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高中生经典英文小说阅读与欣赏系列 The Masque of the Red Death

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2021-02-12 09:18
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2021年2月12日发(作者:anatomy)


The Masque of the Red Death


by Edgar Allan Poe


The red death had long devastated the country. No pestilence had ever been so


fatal, or so hideous. Blood was its Avatar and its seal--the madness and the horror


of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding


at the pores, with dissolution. The scarlet stains upon the body and especially upon


the face of the victim, were the pest ban which shut him out from the aid and from


the sympathy of his fellow- men. And the whole seizure, progress, and termination


of the disease, were incidents of half an hour.


But


Prince


Prospero


was


happy


and


dauntless


and


sagacious.


When


his


dominions


were


half


depopulated,


he


summoned


to


his


presence


a


thousand


hale


and light-hearted friends from among the knights and dames of his court, and with


these


retired


to


the


deep


seclusion


of


one


of


his


crenellated


abbeys.


This


was


an


extensive and magnificent structure, the creation of the prince's own eccentric yet


august taste. A strong and lofty wall girdled it in. This wall had gates of iron. The


courtiers,


having


entered,


brought


furnaces


and


massy


hammers


and


welded


the


bolts.


They


resolved


to


leave


means


neither


of


ingress


nor


egress


to


the


sudden


impulses of despair or of frenzy from within. The abbey was amply provisioned.


With such precautions the courtiers might bid defiance to contagion. The external


world could take care of itself. In the meantime it was folly to grieve or to think.


The prince had provided all the appliances of pleasure. There were buffoons, there


were


improvisatori,


there


were


ballet-dancers,


there


were


musicians,


there


was


Beauty, there was wine. All these and security were within. Without was the


Death.


It


was


toward


the


close


of


the


fifth


or


sixth


month


of


his


seclusion


that


the


Prince


Prospero


entertained


his


thousand


friends


at


a


masked


ball


of


the


most


unusual magnificence.


It was a voluptuous scene, that masquerade. But first let me tell of the rooms in


which it was held. There were seven--an imperial suite, In many palaces, however,


such suites form a long and straight vista, while the folding doors slide back nearly


to the walls on either hand, so that the view of the whole extant is scarcely impeded.


Here the case was very different; as might have been expected from the duke's love


of


the



The


apartments


were


so


irregularly


disposed


that


the


vision


embraced but little more than one at a time. There was a sharp turn at the right and


left, in the middle of each wall, a tall and narrow Gothic window looked out upon a


closed corridor of which pursued the windings of the suite. These windows were of



1


stained


glass


whose


color


varied


in


accordance


with


the


prevailing


hue


of


the


decorations of the chamber into which it opened. That at the eastern extremity was


hung,


for


example,


in


blue --and


vividly


blue


were


its


windows.


The


second


chamber was purple in its ornaments and tapestries, and here the panes were purple.


The


third


was


green


throughout,


and


so


were


the


casements.


The


fourth


was


furnished and lighted with orange--the fifth with white--the sixth with violet. The


seventh apartment was closely shrouded in black velvet tapestries that hung all over


the ceiling and down the walls,


falling in


heavy folds upon a


carpet


of the same


material


and


hue.


But


in


this


chamber


only,


the


color


of


the


windows


failed


to


correspond with the decorations. The panes were scarlet--a deep blood color. Now


in no one of any of the seven apartments was there any lamp or candelabrum, amid


the profusion of golden ornaments that lay scattered to and fro and depended from


the roof. There was no light of any kind emanating from lamp or candle within the


suite of chambers. But in the corridors that followed the suite, there stood, opposite


each


window,


a


heavy


tripod,


bearing


a


brazier


of


fire,


that


projected


its


rays


through the tinted glass and so glaringly lit the room. And thus were produced a


multitude of gaudy and fantastic appearances. But in the western or back chamber


the


effect


of


the


fire-light


that


streamed


upon


the


dark


hangings


through


the


blood-tinted panes was ghastly in the extreme, and produced so wild a look upon


the countenances of those who entered, that there were few of the company bold


enough to set foot within its precincts at all. It was within this apartment, also, that


there stood against the western wall, a gigantic clock of ebony. It pendulum swung


to and fro with a dull, heavy, monotonous clang; and when the minute-hand made


the circuit of the face, and the hour was to be stricken, there came from the brazen


lungs


of


the


clock


a


sound


which


was


clear


and


loud


and


deep


and


exceedingly


musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the


musicians


of


the


orchestra


were


constrained


to


pause,


momentarily,


in


their


performance, to hearken to the sound; and thus the waltzers perforce ceased their


evolutions; and there was a brief disconcert of the whole gay company; and while


the chimes of the clock yet rang. it was observed that the giddiest grew pale, and


the


more


aged


and


sedate


passed


their


hands


over


their


brows


as


if


in


confused


revery or meditation. But when the echoes had fully ceased, a light laughter at once


pervaded the assembly; the musicians looked at each other and smiled as if at their


own nervousness and folly, and made whispering vows, each to the other, that the


next


chiming


of


the


clock


should


produce


in


them


no


similar


emotion;


and


then,


after


the


lapse


of


sixty


minutes


(which


embrace


three


thousand


and


six


hundred


seconds of Time that flies), there came yet another chiming of the clock, and then


were the same disconcert and tremulousness and meditation as before. But, in spite


of


these


things,


it


was


a


gay


and


magnificent


revel.


The


tastes


of


the


duke


were



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