马语者观后感

轻声细语

影片中处处精细，

我试着一点 点表达我的感受，

试图让大家理解，

《马语者》

对我的触动。

whisperer

是一个温柔的词——轻声细语。人和马的沟通却远比在纽约人与人的 沟通更

加细致温暖。安妮和她周遭的人在纽约这个城市显得焦躁，冷漠，隔阂，不可信。 格蕾丝在

病后上学的第一天，周围的人打量，奇怪，怜悯，嬉笑的眼光使这个城市格外寒 冷。即使是

家人也是缺乏沟通。

这一切使身处城市的人外表坚强 ，

内心脆弱，

在灾难面前不堪一击。

“ 朝

圣者”的治疗是一条线索，在蒙大拿的日子，安妮和格蕾丝学会了爱与被爱，学会了沟 通。

“我看到了那匹马，我觉得同样的事情也发生在我的身上”

。

影片中有很多有意思细节，比如格蕾丝在纽约的家中从 餐桌中离开时，安妮会抚平女儿

弄皱的桌布

,

< br>还有很多可以想象的话语，汤姆的妈妈说：

“有时人们对于内心里的家的渴望要< /p>

强于他们实际的家

.

”这些地方都需要观 者细细品味。篇二：马语者英文影评

马语者

the horse whisperer

英文影评

review by james berardinelli

low,

gray

clouds

scud

across

the

sky

while

the

grass

of

a

seemingly- endless

plain

ripples in response to the prompting of a spring breeze. thunder rumbles in the

distance. on another day, a bright sun gazes down on those same fields while cattle

roam from horizon to horizon. the silhouette of a lone cowboy on horseback stands

out against an evening skyline. above these vistas, the rocky mountains tower like

implacable guardians, seeing all. these are only some of the images from the horse

whisperer, a film as rich in its visual presentation as it is in its emotional

resonance.

as directed by veteran actor/film maker robert redford, the horse whisperer is

a powerful and moving tale of love and loss that eschews melodramatic manipulation

in its pursuit of a simple, honest tale. i have not read the best-selling novel by

nicholas

evans

upon

which

the

movie

is

based,

but

if

its

as

good

as

(or

better

than)

the motion picture adaptation, its easy to understand its appeal. as a director,

redford has made some impressive films; this is among his best.

the

horse

whisperer

opens

peacefully

enough,

with

two

teenage

girls

leaving

their

houses in the early morning hours for a horseback ride. the sunrise is brilliant,

and, as snow begins to fall later in the day, the fields and forest are turned into

a

winter

wonderland

of

blues

and

silvers.

everything

is

picture

perfect

until

tragedy

strikes,

brutally and without warning. one of the girls mounts loses his footing

on

the

icy

ground

and,

suddenly,

the

two

friends

are

in

the

path

of

a

skidding

18-wheeler.

one girl

and

her horse die. the other pair,

grace maclean (scarlett johansson), and

her

beloved

steed,

pilgrim,

are

badly

injured.

grace

loses

the

lower

half

of

one

leg.

pilgrim is driven mad, and everyone advises that he be put to sleep.

graces parents, annie and robert maclean (kristin scott thomas and sam neill),

are ill- prepared to help their daughter cope with her physical disability and the

mental

scars

of

having

seen

her

best

friend

run

down

by

an

out-of- control

truck.

annie

decides

that

graces

recovery

will

be

aided

if

she

can

find

a

way

to

heal

pilgrim

(the

films only dubious contrivance). so, with her daughter and the horse in tow, annie

heads

out

to

montana,

where

a

legendary

horse

whisperer,

tom

booker

(robert

redford),

lives

and

works

on

a

ranch.

after

seeing

pilgrim,

tom

agrees

to

try

to

help

the

horse,

and so begins a long period of restoration for four souls: pilgrim, grace, annie,

and tom.

those

of

a

romantic

nature

may

focus

on

the

understated

relationship

between

annie

and tom, but thats just one aspect of a story of great depth. the horse whisperer

is

about

the

healing

power

of

love.

