-
英国文学发展史及每个阶段的特点
British history of literature and the
characteristics of each stage
< br>毋庸置疑,英国小说是世界艺术之林中的一大景观。它如同促使其滋生与进化的社会土壤一样,在历史的< /p>
洪流中不断改弦易辙,急剧演变。自文艺复兴时期以来,英国小说已经发展成为一种充满活
力和魅力的艺
术工具,对社会生活和历史变迁进行了生动的描述。像英语一样,自它形成
的那一天起,英国小说便建立
了自己的规则和体系,虽东学一点,西借一点,却以坚定的
步伐向前发展。引人注目的是,尽管英国小说
起步较晚,其历史比诗歌和戏剧短得多,但
它却发展迅猛,变化巨大,流传甚广,其影响和作用早已大大
地超过了诗歌和戏剧。究其
原因,英国小说不仅具有内容丰富、情节曲折和人物形象生动等特征,而且还
因其篇幅灵
活、形式多样,语言通俗和艺术精湛而备受广大读者的青睐。经过无数作家的认真探索和反复
实践,当代英国小说在艺术形式和创作技巧上与它早期的雏形已不可同日而语。如果说,英国小说的崛起 p>
完全符合文学发展的客观规律;那么,其小说艺术的发展既是社会进化的一个显著标志,也是
文学现代化
的必然结果。
Undoubtedly, the English novel is a
great landscape in the world art tries. It as
urging its growth and
evolution of
social soil, as in history stream of continuous
converted, sharp evolution. Since the
Renaissance, England has novel has
developed into a dynamic and charm of the art
tools, to the social
life and
historical changes the vivid description. Like
English is same, since it formed the day, the
English
novel, he set up his own rules
and system, although east, west borrowed learn a
little bit, but with the firm
steps
forward development. Remarkably, although English
novels startting evening, its history than
poems and plays a much shorter, but it
is developing rapidly, dramatic change,
widespread, its influence
and effect
already greatly exceeds poetry and drama.
Investigate its reason, English novels not only
has
the rich content and plots and
characters vivid characteristics such as length,
but also because of its
flexible and
diverse forms, colloquial English and art
consummate and has extensive readers' favor. After
countless writer's earnest exploration
and repeated practice, contemporary English novels
in artistic form
and creative skills on
early embryo of with it already is obvious. If,
say, the rise of the English novel
completely accord with the objective
law of the development of literature, So, its
novel artistic
development is both
social evolution a distinctive sign, but also the
inevitable result of the modern
literature.
应当指出
,英国小说艺术,像其他艺术形式一样,不可避免地经历了一个从原始到成熟的发展过程。事实
< br>上,它的每一个发展阶段都同英国当时的社会、历史、政治、文化和经济状况息息相关。就此而论,英国< /p>
小说艺术的发展不是一种孤立或自发的文学现象,而是与英国的社会变化以及异域(尤其是
欧洲各国)文
化的繁荣昌盛彼此交融的。当然,英国小说艺术的发展与演变有其自身的规
律和秩序。这种规律和秩序不
能通过抽象的、主观的或形而上学的方法来解释,而只能通
过对历代小说文本的考察与研究来加以揭示和
验证。然而,在深入探讨英国小说艺术的具
体特征与美学价值之前,很有必要对其历史概貌和演化过程作
一番简要的概述。
It should be pointed out that
the English novel, artistic, like other art forms
is same, inevitably
experienced a from
primitive into mature process of development. In
fact, its every stage of development
with British contemporary society,
history, politics, culture and economy is closely
linked. It is worth
noting that the
English novel, artistic development is not a
solitary or spontaneous literary phenomenon,
but with the British social changes,
and exotic (especially European countries) culture
blends the
prosperity of each other. Of
course, the English novel, artistic development
and evolution has its own
rules and
order. This law and order cannot be through the
abstract, subjective or metaphysical methods
to explain, but only through of past
dynasties novels text investigation and study to
be revealed and
validation. However, in
deeply discuss the English novel, artistic
specific features and aesthetic value
before, it is necessary to its
historical overview and evolution process for a
brief overview.
