英语材料

2021年2月13日发(作者：nonsense)

英译汉

1

、

The

world

of

fashion

began

with

individual

couturiers

and

evolved,

as

a

result

of

the

Industrial

Revolution ,into a mass-market industry.

时装业最初起源于个体高级时装设计师，后来由于工业革命，发展 成现在的大规模经营的产业。

2

、

During

the

early

19th

century

,the

opulent

designs

that

dominated

the

wardrobes

of

the

rich

began

to

disappear; less elaborate dress became the order of the day.

到了

19

世纪早期，曾经操纵富人衣柜的豪华设计逐渐消失；而相对简单 的女装开始大行其道。

3

、

During this time, the Western world witnessed the growth of the middle class, which prospered from new

avenues and industry, and spend money on such luxuries as fine clothing.

这一时期 ，中产阶级在西方世界兴起，他们通过做生意和办企业发家致富，并且愿意花钱买高级服

装。

4

、

Because of the competitive advantage these inventions gave to manufacturers, England was very protective

of its discoveries, and forbade the emigration of textile workers and the exportation of its textile machines.

由于这些发明使得英国的生产商 具有巨大的竞争优势，因此英国政府积极保护这些发明，禁止纺织工

人移民他国和纺织机 械的出口。

5

、

With this invention ,women began to sew professional-looking clothes at home ,and factories experienced

the birth of ready-to-wear apparel.

缝纫机的发明使得妇女在家就可以缝制出向专业人员制作的服装，现代成衣业也由此诞生了。< /p>

6

、

Although globally renowned designers are still crowding the runway with outrageous styles at prices that

only a few can afford, new designers are showing fashions that reflect what is taking place on the streets, in the

political arenas, in the entertainment field, and in movements to protect the environment

尽管 世界的顶级设计师仍然使得

T

台上充斥着只有少数人可以承受的 、价格不菲的高级时装样式，但

是新一代的设计师却开始展示反映街头时尚。反映政治界 。娱乐界的风云变幻，甚至是环保运动的时

装。

7

、

Although we are taught that we should not judge others by their appearance alone, relying on appearance to

guide personal decisions and social interactions is not only natural, but inescapable.

尽管我们所受的教育是不应单纯的以貌取人，但是凭借外表来对他人进行判断和进行社交 不仅是很自

然的，而且是不可避免的。

8

、

Most people would like to improve their appearance with appropriate clothing, by camouflaging their less

desirable attributes and highlighting the more attractive aspects of their bodies.

< p>
多数人喜欢通过选择合适的着装来改善自己的外貌形象，掩饰自己身体不尽如人意的地方，并且彰显

自身的优势。

9

、

One school

of though is that“beauty is

in

the eye of the beholder”,that

individual attra

ction is

a result of

personal experience, cultural background and specific circumstances.

一种思想流派认为

“

情人眼里出西施

”

，也就是说，所谓

“

个人的吸引力

”

是一个人的经历、文化背景以及

特殊的环 境因素综合作用的结果。

10

、

Ancient Greeks believed that the world is beautiful because there is a certain measure,

proportion, order

and harmony between its elements.

古代希腊人认为，世 界之所以是美的，是由于组成它的各个部分之间存在着某种尺寸标准、比例、秩

序与和谐 。

11

、

There is also a greater difference in the depth ratios from front to back in the female figure than there is in

the male with respect to bust/waist and waist/hip relationships.

在胸围

/

腰围比例，以及腰围

/< /p>

臀围比例方面，男性与女性的身体存在着很大的不同。女性身体的厚度要

< br>比男性大。

12

、

The appearance of the

clothed body

is

a perception

of the viewer(whether of the

wearers themselves or

others)in a social and climatic context.

着装的身体外观是出于一定社会和风气中观察者 的直觉表现。这一点无论对于穿着者本身还是其他人

而言都是一样的。

< br>

13

、

Information on color trends for the coming season usually comes form fiber companies and professional

color services like Pat Tunskey

。

有关下一季的色彩流行趋势的信息 ，通常来自于纤维公司和像

Pat Tunskey

这样的专业色彩服务公司。

14

、

The refabrications and versions of good bodies from the last season may provide the basic styles or staples

of the new line.

