京剧中英文介绍

Beijing Opera combines music, acrobatic dance, and spectacular

costumes to tell stories from Chinese history and folklore. Using abstract,

symbolic gestures rich in dramatic meaning, actors represent personages

from the heroic, divine, and animal worlds, often in martial exploits. The

traditional features of the masklike makeup and elaborate costumes

immediately identify the characters to a knowing audience.

Four Famous Dan Actors

四大名旦

Stage Props in Peking Opera

京剧道具

Types of Facial Make-up in Beijing Opera

京剧脸谱

Roles in Beijing Opera

京剧的角色

Xipi and Erhuang

西皮和二簧

Wenchang and Wuchang

文场和武场

Piao You and Xia Hai

票友和下海

Longtao and Figurant

龙套

”

和

“

跑龙套

”

Qiba

“

起霸

”

Liangxiang “

亮相

”

京剧脸谱（

Beijing opera types of facial makeup in operas

）

简介

(Introduction)

：

Beijing opera types of facial makeup in operas, is a special feature of a national

cosmetic. As each historical figure or a certain type of person has an approximate

spectral type, like sing, play music to the music, so called “types of facial makeup in

operas”. On the types of facial makeup in operas sources, the general view is from

mask.

Beijing opera types of facial makeup in operas are based on certain personality,

temperament or some special types of figures for the use of certain colors. Red has

expressed his Warriors of strong types of facial makeup in operas such as Guan Yu,

concubines Victoria, regular book; Black said the types of facial makeup in operas ming

criticized people, integrity, bravery and even reckless, such as Zheng and Zhang Fei,

Li; Yellow types of facial makeup in operas that vicious brutality, such as Yu Chengdu,

and Dian Wei. Blue or green types of facial makeup in operas that some of the figures

represented irritable, such as Dou Ambassador, Ma Wu; General treacherous court

official said the types of facial makeup in operas white, bad guys, such as Cao Cao,

Zhao higher.

Beijing opera types of facial makeup in operas of color painting methods, basically

divided into three categories : rub face, face towel, different faces. Types of facial

makeup in operas initial role is exaggerated her role with striking places and face the

veins, using exaggerated by the performance of dramatis personae of personality,

psychological and physiological characteristics, and using this to the entire drama

circumstances, but Later types of facial makeup in operas by Kan to complex, from

rough to the small, Youbiaojili, from shallow to deep, itself becoming a nation of

characteristics, to the facial expression means for the pictorial arts.

中文对照

:)~

京剧脸谱，是具有民族特色的一种特殊的化妆方法。由于每个 历史人物或某一种类型的

人物都有一种大概的谱式，就像唱歌、奏乐都要按照乐谱一样， 所以称为“脸谱”。关

于脸谱的来源，一般的说法是来自假面具。

京剧脸谱，是根据某种性格、 性情或某种特殊类型的人物为采用某些色彩的。红色有脸

谱表示忠勇士义烈，如关羽、姜 维、常遇春；黑色的脸谱表示刚烈、正直、勇猛甚至鲁

莽，如包拯、张飞、李逵等；黄色 的脸谱表示凶狠残暴，如宇文成都、典韦。蓝色或绿

色的脸谱表示一些粗豪暴躁的人物， 如窦尔敦、马武等；白色的脸谱一般表示奸臣、坏

人，如曹操、赵高等。

京剧脸谱的色画方法， 基本上分为三类：揉脸、抹脸、勾脸。脸谱最初的作用，只是夸

大剧中角色的五官部位和 面部的纹理，用夸张的手法表现剧中人的性格、心理和生理上

的特征，以此来为整个戏剧 的情节服务，可是发展到后来，脸谱由简到繁、由粗到细、

由表及里、由浅到深，本身就 逐渐成为一种具有民族特色的、以人的面部为表现手段的

图案艺术了。

< br>

参考资料：

百度

京剧 在塑造人物方面有其独特的造型语言。它把不同性别、性格、

年龄、

身份的人物划分为

不同的行当，一般说来有

生、旦、净、丑

四大行当。由于京剧人物造型形象鲜明 、风格多

样，有强烈的剧场效果，常常更易于激起观众的欣赏兴趣。

生行

京剧中的

生

，

一般指剧中扮演男子的演员，

其中 又可细分为

老生

、

小生

和< /p>

武生

。