作为一种公认的叙事性散
文文学体裁,英国小说已经具有四百多年的历史。从理论上讲,英国小说形成之
日,便是
其艺术问世之时。当然,小说艺术被作家接受并得到读者的理解和评论家的认可需要一个过程。
< br>但迄今为止,西方评论家对英国的第一部小说究竟始于何年及出于何人之手众说纷纭,莫衷一是。有人说< /p>
是塞缪尔
?
理查逊(
Samuel Richardson, 1689-1761
)的书信体小说《帕
梅拉》(
Pamela, 1740
),有人说
是丹尼尔
?
笛福(
Danie
l Defoe, 1660-1731
)的冒险小说《鲁滨逊漂流记》(
Robinson Crusoe, 1719
),
也有人说是约翰
?
班扬
(
John Bunyan, 1628-1688
)
的宗教寓言小说
《天路历程》
(
The
Pilgrim?s Progress
,
上集
1678
,下集
1685
)。
其实,早上
16
世纪末的文艺复兴时期,英国小说已端倪可察。
当时,约翰
?
黎
里
(
John Lyly, 1554?-1606
)
、
菲利普
?
锡德尼<
/p>
(
Philip Sidney, 1554-1586
)
、
罗伯特
?
格林
(
Robert Greene,
1558-1592
)
和托马斯
?
纳什尔
(
Thomas
Nashe, 1567-1601
)
等一群毕业于牛津和剑桥
的才华溢的
“
大学才
子
”
(
University Wits
)对诗歌一统天下的局面进行反驳。在文艺复兴运动的鼓舞下,他们对小说这种新的
文化体裁进行了大胆的实践和探索,并开始采用风格典雅和雕琢华丽的散文语言创作叙事性作品,从而翻 p>
开了英国小说历史的第一页。黎里的《尤弗伊斯》
(
Euphues, The Anatomy of Wit, 1579
)<
/p>
、锡德尼的《阿
卡锹亚》(
Arcadi
a, 1590
)、格林的《潘朵斯托》(
Pandosto:
The Triumph of Time, 1588
)、纳什尔的
< br>《不幸的旅行者》
(
The Unfortunate
Traveler, 1594
)
和托马斯
?
迪罗尼的
《纽伯雷的杰克》
(<
/p>
Jack of Newbury,
The Famous
and Worthy Clothier of England, 1597
)
p>
等作品都体现了小说的艺术特征。
它们不仅在题材上
变化显著,而且在形式、结构和语言上同当时的诗歌和戏剧大相径庭,已经成为一种新兴的、颇有发展潜
力和备受读者青睐的文学体裁。这些作品大致可分为罗曼司和现实小说两大类,从各个侧
面反映了伊丽莎
白时代的社会生活。当时英国的散文叙事作品似乎获得了一种崭新而又绚
丽的文体,尽管它作为叙事文学
还显得不够成熟。然而,
“
p>
这类作品在当时与那些适应飘忽不定的语言和读者见面时肯定具有近似于魔术般
的效果,因为它不受音步的限制。
”
②显然,
16
世纪末的
“
大学
才子
”
是英国小说的开拓者和创始人。尽管
16
世纪末在英国文坛勃然兴起的
“
小说热
”
只延续了大约二十年时间,但
“
大学才子
”
们的创作实践为英国小
说艺术的发展奠定了重要的基础。
As a recognized the narrative prose
style of literature, English novels has 400 years
of history.
Theoretically, English
novels form date, is its artistic came. Of course,
the novel art by writers accept and
get
the reader's understanding and critics recognition
is a process. But so far, western critics to
Britain's
first novel actually began in
what year was out of the hand of anyone and moral-
all, unable to agree.