like

atom

egoyans

masterpiece,

the

sweet

hereafter,

this

film

eloquently

illustrates

how

difficult

it

is

to

recover

from

a

life-

altering

trauma,

and

how

the

ripples

from

such

an

event

can

affect

those

who

were

not

directly

involved. everyone in this film has their own demons to wrestle with. grace, who

retreats

into

a

sullen

cocoon

after

the

accident,

is

raw

on

the

inside,

but

wont

let

it out. she resents her mothers emotional distance and is frightened that the loss

of her leg makes her useless and will doom her to a life alone. (nobody will want

me like this!) annie, who is used to being in charge, doesnt know how to cope with

the situation, and, when she takes the time to examine her life, she recognizes how

the pressures of her career have leeched away her humanity. meanwhile, tom, who is

basically

at peace

with

himself,

begins

to re-discover

what

it

means

to

love,

something he had lost when his wife left him.

redfords tom is exactly the kind of character we expect from redford: a solid,

kind, rugged man who is long on patience and rarely displays much emotion. it could

be argued that the former matinee idol is a little too old for this sort of role,

but,

even

with

his

features

growing

wrinkled

and

weathered,

the

camera

still

flatters

him. kristin scott thomas makes a worthy opposite: shes attractive (but not so

stunning that she steals the spotlight away from her older co-star), mature, and a

good

actress.

solid

support

is

provided

by

the

always-reliable

sam

neill,

chris

cooper

(lone star), and dianne wiest.

emotionally, the horse whisperer finds the perfect pitch. theres no overacting

and no overt

audience manipulation; we feel with and

for the characters, but

theres

never

a

sense

that

were

being

tricked

into

providing

a

particular,

desired

response.

the

film

is

neither

relentlessly

downbeat

nor

needlessly

cheerful;

its

about

healing,

but there is a strong, bittersweet current running through the love story subplot.

as a director, redford has never shown greater mastery of his material. his

presentation

of

montana,

with

all

of

its

glorious

open

spaces,

is

enough

to

make

anyone

in the theater think about heading west. he also manages to make the day-to-day

activities

of

running

a

ranch

and

working

with

horses

seem

interesting.

at

the

outset,

i

feared

that

i

might

be

bored

by

the

horse

whisperer,

but,

despite

the

running

length

(which

creeps

close

to

titanic

territory

with

no

shipwreck

in

sight),

i

found

myself

thoroughly

absorbed.

the

presentation

of

the

truck

accident

is

memorable

for

the

way

in

which

it

is

staged

--

its

loud,

horrifying,

and

chaotic.

the

editing

and

cinematography are perfect, and fashion an unforgettable cinematic moment.

redford, along with screenwriters richard lagravenese and eric roth, has made

a

significant

change

to

the

ending

of

the

story

as

presented

in

the

novel.

but,

while

die-hard

fans

of

evans

book

may

be

disappointed

by

the

alteration,

which

significantly

dampens

the

level

of

melodrama,

it

fits

perfectly

with

the

delicately-balanced

tale

and characters redford has brought to the screen. every summer, it seems that there

is at least one literate, intelligent alternative to the mindless blaze of action

films.

for

the

early

season

of

1998,

its

the

horse

whisperer.

godzilla

may

be

bigger,

but

for

those

who

care

about

plot

and

character,

and

who

want

to

experience

a

genuine

emotional response, this is the real giant.

冰天雪地的纽约北部，

岁的格蕾丝骑着

爱马“朝圣者”外出发生意外 ，格蕾丝失去了一条腿，

“朝圣者”也奄奄一息。母亲安妮急切

地期盼格蕾丝能早日康复，

但不久她发现，

要使女儿的心理恢复 正常，

首先必须挽救

“朝圣

者”的生命。当听说蒙大拿州有一位名叫汤姆·布克的为马治病的高手后，安妮便不厌其烦

地打电话向他求救。尽管一再遭到拒绝，安妮依然不肯放弃，

最后她干脆开上车，

带着格蕾 丝和

“朝圣者”

一起前往蒙大拿。

在蒙 大拿宽广的天空下，

安妮、汤姆和格蕾丝的生活都被永远地改变了??

