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最新考研英语(一)阅读理解全文翻译及解析

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2021-02-28 03:55
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2021年2月28日发(作者:8006)


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Text 1






Of all the changes that have taken place in English-language newspapers during the past


quarter-century,


perhaps


the


most


far-reaching


has


been


the


inexorable


decline


in


the


scope and


seriousness of their arts coverage.




It is difficult to


the point of impossibility for the


average reader under the age of forty to


imagine a time when high- quality arts criticism could be found in most big- city newspapers.



Yet a considerable number of the most significant collections of criticism published


in the 20th


century consisted in large part of newspaper reviews.




To read such books today is to marvel at


the


fact


that


their


learned


contents


were


once


deemed


suitable


for


publication


in


general-circulation dailies.




We are even farther removed from the unfocused newspaper reviews published in England


between the turn of the 20th century and the eve of World War 2,at a time when newsprint was


dirt-cheap


and


stylish


arts


criticism


was


considered


an ornament


to


the


publications


in


which


it


appeared.



In those far-off days, it was taken for granted that the critics of major papers would


write in detail and at length about the events they covered.



Theirs was a serious business. and


even


those


reviews


who


wore


their


learning


lightly,


like


George


Bernard


Shaw


and


Ernest


Newman, could be trusted to know what they were about.



These men believed in journalism as


a calling, and were proud to be published in the daily press.



So few authors have brains enough


or literary gift enough to keep their own end up in ournalism,Newman wrote,


to define


are




Unfortunately,


these


critics


are


virtually


forgotten.



Neville


Cardus,


who


wrote


for


the


Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a


writer


of


essays


on


the


game


of


cricket.



During


his


lifetime,


though,


he


was


also


one


of


England's foremost classical-music critics, and a stylist so widely admired that his Autobiography


(1947) became a best- seller.



He was knighted in 1967, the first music critic to be so honored.



Yet only one of his books is now in print, and his vast body of writings on music is unknown


save to specialists.






Is


there


any


chance


that


Cardus's


criticism


will


enjoy


a


revival?



The


prospect


seems


re mote.



Journalistic tastes had changed long before his death, and postmodern readers have little


use for the richly uphostered Vicwardian prose in which he specialized.



Moreover,the amateur


tradition in music criticism has been in headlong retreat.



全文翻译:



在过去的



25

年英语报纸所发生的变化中,影响最深远的可能就是它们对艺术方面的


报道在范围上 毫无疑问的缩小了,而且这些报道的严肃程度也绝对降低了。








对于年龄低于



40

< br>岁的普通读者来讲,


让他们想象一下当年可以在许多大城市报纸上读


到精品的文艺评论简直几乎是天方夜谭。然而,在



20


世纪出版的最重要的文艺评论集中,


人们读到的大部分评论 文章都是从报纸上收集而来。


现在,


如果读到这些集子,


人们肯定会


惊诧,当年这般渊博深奥的内容竟然被认为适合发表在大众 日报中。




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20


世纪早期到二战以前,当时的英国报纸上的评论主题广泛,包罗 万象,我们现在


离此类报纸评论越来越远。


当时的报纸极其便宜 ,


人们把高雅时尚的文艺批评当作是所刊登


报纸的一个亮点。< /p>


在那些遥远的年代,


各大报刊的评论家们都会不遗余力地详尽报道 他们所


报道的事情,这在当时被视为是理所当然的事情。他们的写作是件严肃的事情,人 们相信:


甚至那些博学低调不喜欢炫耀的评论家,


比如



George Bernard Shaw




Ernest Newman


也知


道自己在做什么


(即他们的文章会高调 出现在报纸上)



这些批评家们相信报刊评论是一项

< p>
职业,并且对于他们的文章能够在报纸上发表感到很自豪。



鉴于几乎没有作家能拥有足够


的智慧或文学天赋以保证他们在新闻报纸写作中 站稳脚跟





Newman


曾写道,


< p>
我倾向于




新闻写作< /p>



定义为不受读者欢迎的作家用来嘲讽受读者欢迎的作家的一个< /p>




轻蔑之词


’ ”