Some say, Samuel
Johnson (well, Richard Richardson, 1689 - The
1761) epistolary novel
(Pamela, 17.4),
some say, Daniel Defoe (Daniel Defoe, 16.6-1731)
adventure novel Robinson Crusoe
(chief,
1719), some say, John class Yang (John Bunyan,
1628-1688) religious allegorical novel Pilgrim's
Progress (The Pilgrim 's when, XiaJi
1685), used 1678. Actually, the morning of the
late 16th century
Renaissance English
novels has DuanNiKeCha. At that time, John li
(John Lyly, 1554? - 1608), Philip sid
mani (Philip Sidney, 1554-1586), Robert
green (Robert Greene, 1558-1592) and Thomas Nash's
(1567-1601, Thomas Nashe) etc a group
of graduated from Oxford and Cambridge talent
overflowing
Renaissance
movement inspiring, they of novel this new culture
genre staged a bold of exploration and
practice, and began to adopt style is
elegant and carve luxuriant prose language
creation, thus opened
the narrative
work history of the English novel on the first
page. Li in The jufer ishwat
Anatomy of
Wit, 1579), sid nehemiah The shovel and o
card
(a Triumph of The Pandosto: 1588),
Nash's, The Unfortunate traveller
and
Thomas Dillon ronny
works reflect The
characteristics of The art of fiction. They are
not only significant changes in subject
matter, and in form, structure and the
language of poetry and plays with the then widely
divergent, has
become a new, quite have
the potential development and the literature genre
has readers favour. These
works can be
roughly divided into two types LuoManSi and
realistic novel, from all aspects reflect the
Elizabethan era of social life. At that
time the British prose narrative works seem to
have a new and
beautiful style,
although it as a narrative literature also appear
insufficient mature. However,
work at
that time with those who adapt the flickering
language and readers with approximate to meet
certain magic effect, because it does
not suffer sound step restrictions.
16th
century
century England's literary
exalted arisen
the creative practice
for the English novel, artistic development has
laid an important foundation.
< br>17
世纪是英国多事之秋,政局动荡,社会混乱,民不聊生。英国小说的发展势头
受到了极大的遏制。随着
“
大学才子
”
们的相继去世,曾经风行一时的英国小说开始峰回路转,步履维艰。那些不喜欢或不擅长
写散
文故事的作家便热衷于撰写具有说教意义或喻世内容的散文。
“
他们放弃叙事文学并随后转向撰写一系列具
有说教性质的文
章,这表明了他们的自我封闭和缺乏传递任何戏剧效果的能力。
”
③在沉寂了半个多世纪之
后,英国小说在约翰
?
班扬的努力下东山再起。然而,班扬似乎是
17
世纪
英国文坛的一位孤独的长跑者。
他的《天路历程》虽然在当时颇有影响,但这并没有造就
一批新的小说家,也没有使小说取代诗歌的地位。
尽管如此,班扬对小说艺术进行了有益
的尝试,巧妙地采用梦境来反映现实,并使一个看来纯属虚构的宗
教寓言折射出广泛的象
征意义。虽然,在英国小说尚未告别雏形期之际,班扬的艺术构思及其对小说篇章
结构的
驾驭能力体现了一定的前瞻性,并且对英国小说的全面崛起产生了积极的影响。此外,
1
7
世纪的英
国文坛上还出现了不少所谓的
“
性格特写
”
。这些用散文写成的作
品不仅生动地描绘了当时社会上形形色色
的人物形象,而且还详细地剖析了各种人物的性
格特征。
“
性格特写
”
是
17
世纪的英国小说艺术的发展处于
低潮时期的一种独特的文学体裁,其描写手法十分巧妙,且入木三分,常常令读者回味无穷。尽管
“
性格特
写
”
还不能被归在小说之列,但它们对英国小说艺术的发展曾产生过一定的影响。毫无疑问,班扬的
小说创
作及其同时代作家的
“
性格特写
”
使步履维艰的英国小说面临了新的挑战和机遇。
The 17th century is British
troublous times, political unrest, social
disorder, indeed. The momentum of
development of the English novel
received great containment. With the
rage of the English novel began
walking, it turns to run. Those who don't like or
not good at writing prose
writer was
keen to write the story with preaching meaning or
YuShi content prose.
narrative
literature and then turned to write a series of
articles with preaching properties, which showed
that they self-sealing and lack of
transfer any theatrical effect
ability.
century later, English novels
at John class Yang efforts make a comeback.
However, class Yang seems
to be the
17th century England's literary a lonely long-
distance runner. His pilgrim's progress although
at
that time influential, but this did
not make a batch of new novelist, nor novel
replace poetry status.
