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Message of the Land
by Pira Sudham
PARA.1
Yes, these are our
rice fields. They belonged to my parents and
forefathers. The land is
more than
three centuries old. I'm the only daughter in our
family and it was I who stayed with my
parents till they died. My three
brothers moved out to their wives' houses when
they got married.
My husband moved into
our house as is the way with us in Esarn. I was
then eighteen and he was
nineteen. He
gave me six children. Two died in infancy from
sickness. The rest, two boys and two
girls, went away as soon as we could
afford to buy jeans for them. Our oldest son got a
job as a
gardener in a rich man's home
in Bangkok but later an employment agency sent him
to a foreign
land to work. My other son
also went far away.
PARA.2
One of our daughters is working in a
textile factory in Bangkok, and the other has a
job
in a store. They come home to see
us now and then, stay a few days, and then they
are off again.
Often they send some
money to us and tell us that they are doing well.
I know this is not always
true.
Sometimes, they get bullied and insulted, and it
is like a knife piercing my heart. It's easier
for my husband. He has ears which don't
hear, a mouth which doesn't speak, and eyes that
don't
see. He has always been patient
and silent, minding his own life.
PARA.3
All of them remain my
children in spite of their long absence. Maybe
it's fate that sent
them away from us.
Our piece of land is small, and it is no longer
fertile, bleeding year after year
and,
like us, getting old and exhausted. Still my
husband and I work on this land. The soil is not
difficult to till when there is a lot
of rain, but in a bad year, it's not only the
ploughs that break but
our hearts, too.
PARA.4
No, we
two haven't changed much, but the village has. In
what way? Only ten years ago,
you could
barter for things, but now it's all cash. Years
ago, you could ask your neighbors to help
build your house, reap the rice or dig
a well. Now they'll do it only if you have money
to pay them.
Plastic
things
replace
village
crafts.
Men
used
to
make
things
with
fine
bamboo
pieces,
but
no
longer. Plastic bags litter the
village. Shops have sprung up, filled with
colorful plastic things and
goods we
have no use for. The young go away to towns and
cities leaving us old people to work
on
the land. They think differently, I know, saying
that the old are old-fashioned. All my life, I
have never had to go to a hairdresser,
or to paint my lips or nails. These rough fingers
and toes are
for working in the mud of
our rice fields, not for looking pretty. Now young
girls put on jeans, and
look
like
boys
and
they
think
it
is
fashionable.
Why,
they
are
willing
to
sell
their
pig
or
water
buffalo just to be
able to buy a pair of jeans. In my day, if I were
to put on a pair of trousers like
they
do now, lightning would strike me.
PARA.5
I know, times have
changed, but certain things should not change. We
should offer food
to the monks every
day, go to the temple regularly. Young people tend
to leave these things to old
people
now, and that's a shame.
PARA.6
Why, only the other
day I heard a boy shout and scream at his mother.
If that kind of
thing
had
happened
when
I
was
young,
the
whole
village
would
have
condemned
such
an
ungrateful son, and his father would
surely have given him a good beating.
PARA.7
As
for
me,
I
wouldn't
change,
couldn't
change
even
if
I
wanted
to.
Am
I
happy
or
unhappy? This
question
has
never
occurred
to
me.
Life
simply
goes
on. Yes,
this
bag
of
bones
dressed in rags can
still plant and reap rice from morning till dusk.
Disease, wounds, hardship and
scarcity
have always been part of my life. I don't
complain.
PARA.8
The farmer: My wife is wrong. My eyes
do see
–
they see more than
they should. My ears
do
hear
–
they hear more than is
good for me. I don't talk about what I know
because I know too
much. I know for
example, greed, anger, and lust are the root of
all evils.
PARA.9
I am at peace with the land and the
conditions of my life. But I feel a great pity for
my
wife.
I
have
been
forcing
silence
upon
her
all
these
years,
yet
she
has
not
once
complained
of
anything.
PARA.10
I
wanted
to
have
a
lot
of
children
and
grandchildren
around
me
but
now
cities
and
foreign lands have attracted my
children away and it seems that none of them will
ever come back
to live here again. To
whom shall I give these rice fields when I die?
For hundreds of years this
strip
of
land
has
belonged
to
our
family.
I
know
every
inch
of
it.
My
children
grew
up
on
it,
catching frogs and mud
crabs and gathering flowers. Still the land could
not tie them down or call
them back.
When each of them has a pair of jeans, they are
off like birds on the wing.
PARA.11
Fortunately, my wife
is still with me, and both of us are still strong.
Wounds heal over
time. Sickness comes
and goes, and we get back on our feet again. I
never want to leave this land.
It's
nice to feel the wet earth as my fingers dig into
the soil, planting rice, to hear my wife sighing,
scent
of
ripening
rice
in
November.
The
soft
cool
breeze
moves
the
sheaves,
which
ripple
and
shimmer like waves of gold. Yes, I love
this land and I hope one of my children comes back
one
day to live, and gives me
grandchildren so that I can pass on the land's
secret messages to them.
Analysis
PARA1:
Sentence
Theme
1
2
3
4
5
6
7
8
9
10
11
12
Yes
They
The land
I
My three brothers
My husband
I
He
Two
The rest, two boys and two girls
Our oldest son
My other son
Marked/Unmarked
Marked
Unmarked
Unmarked
Unmarked
Unmarked
Unmarked
Unmarked
Unmarked
Unmarked
Unmarked
Unmarked
Unmarked
11
themes
These 12 themes are
mainly about the members of the family, indicate
that the whole passage is a
introduction to the
woman
’
s family---- her elder
generalization, her gerneralization and younger
gerneralization.
As
the
opening
paragraph
of
the
article,
most
of
this
paragraph
’
s
themes
are
concret and arranged in good order,
give readers enough information as well as
imagination.
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