< br>

《马语者》我只读了一遍，或许所感受到的东西与作者 的写作意图相去甚远，但我仍愿

意把记录下来。大概每部书都是这样，随着岁月的流逝和 阅历的丰富，再读时会有另一番感

受。

可那是以后的事情，

现在就不得而知了。

书的封面上印着两行小字：

“扣人心弦的心灵历

险，感人肺腑的爱情诗篇。

”开始，我 以为这是对这本书的高度概括，却没想到，在读过全篇

之后，再看这两行字（尤其是后一 行）

，竟感到很茫然。这里所指的爱情，无疑是安妮与汤姆

的， 可是，他们的爱情，真的感人肺腑吗？

罗伯特是个绝对经典的丈夫，他几乎具备一切好丈夫所 应有的优秀品质。可奇怪的是，

安妮仍然红杏出墙。难道她所需要的只是激情？看到她和 汤姆做爱的那段文字，我几乎恶心

得要吐。这个固执的女人，一切只从自己的需要出发， 她有没有考虑过她女儿的父亲、她的

丈夫的感受？

汤姆最终选择了死亡。我很赞赏他的勇气，虽然他大可 不必这么做。不过，退出，倒是

再明智不过的决定。他已经占有了安妮的肉体与灵魂，不 该再奢求天长地久的厮守。其实，

我很崇尚柏拉图式的爱情，并一直认为只有纯精神上的 爱情才是真正的爱情，而若是掺进了

某种欲望，它就不那么纯粹了。性行为是所有的欲望 中最原始的一种。用“纯粹的性吸引”

来评价汤姆与安妮，似乎有失公允，毕竟，他们之 间存在爱情。但是，这份爱情是以伤害罗

伯特这样一个接近于完美的丈夫为代价的，那么 ，它的存在是否显得太没人性、太不道德了

呢？显然，汤姆意识到了这一点，并以自戕为 这个他认为完美的错误做了个了断。可见，他

是勇敢的。但是，谁又能说死亡不是比活着 更好的解脱呢？虽说对于他来说一切都结束了，

可有关于他的一切都还在鲜活着、延续着 。例如安妮心中永远的回忆与怀念，以及那个幼小

的生命。可以说，他是明智的。

克蕾斯和她的马——朝圣者，

在整个过程中都表现出了同样的坚强。

“扣人心弦的心灵历

险” 用在她们的身上真是再贴切不过。虽然也曾对现状产生过怀疑，但终于在周围人的关怀

与 呵护下重新树立了信心，找回了自我。克蕾斯就像一个在你面前长大的小女孩，你亲眼看

着她受伤、茫然以及重新学会用快乐的心态去面对一切。这个过程是那么的真实、自然，仿

佛你能够触摸得到。不过，有一点不得不承认，安妮和罗伯特都是各自工作领域的精英，钱

对于他们来说根本不成问题，这无疑对克蕾斯的痊愈有着很大的帮助。的确，有时心理上的

< br>创伤比生理上的更难治愈，克蕾斯的痊愈主要是由于她坚强的毅力、不屈的精神和乐观的性

格。但不管怎么说，这要比那些饥寒交迫的人们做起来容易得多。我料想，若是一个穷人家

的孩子遭遇了同来的状况，就算再坚强，也不会得到与克蕾斯一样完美的结果。

娄根出现的次数并不多，但他的每一次出现都像是带来了一缕阳光。下面这一段文字：

< br>“娄根把车停在一面写着

?

大型动物医院

?

的看板下，心想：真稀奇！堂堂一座大学，竟然无

法 更准确地用语言描述大的究竟是动物还是医院。

”

让你在微笑中 感受着温暖与平和。

更重要

的是，他把自己当作医生而不仅仅是 兽医，以与对人一样的平等和爱的心态去对待动物。我

甚至在想，

如果他出生于大草原而并非只是毕业于医学院，

那么，

在医治 马的精神痛苦方面，

他很可能比汤姆更胜一筹。篇三：

《奔腾年 代》

、

《马语者》观后感

《奔腾年代》

《奔腾年代》该部影片，以

2 0

世纪

30

年代的美国大萧条为背景衬 払，讲述了来自三个