However, class
of novel Yang has carried on the beneficial
attempt to art, ingenious use of dreams to
reflect the reality, and make an
opinion is purely fictitious religious fable
refracts the broader symbolism.
Although, in English novels not
farewell rudiment period of artistic ideas and
Yang class of novel textual
structure
control ability reflects certain prospectie, and
overall growth of the English novel, has a
positive
effect. In addition, 17th
century Britain literary world also appeared many
so-called
These using prose written
works not only vivid description of the then
social on all kinds of characters, but
also detailed analyses various
character's personality.
Britain novel
artistic development at a low period of a unique
literary genre, and its description tactics is
very clever, and journalists, often
make the reader with an endless aftertaste.
Although the
feature
certain
effect. No doubt, class Yang novel creation and
its contemporary writer
steps forward
close-up English novels faces new challenges and
opportunities.
18
世纪是英国小说全面崛起的时代,也是小说艺术取得长足进步的时代。享有
“
英国现实主义小说之父
”
称
号的丹尼尔
?
笛福在他的长篇小说《鲁滨逊漂流记》中生动
地表现了英国资本主义原始积累时期的创业意识
和冒险精神,并成功地塑造了一个当时中
小资产阶级理想中的英雄人物的形象。
“
笛福的哲学观念与
p>
17
世
纪的英国经验主义者们十分吻合,他
比以往的作家更加完整地表现了各种个人主义的东西。他的作品独特
地展示了各种形式的
个人主义同小说的兴起之间的联系。这种联系在他的第一部小说《鲁滨逊漂流记》中
得到
了明显而又完全的显示。
”
④笛福的其他几部小说不仅涉及一系
列现实问题,而且也展示了现实主义的
艺术特征,他笔下的人物大都是处于资本主义原始
积累时期的英国小资产阶级的化身。引人注目的是,笛
福在《鲁滨逊飘流记》中成功地采
用了
“
自传性回忆
”
< br>(
autobiographical memoir
)
的手法来表现主人公的冒
险经历。这种创作手法不仅是对当时在英国较为流行的忏悔性自
传的一种挑战,而且也超越了以往的小说
形式,因而对英国小说艺术的发展具有一定的积
极意义。
The 18th century was
the English novel, overall growth of times, it was
fiction artistry has made great
progress in recent times. Enjoy
of Robinson Crusoe vividly demonstrated
in British capitalist primitive accumulation
periods of pioneering
consciousness and
spirit of adventure, and successfully portrayed a
small bourgeois ideal was a hero in
the
image.
previous writer more complete
shows various individualism things. He works
unique shows the various
forms of
individualism with the rise of the connection
between the novel. This contact in his first
novel
the Crusoe had obvious and
completely show.
of practical problems,
but also demonstrate the realistic artistic
features, his characters are mostly in
capitalist primitive accumulation
periods of English petty-bourgeois incarnation.
Remarkably, Defoe
wander in the
Robinson record
memoir) technique to
show the protagonist's adventure. This creation
technique is not only in the UK at
that
time to the popular confession sex autobiography a
challenge, but also beyond the previous novels
form, thus to the English novel,
artistic development has some positive
significance.
在
1
8
世纪的英国文坛上,
“
第二种建立在
?
老式栎木柜子
?
上的小说是书信小说或书信体小说(
the epistolary
novel
),其作者仿佛是一位不知怎么被他弄到手的一大堆书信的编辑。
”
⑤早在
1683
年,英国女作家阿弗
拉
?
班恩(<
/p>
Aphra Behn, 1640-1689
)便创作了第一部
英语书信体小说《一名贵族与他妹妹之间的情书》
(
Love-
letters Between a Nobleman and His Sister
)。然而,真正使书信体小说发展成为一种文学样式并
使其广为流传的无疑是塞缪尔
?
