;忧愁
Samsung's Galaxy S5: Why it
matters
Investors are
bullish on Samsung after the Korean giant unveiled
its latest
flagship smartphone, the
Galaxy S5, at Mobile World Congress in Barcelona
this week. Shares for the company were
up slightly after a 13% drop over the
last year -- a big deal when the
company's market cap hovers around $$182
billion.
The device, which
will be available in April, isn't a huge step
forward. Its
camera has grown from 13
megapixels to 16; its battery is promised to last
20% longer. It will have a fingerprint
sensor like Apple's (AAPL) flagship model,
which went on sale in September. Its
5.1-inch active-matrix organic
light-
emitting diode -- AMOLED for short -- display is
rated for full high
5
definition. It has a leather-like feel,
which business customers may enjoy. It
has a built-in heart rate monitor. And,
perhaps most notably, it is said to
withstand dust and 30 minutes in
shallow water, a welcome improvement for
slippery-fingered humans everywhere.
Water resistance aside, much of these
updates are incremental and expected.
This is the nature of the war waged at
the premium end of the smartphone
market: It's no longer a single
superior experience. That the Galaxy S5
has a fingerprint sensor, for example,
is a matter of relief to buyers who do
not prefer Apple's iPhone; the feature
won't encourage people to switch who
are otherwise happy with their device.
The dynamic is a blessing and a curse
for Samsung. On one hand, it means
the
mature smartphone market in Western markets has
evolved to the point
where a single
feature won't shift fortunes -- good news in a
market in which
competing companies
share suppliers. On the other, it means that the
company is burdened to tie those
components -- from the plastic shell to the
screen to the software -- together in a
way that is distinctive and preferred.
The dynamic in emerging markets is
different -- particularly in China, where
Samsung leads the pack and Apple
believes it can find growth. There,
Samsung's challengers include Lenovo,
Huawei, ZTE, and Xiaomi. The
biggest
pressure is economic: Low-priced phones have begun
to flood the
market, pressuring high-
end models to join the race to the bottom. A soft
economic outlook for the country
complicates things, reducing the number of
buyers willing to upgrade to a premium
device. Indeed, most of Samsung's
growth in China has been with low-end
devices -- but the aspirational aura
around Samsung's brand is attributed to
some of that success.
Samsung spent
considerable sums of money on marketing and
advertising on
behalf of its previous
flagship smartphone, the Galaxy S4. (According to
some
estimates, it spent four times
more than Apple and two times more than
Microsoft (MSFT) in 2012.) At the time,
the company was criticized for
drumming
up too much hype. This time, with the Galaxy S5,
it may need only
to ride that goodwill
and keep the top end of its portfolio stable as it
wages a far
more vicious battle below.
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?
?
?
?
bullish
['buli
?
adj.
看涨的;上扬的;似公牛的
flagship
['fl?
ɡ?ip
n.
旗舰;(作定语)一流;佼佼者
fingerprint
['fi?ɡ?print]
n.
指纹;手印
vt.
采指纹
resistance
[ri'zist
?
ns] n.
阻力;电阻;抵抗;反抗;抵抗力
aspirational
[,?
s
p
?
'rei
??
n
?
l] adj.
有雄心壮志
的;
(生活形态等)梦寐以求的
n.
成
功指南;处世自助手册
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