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To His Coy Mistress
Andrew
Marvell
Had we but world enough, and
time,
This coyness, lady, were no
crime.
We would sit down and think
which way
To walk, and pass our long
love's day,
Thou by the Indian Ganges
side
Shouldst rubies find; I by the
tide
Of Humber would complain. I would
Love you ten years before the Flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow.
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your
heart.
For, lady, you deserve this
state,
Nor would I love at lower rate.
But at my back I always hear
Time's winged chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long preserv'd virginity,
And your quaint honour turn to dust,
And into ashes all my lust.
The grave's a fine and private place,
But none I think do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like am'rous birds of prey,
Rather at once our time devour,
Than languish in his slow-chapt pow'r.
Let us roll all our strength, and all
Our sweetness, up into one ball,
And tear our pleasures with rough
strife
Thorough the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.
To His Coy Mistress
A Poem by Andrew Marvell (1621-1678)
Study Guide
Type of Work
.......
also
classify
as
a
metaphysical
poem.
Metaphysical
poetry,
pioneered
by
John
Donne,
tends
to
focus
on
the
following:
Startling
comparisons
or
contrasts
of
a
metaphysical
(spiritual,
transcendent,
abstract)
quality
to
a
concrete
(physical, tangible, sensible) object.
In
(line 11) in a waggish metaphor.
Mockery of idealized romantic poetry
through crude or shocking imagery, as in lines 27
and 28 (
try / That long preserved
virginity').
Gross exaggeration (hyperbole), as in
line 15 (
Expression of personal, private
feelings, such as those the young man expresses in
Presentation
of
a
logical
argument,
or
syllogism.
In
His
Coy
Mistress,
this
argument
may
be
outlined
as
follows: (1) We could spend decades or
even centuries in courtship if time stood still
and we remained young. (2)
But
time
passes
swiftly
and
relentlessly.
(3)
Therefore,
we
must
enjoy
the
pleasure
of
each
other
now,
without
further conclusion
of the argument begins at Line 33 with
The Title
.......The title suggests
(1) that the author looked over the shoulder of a
young man as he wrote a plea to a young
lady
and
(2)
that
the
author
then
reported
the
plea
exactly
as
the
young
man
expressed
it.
However,
the
author
added the title,
using the third-person possessive pronoun
reader that the lady is no easy catch;
the word
and lover. It can also serve
as the female equivalent of master. In
synonym for lady or sweetheart. In
reality, of course, Marvell wrote the entire poem.
The
Persona (The Young Man)
.......Although Andrew Marvell writes
the plea of another man (fictional, of
course). The poet enters the mind of the man and
reports his thoughts as they
manifest
themselves. The young man is impatient,
desperately so, unwilling to tolerate temporizing
on the part of
the young lady. His
motivation appears to be carnal desire rather than
true love; passion rules him. Consequently,
one may describe him as immature and
selfish.
Theme and Summary
.......“To His Coy
Mistress”
presents
a
familiar
theme
in
literature—
carpe
diem
(meaning
seize
the
day),
a
term
coined
by
the
ancient
Roman
poet
Quintus
Horatius
Flaccus,
known
as
Horace
(65-8
B.C.). Here
is
the
gist
of
Andrew Marvell's poem: In response to a
young man’s declarations of love for a young lady,
the lady is playfully
hesitant,
artfully demure. But dallying will not do, he
says, for
youth passes swiftly. He and
the lady
must take
advantage
of the moment, he says, and “sport us while we
may.” Oh, yes, if they had “world enough, and
time”
they
would
spend
their
days
in
idle
pursuits,
leisurely
passing
time
while
the
young
man
heaps
praises
on
the
young
lady.
But
they
do
not
have
the
luxury
of
time,
he
says,
for
“time's
wingéd
chariot”
is
ever
racing
along.
Before they know it,
their youth will be gone; there will be only the
grave. And so, the poet pleads his case: Seize
the day.
Meter and Rhyme
The
poem
is
in
iambic
tetrameter,
with
eight
syllables
(four
feet)
per
line.
Each
foot
consists
of
an
unstressed
syllable followed
by a stressed syllable. The last syllable of Line
1 rhymes with the last syllable of line 2, the
last
syllable of line 3 rhymes with the
last syllable of line 4, the last syllable of line
5 rhymes with the last syllable of
line
6, and so on. Such pairs of rhyming lines are
called couplets. The following two lines, which
open the poem,
exhibit the meter and
rhyme prevailing in most of the other couplets in
the poem:
.....
.1..................2...................3.........
......4
Had WE..|..but
WORLD..|..e NOUGH..|..and TIME
.......1..........
..2...........
....3...............4
This
COY..|..ness LA..|..dy WERE..|..no CRIME
Setting
The poem does not present a scene in a
specific place in which people interact. However,
the young man and the
young lady
presumably live somewhere in England (the native
land of the author), perhaps in northeastern
England
near the River Humber. The poet
mentions the Humber in line 7.
Characters
Young Man: He pleads with a young lady
to stop playing hard to get and accept his love.
Young Lady: A
coquettish woman.
Notes
1.....coyness: Evasiveness, hesitancy,
modesty, coquetry, reluctance; playing hard to
get.
2.....which . . .
walk:
Example
of
enjambment
(carrying
the
sense
of
one
line
of
verse
over
to
the
next
line
without
a pause).
3.....Ganges:
River in Asia originating in the Himalayas and
flowing southeast, through India, to the Bay of
Bengal.
The young man here suggests
that the young lady could postpone her commitment
to him if her youth lasted a long,
long
time. She could take real or imagined journeys
abroad, even to India. She could also refuse to
commit herself
to him until all the
Jews convert to Christianity. But since youth is
fleeting (as the poem later points out), there is
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