理查逊。他的三部书信体小说《帕梅拉》(
< br>Pamela, 1740
)、《克拉丽莎》
(
Clarissa,
1748
)和《格兰狄森》(
Grandison, 1754
)在当时几乎家喻户晓。书信体小说的问世对英国
小说艺术的发
展起到了推波助澜的作用。它不但进一步丰富了小说的叙述形式,而且也使作者的角色发生
了变化。不仅如此,书信体小说使人物更加贴近读者,真实地展示人物的心理活动与情感变化,给人一种
前所未有的即时感与现实感。正如一位英国批评家指出:
“
人们觉得这种小说形式具有两个潜在的作用,即
令人印象深刻的即时性和对
心理现实乃至意识流的探索。
”
⑥毫无疑问,理查逊的创作实践
在英国小说艺术
史上具有重要的意义,它给后来那些致力于小说实验与革新的作家留下了
极大的想像空间。
In the 18th century
England literary world,
novels or the
epistolary novel epistolary novel (the), its
authors asing if is a somehow he get a lot of
letters editor.
created the
first English epistolary novel
Between
a Nobleman digit - and His mother). However, make
epistolary novel developed into a literary
style and make its widespread is
undoubtedly Samuel Johnson, Richard. Three of his
epistolary novel
Pamela
1754) almost widely known. Epistolary
novel published on the English novel, artistic
development plays
an important role. It
not only further enrich the novel narrative form,
but also made the author's role is
changed. Not only such, epistolary
novel make the characters nearer to the reader,
truly display
character's psychological
activity and emotional change, give a person a
kind of unprecedented instant
feeling
and the sense of reality. As a British critics
say:
function, or impressive real-time
performance and to psychological reality and
stream-of-consciousness
exploration.
important
meaning, it gave those dedicated to experiment and
innovation of novel writer left a great
imagination space.
< br>18
世纪,英国现实主义小说发展迅猛。当时,英国的
“
大多数图书馆收藏各种文学作品,但小说通常被认
为是主要收藏
对象。毫无疑问,这便导致了阅读该世纪中出版的小说的人数显著增加。
”
⑦英国文坛相继涌
现了乔纳森
?
斯威夫特(
Jonathan Swift, 1667-1745
)、亨利
?
菲尔丁(
Henr
y Fielding, 1707-1745
)、劳伦
斯
p>
?
斯特恩(
Laurence
Sterne, 1713-1768
)和简
?
奥斯丁(
Jane Austen, 1775-1817
)等优秀作家。作为一
种生动、全面反映社会生活的文学样式,小说在英国人民的日
常生活中发挥了积极的作用,其地位和影响
首次超过了诗歌和戏剧。与此同时,英国的小
说艺术也日趋成熟。
“
我们对
?
小说
?
这个术语的使用直到
< br>18
世
纪末才算真正确立。
”<
/p>
⑧斯威夫特别出心裁地创作了一部令人捧腹却又引人深思的
《格列
佛游记》
(
Gulliver?s
Travels, 1726
)来针砭时事,嘲讽现实,开创了
英国小说讽刺艺术的先例。菲尔丁所创作的一系列反映社
会生活的长篇小说不仅体现了较
为熟练的谋篇布局的能力,而且还反映出他对传统史诗艺术的巧妙运用。
菲尔丁既模仿古
典史诗的叙事手法,又刻意改变史诗通常具有的严肃性和悲剧色彩,在其小说中不时掺入
富于喜剧色彩的成分,从而使其小说成为所谓的
“
散文式喜剧史
诗
”
(
comic epic in
prose
)。难怪
“
理查逊和
菲尔丁两人都认为自己是一种新的文学样式的倡导者,他们都将自己的作品看作是对陈旧的传奇
小说的一
种决裂。
”
⑨通常被称为感伤
主义作家的劳伦斯
?
斯特恩无疑是
18
世纪英国小说最杰出的革新家。当英国小
说还只是像一棵嫩绿的
幼苗企盼呵护的时候,斯特恩似乎已经对小说的现存模式感到不满。他义无反顾地
对小说
形式进行了重大的改革。在《项狄传》(
Tristram Shandy, 1759
-1767
)中,他首次打破了传统小
说的框架结构,摒弃以钟
表时间为顺序的创作方法,以一种全新的小说文本来描述主人的内心世界。不言
而喻,斯
特恩的文学实验为英国小说艺术增添了新的活力,并且使小说形式进一步朝着多样性与灵活性的
< br>方向发展。值得一提的是,在
18
世纪的英国文坛上还涌
现了一位出类拔萃的女作家简
?
