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Humble
Administrator
’
s Garden
Now we have been in the Humble
Administrator
’
s Garden,
which is one of the
four most famous
gardens in China. In the mid-Ming Dynasty,
imperial censor
Wang Xianchen resigned
from his post, returned to his hometown and built
this
garden on the site of Dahong
Monastery. The name of the garden comes from a
line
“
administration by the
inept
”
in
Idler
’
s Prose written by Pan
Yue of the Jin
Dynasty (265-420).
The
designer
of
the
garden
was
Wen
Zhengming,
one
of
the
four
outstanding
painters
in
the
Ming.
It
took
sixteen
years
to
complete
the
garden
between1509-1525. The
principal element in its layout is water, which
accounts
for one-fifth of its total
area. And in its central part water occupies one
third of
the
area.
Most
of
the
major
buildings
are
constructed
beside
water
’
being
the
largest
of Suzhou
’
s gardens, it
takes up 5.2 hectares of land and consists of
three
sections
—
east,
middle and west. Since 1961, it has been the
historical monument
for
national
preservation.
In
1997
it
was
inscribed
on
the
World
Cultural
Heritage List by
UNESCO.
East Section
The
East
Section
lies
right
inside
the
main
entrance.
It
is
said
that
after
the
founder
of the garden passed away, his son lost the garden
in gambling.
Three
winners
divided it into three parts. The east part was
owned by Wang Xinyi, who
named his new
possession Return-to-countryside Garden Villa. It
had long been
neglected. Reconstruction
was started in 1955 and finished in early 1960.
ponds
were
dug,
rockeries
built
and
trees
planted
against
a
setting
of
low
mounds,
lawns
and
bamboo
groves.
Orchid
Snow
Hall
Lotus
Studio,
Heavenly
Spring
Pavilion View Gazebo
and Millet Fragrance Hall were restored to carry
forward
the traditional style and bring
forth some spacious ideas.
Orchid Snow
Parlour
The Orchid Snow Palour is the
first classical building across the yard from the
garden
’
s entrance
to the east section. It houses a large lacquer
screen, on which a
carved picture shows
the layout of the entire garden.
The
name of the parlour is based on the line from an
ancient poem which goes:
“
Gentle breeze sprinkles
over orchid and snow.
”
The
owner of the garden used it
to
express
that
he
was
aloof
from
politics,
material
pursuits
and
worldly
considerations.
Cloud-embellished Peak
It is
made of the
Taihu Lake
stones and keeps
visitors from viewing
the entire
scenery
of
the
east
part
of
the
garden.
In
terms
of
Chinese
classical
landscape
gardening,
its
function
is
known
as
the
view-concealing
or
view-blocking.
Its
purpose is to make visitors eager to
see the scenes behind the peak.
Lotus
Pavilion
The waterside
Lotus Pavilion is built partially on water and
partially on land. In
the distance over
numerous green lotus leaves
is a zigzag
stone bridge with low
balustrades,
which
is
a
typical
Ming-dynasty-style
bridge.
From
this
pavilion
visitors can obtain
a fine view of a lotus pond reaching out to a huge
hill.
It is a scenic spot for
appreciating lotus flowers in summer. This garden
has vast
water
surface.
That
’
s
why
lotus
is
grown
in
many
places.
Many
classical
buildings
in
the
garden
are
named
after
lotus
or
regarded
as
the
best
spots
to
view
lotus. Among them are the Drifting Fragrance Hall,
Lotus Breeze Pavilion,
Fragrant
Islet,
Lotus-root
Fragrance
Waterside
Studio
and
Stay-
and-Listen
Parlour.
Since
1996 the garden has made the lotus festival every
summer an annual event.
Shown in the
garden are over 100 kinds of lotus such as the
king lotus
,
the
lotus
grown in
–
bowls, etc
Heavenly Spring Pavilion
This
octagonal
pavilion
is
the
largest
pavilion
in
Suzhou’
s
gardens.
It
’
s
named
the Heavenly Spring
Pavilion, which houses an ancient well in center
of its floor.
The well was dug in the
Yuan Dynasty (1279-1368), and it is much older
than the
garden itself. The
pavilion
’
s large size
matches well with the surrounding open
space.
The walkway alongside
the hill-side brook leads to the central section
and passes
the Millet Fragrance Hall.
Millet Fragrance Hall
This
hall faces a brook and a well-afforested island
with a pavilion atop. Behind
the hall
is
the garden
’
s
northern boundary, beyond which there used to be
the
paddy fields.
The
character millet here refers to rice in our area
south of the
Yangtze River.
When
rice
ripens,
its
fragrance
can
spread
afar.
Hence
the
name.
Once
it
was
used as a tea house for many years, and
now it houses a souvenir shop.
Around
the hall we can see lots of different trees such
as ginkgo, magnolia, crape
murtle,
sycamore, camphor, boxwood, cypress, maple, etc.
Walking along the corridor with shelter
and viewing scenery behind the lattice
windows set on the white wall, visitors
can appreciate trees, water in the pond,
hillocks and classical building
appearing or disappearing. This is the magnificent
view of the central section, which is
the main attraction of this garden.
Central Section
This
is
the
quintessence
of
the
garden.
Walking
westward
from
the
Millet
Fragrance Hall, we can see a long
corridor with 25 windows in different patterns,
and then come to the Rainbow-Embraced
Pavilion. Most of the
garden
’
s scenery
can be seen from here. Another pavilion
beyond the ponds is named the Pavilion
of
Different
Universe,
or
the
Pavilion
of
Another
Wonderland.
These
two
pavilions set each other off from a
distance, forming opposite scenes.
The
towering North Temple Pagoda a kilometer away from
the garden seems to
be in the west
section
of the garden.