上一季 销量较好的款式改用别的布料可能成为新产品的基本款式或主要服装。

15

、

Most customers touch a garment immediately after being visually attracted to it, so the hand(feel) of the

fabric is as important as

its

appearance.

多数消费者被一件衣服吸引之后都会立刻用手去触摸它，因此，服装面料的手感和其外观 一样重要。

16

、

When the designer styles a garment, he or she must consider the price if every detail from the initial cost of

the fabric to trims and construction methods.

设计师设计服装是必须考虑每个细节的价格，从最初的布料成本到配 饰成本和服装生产成本。

17

、

High-priced garments usually require dry-cleaning because they are made of delicate fabrics and there is

little customer resistance to the maintenance cost.

高价位的服装由精致的织物做成，因此通常需要 干洗，而且消费者也愿意在衣服保养方面花钱。

18

、

The silhouette or shape of the garment is important because it tells the patternmaker how much fullness

should be in a skirt , sleeve or bodice.

服装的轮廓线或外形很重要，因为它能使样板师知道在裙子、袖子或者 上衣片等地方的宽松度是多

少。

19.

A businessperson with a good idea or the ability to sell a product can capitalize on his or her talent and pay

small-business people to complete the manufacturing process.

具有良好创意或能力的企业家能够充 分利用他或她的智慧，雇佣小公司的人去完成生产过程。

20.

It markets the line produced by the design department and act as an intermediary between buyers and the

designer.

销售部销售设计部所加工的产品，同时作 为买家和设计师之间的中间人。

21.

The manufacturer must carefully weigh the advantages of inexpensive labor against shipping costs, customs

fees and the cost of coordinating the offshore production.

生产商必须认真权衡廉价劳动力相对于运 输费、关税和国外生产协调的费用之间的利弊关系。

22.

Increased flexibility resulting from the ability of these manufacturers to cut smaller lots and deliver rapidly

allow stores to carry smaller inventories and makes an American-made garment more desirable.

这些生产商能小批量裁剪，交货迅速，增强了其灵活 性，使商店可以保持较小的库存，使美国制作的

服装更理想。

23.

When

they

find

the

savings

are

substantial,

interlocking

systems

that

will

further

speed

production

and

reduce costs are added to the basic computer.

当发现大大节约成本时，他们就在其 基础计算机系统上添加了可以进一步提高生产效率。降低成本的

连锁系统。

24.

System producers estimate that a minimum savings of 3 percent on fabric alone is typical for computerized

markers, a significant factor since fabr

ic is the most expensive element of a garment’s cost.

系统的生产商估计用计 算机排料仅布料就可以节约

3%

，这是很可观的，因为布料往往 是服装成本中最

贵的部分。

25

．

Although formal education and training are beneficial, successful people in fashion may have studied fine

arts, marketing, design, textiles, or just a broad-based program.

尽管正规的教育和职业训 练是有益的，但时尚界成功人士可能学过美术、营销、设计、纺织或更宽泛

的专业。

26.

The

textile

industry

employs

technically

skilled

individual,

whose

talents

and

abilities

range

from

artistic

creativity to production and sales.

纺织业雇佣训练有素的各种技术人才，他们的智慧和能力体现在创造性和艺术性以及生产和销售 方

面。

27.

Dyeing,printing,and the application of a variety of fabric finishes constitute converting.

布匹加工主要包括染色、印花以及对 改变织物构成的各种整理技术的应用。

28.

Designers are responsible for setting the tone of a line in terms of silhouette, color, fabrication and trim.

服装设计师负责确定廓形、色彩、织物选用和装饰方面的服装风格。

29.

They

allocate

dollars

to

be

spent

on

each

division’s

merchandise

offerings

and

instruct

the

divisional

merchandise

managers

about

the

store’s

markup

and

profitability

goals,

image,

and

other

policies

with

a

merchandising orientation.

他 们（销售总监）负责将促销资金分发给各个部分，并且营销店的商品定价、盈利目标、店面形象和

其他有关销售定位的政策对各部分经理加以指导。