奥斯丁。她的小说
在质量上与同时代的任何男性作家相比都毫不逊色。她不仅善于运用讽刺手法和机智的对话来表现主题
,
而且还能巧妙地利用少量的人物和有限的地域背景来展示广阔的生活图景。
“
在简
?
奥斯丁的艺术中
有些东
西是具有永恒价值的。
”
⑩就总
体而言,
18
世纪的小说家大都从英国的现实社会中摄取创作素
材,展示了
一幅幅生动逼真的生活画面,塑造了一个个有血有肉的人物形象。通过他们的
大胆探索与实践,英国小说
不仅更加生机勃勃,而且在艺术上也日趋成熟。
The 18th century, realism novel
is developing rapidly. At that time, Britain's
various literary works, but the novel
usually considered main collect object. There is
no doubt that this will
lead to the
reading of this century publishing in a dramatic
increase in the number of
novel.
literary have sprung up Jonathan
Swift, Jonathan Swift, (1667-1745), Henry Fielding
(Henry Fielding,
1707-1745), Lawrence,
stern (Laurence Sterne, 1713-1768) and Jane Austen
(like some more Austen,
between1775-1817) excellent writers. As
a kind of vivid, reflect the social life of the
literary style, the
novel in the
British people daily life is playing a positive
role, its status and influence the first time
exceeded the poetry and drama.
Meanwhile Britain's novel art also matures.
terminology used until the eighteenth
century is truly established.
but again
thought-provoking Gulliver's Travels (Gulliver 's
transportation, 1726) to current debates, taunt
reality, pioneered the English novels
of satire precedent. Fielding created a series of
reflecting the social
life of the novel
is reflected not only a skilled entire layout
ability, but also reflect his epic art of
traditional
skillfully. Fielding both
imitate classical epic narratives, and
deliberately changing epic usually has the
seriousness and tragedy color, in its
impermeability abound in the novel sometimes
hilarious ingredients,
thus makes its
novel become the so-called
as old legendary novels a
break.
undoubtedly the 18th century
English novels most outstanding GeXinGu. When
English novels was just
like a tree
green seedling yearning to caress, stern seems to
have the existing mode of novel feel
dissatisfied. He boldly for the novel
form made major reform. In the study DiChuan
1759-266), he first broke traditional
novels of the frame structure, abandon to clock
time and order of
creation methods,
with a kind of brand-new novel text to describe
the master's inner world. Self-evident,
stern literary experiment for the
English novel, artistic added new vitality, and
makes the novel form
further toward
diversity and flexibility, the direction. Be worth
what carry is, in the 18th century England's
literary also appeared a outstanding
writer Jane Austen. Her novels in quality and
contemporary any
male writers are no
less than. She is not only good at using irony
gimmick and witty dialogue to behave
theme, and still can skillfully USES a
small amount of characters and limited
geographical background to
show wide
life picture.
⑩
overall, the 18th century
novelist mostly from Britain's
realistic society intake, showing the creation
material plenties vividly lifelike
life
picture, shaping a vivid images. Through their
bold exploration and practice, the English novels
not
only more vibrant, and on art also
matures.
19
世纪,英国
小说步入了繁荣昌盛的时代,其艺术形式和创作手法也得到了进一步的巩固与发展。
19
世
纪初,随着浪漫主义文学思潮席卷整个欧洲大陆,英国文坛出
现了一批优秀的历史小说和冒险小说,其代
表人物是沃尔特
?<
/p>
司格特(
Walter Scott, 1771-1832
p>
)。他一生创作了三十多部长篇小说,塑造了形形色色
的人物。展示
了波澜壮阔的历史画卷。尽管司格特对小说艺术革新的贡献十分有限,且被当今不少学者视
为一名过时的
“
历史人物
”
,但他洋洋洒洒的历史小说和传奇作品已经成为英国文坛的一个不可忽略的文学
< br>景观,并且在一定程度上提高了英国小说的地位,使之变得更加体面,更加可敬。
The 19th century, English novels
stepping into a prosperous era, its artistic form
and creation technique
also has been
further consolidated and developed. In the early
nineteenth century, with romantic literary
trend across the European continent,
English literary arena appeared a number of
outstanding historical
novels and
adventure stories, and its representative
character is Walter Scott (Walter Scott,
1771-1832).
