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《名利场》的故事以两条线索展开,从同一个起点出发,相互交织,最后到达同一个终点。
其中一条线索讲述善良、笨拙、
生活在富有家庭中的女子阿米莉亚·塞德利
;
另一条线
索讲述的是一个机灵、自私、放荡不羁恢穷的孤女丽
贝卡·夏普。
两人于
1813
年乘坐同一辆马车离开平克顿女子学校。
两人都在遭到家庭反对的情况下,
于
1815
年结婚,分别嫁给即将参加滑铁卢战
役的两名英国军官。
新婚不久,
那场具有历史意义的战役
打响了。
阿米莉亚的丈夫战死疆场;
丽贝卡的丈夫
战后生还。
接下来的十年中,而贝卡生活一帆风顺,在社会的阶梯上不断攀升
,直至有幸觐
见国王,而阿米莉亚却因父亲破产承受着极大的不幸。
到了
1827
年,命运发生了逆转,丽贝卡的生活落入毁灭的深
渊,这其实是罪有应得;
阿米莉亚却转而变得富裕幸福,
可归因
于善有善报。但是,作者以灵活的讽刺手法,使两位
女主角最后的命运归于平衡,仿佛在
一个大的轮回之后,回到故事开始时两人命运的起点。
故事中,
滑铁卢战役是两人命运的重要分水岭。
战役之前,
故事的焦点是
两位女主角的
婚事。
两人的婚事分别受到男方家庭的反对,
p>
也都因此得不到家庭的支持,
两位丈夫的遗产
继承权均被取消。
滑铁卢战役之
后,
故事的焦点是两个女主角的贞节问题。
两个三角关系分别展
开。
丽贝
卡对丈夫不忠,
与放荡好色的
贵族富豪斯泰思侯爵勾搭;
阿米莉亚对自己去世的丈夫信守贞
节
,拒绝与十几年如一日忠实爱慕她的多宾结婚。
主要人物关系:
贝姬·夏普(穷姑娘
)和艾米利亚·塞德利(富家女)是同窗兼好友
贝姬·夏普与罗顿·考利(考利家族最有可能的继承人结了婚)是夫妻
艾米利亚·塞德利与迷人的军官乔治
是夫妻
乔治参战后死去
艾米丽亚后来嫁给了一直暗恋她的另一位军官
贝姬与斯丹恩勋爵私通
也因此和被丈夫抛弃
但最后和爱米的哥哥在一起了
两人的婚姻都是不受家里人祝福的
主要人物
情节:
主
要情节可分两条线索。
一条线索描写已故穷画师的女儿贝姬在离开平克顿女子寄宿学
p>
校后,
暂住在富家小姐爱米丽亚家中,
企图
勾引爱米丽亚的哥哥以进入上流社会。
此事失败
后,贝姬去毕脱
·克劳雷爵士家当家庭教师,同时施展逢迎、拍马和勾搭等乖巧手段。而当
毕脱丧偶后向
蓓基求婚时,她却已秘密嫁给了爵士的儿子罗登。
另一条线索
写纯洁的姑娘爱米丽亚钟情于轻浮空虚的军官乔治·
奥斯本,
冲
破重重障碍
终于和他结婚。
但丈夫很快就厌弃她,另寻新欢。<
/p>
爱米丽亚一味痴情,
即使在丈夫死后仍不
肯改嫁。
结局:
最后,
贝姬道出乔治生前曾约自己私奔的事实,
爱米丽亚才和都宾结了婚。
< br>贝姬后来又
与年老丑陋的斯丹恩勋爵私通,
因私情为丈夫
窥破而遭抛弃。
而斯丹恩则误以为罗登夫妇设
局诈骗,也与贝姬
一刀两段,贝姬就此潦倒。
但是
贝姬本性是纯善的
就像她所说“如果
有
5000
英镑
我也是个好女人”没有
5000
她也是个好女人
艾米丽亚的哥哥回来后
认识到自己当年的错误
最终和贝姬走到了一起
[edit] Becky Sharp
The
heroine, or more correctly the anti-heroine, is an
intelligent young woman with a gift for
satire. She is described as a petite
sandy haired girl who has green eyes and a great
deal of wit.
Fluent in both French and
English, Becky has a beautiful singing voice,
plays the piano, and shows
great talent
as an actress. She is also completely amoral and
without conscience. She does not
seem
to have the ability to get attached to other
people, and lies easily and intelligently to get
her way. She is extremely manipulative
and, after the first few chapters and her failure
to attract
Jos Sedley, is not shown as
being particularly sincere.
Never
having known
financial
or
social
security even
as
a
child, Becky
desires
it
above
all
things. Nearly everything she does
is with the intention of securing a stable
position for herself,
or herself and
her husband after she and Rawdon are married. She
advances Rawdon's interests
tirelessly,
flirting with men such as General Tufto and the
Marquess of Steyne in order to get him
promoted. She also uses her feminine
wiles to distract men at card parties while Rawdon
cheats
them blind.
Marrying Rawdon
Crawley
in
secret
was
a
mistake,
as was
running
off
instead
of begging
Miss Crawley's forgiveness. She also
fails to manipulate Miss Crawley through Rawdon so
as to
obtain
an
inheritance.
Although
Becky
manipulates
men
very
easily,
she
does
not
even
try
to
cultivate the friendship of most women.
Lady Jane, the Dobbin sisters, and Lady Steyne see
right
through her. Amelia and
(initially) Miss Crawley are exceptions to the
rule.
[edit] Amelia Sedley
Amelia is Becky's opposite: pale,
passive, and emotionally devoted to her husband
and son.
She marries George Osborne
against the wishes of George's father, and when
George dies at the
battle
of
Waterloo
she
brings
up
little
George
alone
while
living
with
her
parents.
She
is
completely
dominated
by
her
spendthrift
father
(who
steals
and
sells
the
annuity
George's
friends put
together to try to support her) and her mother.
After George Osborne's
death, Amelia is obsessed with her son and with
the memory of her
husband.
She
ignores
William
Dobbin,
who
courts
her
for
years,
and
treats
him
shabbily
until
eventually he leaves. It is only after
Becky shows her George's letter to her that Amelia
realizes
what a good man Dobbin is,
although she has already written to him to ask him
to come back.
She eventually marries
Dobbin.
[edit] Rawdon
Crawley
Rawdon, the younger of the two
Crawley sons, is an empty-headed cavalry officer
who is his
wealthy aunt's favorite
until he marries Becky Sharp, who is of a far
lower class. He permanently
alienates
his aunt, who leaves her estate to Sir Pitt
instead. Sir Pitt has by this time inherited their
father's estate, leaving Rawdon quite
poor.
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