不幸的是,这些批评家们现在实际上已被人们遗忘。从



1917


年开始一直到



1975



去世不久前还在为曼彻斯 特《卫报》写文章的



Neville Cardus


,如今仅仅作为一个撰写关于


板球比赛文章的作家被人们所知。


但是,


在他的一生当中,


他也是英国首屈一指的 古典音乐


评论家之一。他也是一位深受读者青睐的文体家,


所以



1947


年他的《自传》一书就成为热


销读物。



1967


年他被授予爵士称号,也是第一位获此殊荣的音乐评 论家。


然而,


他的书现


在只有一本可以 在市面上买到。


他大量的音乐批评,


除了专门研究音乐评论的人 以外,


已鲜


为人知。




Cardus


的评论有没有机会重 新流行?前景似乎渺茫。在他去世之前,新闻业的品味早


已改变很长时间了,

< p>
而且他所擅长的措词华丽的维多利亚爱德华时期的散文风格对后现代的


读者 没有什么用处。何况,由业余爱好者作音乐批评的传统早已经成为昨日黄花了。



Text 2





Over


the


past


decade,


thousands


of


patents


have


seen


granted


for


what


are


called


business


methods. received one for its “one


-


click” online payment system. Merrill Lynch got


legal protection for an asset allocation strategy. One inventor patented a technique for lying a box.



Now the nation’s top patent court appears completely


-property lawyers abuzz the U.S. court of


Appeals


for


the


federal


circuit


said


it


would


use


a


particular


case


to conduct


a broad


review


of


business-


method patents. In the Bilski, as the case is known, is a “very big deal”, says Dennis’D


Crouch of the University of Missouri School of law.


It


“has the potential to eliminate an entire


class of patents.”




Curbs on business-method claims would be a dramatic about-face, because it was the federal


circuit itself that introduced such patents with is 1998 decision in the so- called state Street Bank


case,


approving


a


patent


on


a


way


of


pooling


mutual-fund


assets.


That


ruling


produced


an


explosion


in


business-method


patent


filings,


initially


by


emerging


internet


companies


trying


to


stake


out


exclusive


pinhts


to


specific


types


of


online


transactions.


Later,


move


established


companies raced to add such patents to their files, if only as a defensive move against rivals that


might bent them to the punch. In 2005, IBM noted in a court filing that it had been issued more


than 300 business-method patents despite the fact


that it questioned the legal basis


for granting


them.


Similarly,


some


Wall


Street


investment


films


armed


themselves


with


patents


for


financial


products, even as they took positions in court cases opposing the practice.



The


Bilski


case


involves


a


claimed


patent


on


a


method


for


hedging


risk


in


the


energy


market.


The Federal circuit issued an unusual order stating that the case would be heard by all 12


of the court’s judges, rather than a typical panel of three and that one issue it wants to evaluate is


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weather it should “reconsider” its state street Bank ruling.




The Federal Circuit’s action comes in the wake of a series of recent decisions by the supreme


Count that has narrowed the scope of protections for patent holders. Last April, for example the


justices signaled that too many patents were being upheld for “inventions” that are obvious. The


judges


on


the


Federal


circuit


are


“reacting


to


the


anti_patent


trend


at


the


supreme


court”,


says


Harole , a partend attorney and professor at aeorge Washington University Law School.


Text 3







In his book The Tip


ping Point, Malcolm Aladuell argues that “social epidemics” are


driven in large part by the actions of a tiny minority of special individuals, often called influentials,


who are unusually informed, persuasive, or well connected.



The idea is intuitively compelling,


but it doesn’t explain how ideas actually spread.






The supposed importance of influentials derives from a plausible-sounding but largely


untested theory called the “two


-


step flow of communication”: Informat


ion flows from the media


to the influentials and from them to everyone else.




Marketers have embraced the two-step


flow because it suggests that if they can just find and influence the influentials, those select people


will do most of the work for them.



The theory also seems to explain the sudden and unexpected


popularity of certain looks, brands, or neighborhoods.



In many such cases, a cursory search for


causes finds that some small group of people was wearing, promoting, or developing whatever it


is before anyone else paid attention.



Anecdotal evidence of this kind fits nicely with the idea


that only certain special people can drive trends.





In their recent work, however, some researchers have come up with the finding that


influentials have far less impact on social epidemics than is generally supposed.




In fact, they


don’t seem to be required of all.




The researchers’ argument stems from a simple observation


about social influence, with the exception of a few celebrities like Oprah Winfrey



whose


outsize presence is primarily a function of media, not interpersonal, influence



even the most


influential members of a population simply don’t interact with that many others.



Yet it is


precisely these noncelebrity influentials who, according to the two-step-flow theory, are supposed


to drive social epidemics by influencing their friends and colleagues directly.




For a social


epidemic to occur, however, each person so affected, must then influence his or her own


acquaintances, who must in turn influence theirs, and so on;



and just how many others pay


attention to each of these people has little to do with the initial influential.




If people in the


network just two degrees removed from the initial influential prove resistant, for example, the


cascade


of change won’t propagate very far or affect many people.






Building on the basic truth about interpersonal influence, the researchers studied the


dynamics of social contagion by conducting thousands of computer simulations of populations,


manipulating a number of variables relating to people’s ability to influence others and their


tendency to be influenced.



全文翻译:




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