He composed during more
than thirty novels, shaping a diverse group of
characters. Display the
mammoth history
painting. Although Scott of novel artistic
innovation contribution is very limited, and
many scholars as a current outdated
and legendary England's literary works
has become one of the literature should not be
neglected in
landscape, and to the
extent of the English novel improved position,
make it more decent, more
respectable.
自
19
世纪
中叶起,英国小说在查尔斯
?
狄更斯(
Charles Dickens, 1812-1870
)等优秀作家的共同努力下,
呈现出空间繁荣的景象。据史料记载,从
1837
年到
1900
年,大约有六万部供成人或青少年阅读
的小说在
英国各地出版。也许有七千个维多利亚时代的人有理由自称为小说家。当然,在
艺术上取得成就并且载入
史册的人为数不多。狄更斯和萨克雷(
William M. Thackeray, 1811-1863
)在小说的情节安
排和语言艺术
方面均体现出很高的造诣,使长篇小说更具可读性和趣味性。勃朗特姐妹(
Charlotte Bronte, 1816-1855;
Emily Bronte, 1819-1848
)对人物形
象的刻画有独到之处,而乔治
?
艾略特(
George Eliot, 1819-1880
)则
将人
物的心理现实描绘得淋漓尽致。
19
世纪下半叶是英国殖民主义
统治由盛转衰的时期,也是英国社会矛
盾重重,政局动荡、道德沉沦、贫富冲突严重以及
劳资纠纷加剧的时期。所有这些自然在小说中得到了充
分的反映。狄更斯与其同时代的作
家参及后来的托马斯
?
哈代(
Thom
as Hardy, 1840-1928
)怀
着强烈的
社会责任感,以现实主义为创作原则,对英国社会的种种弊端和邪恶
进行了无情的暴露。这便是长达半个
世纪之久的批判现实主义。应当指出,
19
世纪的现实主义小说不仅在题材上具有极强的现实性,而且在人
物塑造方面也体现了平民化的倾向。通常,
19
世纪的现实主义小说在时间与空间上遵循唯理主义的原则,
在故事情节上注重趣味性与可
读性,并且在形式结构上讲究精裁密缝,严谨合理。就此而言,
19
世纪的现
实主义小说不仅代表了
16
世纪末以来英国小说艺术的精华,
而且也是历代小说家集体智慧的结晶。
马克思
曾对狄更斯等现实主义作家给予高度的评价:
“
他们以明白晓畅和极为动人的描写向世界提示了政治的和社
会
的真理,比起所有的政治家、理论家和道德家合起来所做的还要多。
”
< br>⑾
Since the mid 19th
century onwards, the English novel by Charles
Dickens (Charles in 1812-1870) can,
such as the joint efforts of excellent
writers, showing a space booming. According to
historical records,
from 1837 to 1900,
some 60,000 department for adult or teens reading
novels across Britain was
published.
Maybe 7,000 Victorian man have reason to self-
styled novelist. Of course, in art
accomplishment and demonstration for
the few people. Dickens and SaKeLei (William
Thackeray, m.
1811-1863) in the plot of
the novel arrangement and language arts are
embodied in high attainments,
make
full-length novels readability and interesting.
Charlotte Bronte sister (family, 1816-1855;'s
family,
1819 -- 1848) on the figures
depicting are unique, and George Eliot (George
was, 1819-1880) will
character's
psychological realistic depiction incisively and
vividly. The 19th century British colonial rule is
to rags period, also is British social
contradictions, and political unrest, moral
destruction, rich and poor
conflict
seriously and labor disputes aggravate period. All
these natural in novels have been fully
reflected. Dickens and contemporary
writer participation and later the Thomas Hardy
(1840 Thomas as,
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