This
is the method of
“
borrowing
scenes
”
used in
the art of garden construction
in
Suzhou. It gives the garden an art of
depth and serenity. The pagoda is 76
metres high with nine stories. It was built in
the Song Dynasty some 850 years ago.
It
’
s an octangonal pagoda
protected by the
central government.
Secluded Pavilion of Phoenix Tree and
Bamboo
It
is
a
unique
pavilion
that
has
four
moon
gates
on
all
four
sides,
providing
frames for some exquisite scenes.
Hung inside the pavilion is a pair of
couplets
and
a
wooden
tablet.
Shown
on
the
tablet
are
four
characters
written
by
Wen
Zhengming
for the name of the pavilion.
The pair
of couplets consists of fourteen characters which
read:
Gentle breeze brings refreshing
cool, and moonlight illumination.
Flowing water expresses movement, and
mountains stillness.
Please
look
out
over
the
northern
side.
Through
the
moon
gate
we
see
two
phoenix
trees
grow
by
bamboo
graves.
Phoenix
tree
is
a
popular
name
for
Chinese parasol tree.
In late September or early October, a
few leaves of the very tree begin to fall. In
China
an
old
saying
goes,
“
one
leaf
knows
autumn.
”
That
means
“
One
leaf
falling, one knows that autumn comes.
So the Chinese parasol tree is the first to
report the coming of the autumn.
Frost-Awaiting Pavilion
Crossing
a
zigzag
stone
bridge,
we
can
arrive
at
the
hillock
with
the
Frost-Awaiting Pavilion
at its top. Suzhou produces tangerines, which are
deep
green
in
autumn.
After
they
are
frost-
bitten
in
winter,
tangerines
turn
red.
So
that
’
s why the
pavilion is surrounded with some tangerine trees.
Snow-Fragrance-Abundant-Clouds Pavilion
This is a rectangular pavilion, which
is built on the top of the highest hillock in
the garden. Looking southward beyond
the lotus pond, we can catch a glimpse of
the main building of the garden, named
the Distant Fragrance Hall.
The tablet
hung under the roof has six characters that read:
“
Amidst Mountain
Flowers and Wild
Birds.
”
Hung
on
two
pillars
of
the
pavilion
is
a
pair
of
couplets
written
by
Wen
Zhengming, which reads:
The
shrilling of cicadas makes the forest more
peaceful;
The twittering of birds
brings the hills more tranquility.
We
know Wen Zhengming designed this garden. He was
one of the four famous
painters
in
the
sixteenth
century,
who
organized
Suzhou
Painting
School.
This
Suzhou-style Painting
School is still active today in our city.
Lotus-Breeze-on-Four-Sides Pavilion
Walking
down
from
the
highest
hillock,
we
arrive
at
the
Lotus-Breeze-on-Four-Sides Pavilion
where the pools meet. Here, in mid summer,
luxuriant
willows
provide
a
cool
shade,
lotus
flowers
thrust
upward
from
the
water, and lotus-scented breezes caress
the visitor
’
s face. On two
of the pavilion
’
s
columns hangs an old couplet:
Lotus on four sides and willows on
three,
Half a pool of autumn water
reflects a hill.
Located west of the
pavilion is a winding bridge which leads to the
long corridor,
named
the
Willows
’
Shade
and
Winding
Path.
The
bridge
is
of
light
and
airy
construction
with
low
balustrades.
Bridges
have
the
effect
of
separating
and
integrating the water surface and the
surrounding scenery, playing a big role in
Suzhou’
s classical gardens.
Sitting in the pavilion, we can have a good a view
of
such
scenes
as
the
Mountain-in-View-
Building,
Fragrance
Islet,
Little
Flying
Rainbow, little Gentle Waves and
Distant Fragrance Hall.
Mountain-in-
View-Building
Following the corridor
named the Willow
’
s Shade and
Winding Path toward the
northeast, we
can arrive at the Mountain-in-View Building which
has water on
three sides; and instead
of stone steps, a rockery is piled up next to the
building,
providing access by means of
a covered corridor rising through the rockery and
leading to the second floor.
During
the
period
of
the
Taiping
Uprising
(1851-1864),
one
of
the
princes,
Li
Xiucheng by name, stayed here. His
office is known as Loyal
King
’
s Residence,
which
is
Suzhou
Historical
Museum
now
and
protected
by
the
central
government.
Seen across the
pond from distance, the Mountain-in-View Building
looks like a
dragon. It is a crouching
dragon which is about to fly into the sky. The
building
may
be
regarded
as
its
head
and
the
rising
corridor
takes
resemblance
to
its
body.
Fragrant Islet
This is a
unique classical building, which looks like a
boat, anchoring in shore.
There is a
small bridge leading to this boat. The bridge
without rails is regarded
as the gang
board. We can see the two characters Fragrant
Ialet on a horizontal
tablet, which
were written by Wen Zhengming, the designer of
this garden. The
upper section is
called the Watching
–
Clear-
Water.
A large mirror in the cabin
reflects
the
necessary
across
the
pond.
This
is
a
good
example
of
the
garden-building
technique
of
contrasting
the
real
with
the
unreal
and
of
borrowing scenery.
Such a classical building is known as a
dry boat. It combines four basic forms of
Chinese architecture: pavilion,
terrace, chamber and tower. The terrace serves as
the
deck
of
a
boat.
Linking
the
boat
is
a
stone
bridge
without
rails,
which
is
regarded
as
the
gangplank.
The
pavilion
serves
as
the
shelter
in
front
of
the
passengers
’
cabin.
The
cabin
is
actually
a
water-side
chamber.
The
tower
with
two
stories
indicates
the
boat
is
a
double
deck
boat.
If
tome
permits,
let
’
s
go
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