-
Unit3
Leisure without literature
is death and burial alive.
——
Seneca, Roman philosopher
Why Harry
’s
Hot?
1.
J. K. Rowling
swears she never saw it coming. In her wildest
dreams, she didn't
think her Harry
Potter books would appeal to more than a handful
of readers.
never expected a lot of
people to
like them,
a recent
interview.
it
turned
out
I
was
very
wrong,
obviously.
It
strikes
a
chord
with
an
enormous
number of people.
print,
in
35
languages,
the
first
three
Harry
Potter
books
have
earned
a
conservatively
estimated
$$480
million
in
three
years.
And
that
was
just
the
warm-up. With a first
printing of 5.3 million copies and advance orders
topping
1.8
million,
Harry
Potter
and
the
Goblet
of
Fire,
the
fourth
installment
of
the
series,
promises
to
break
every
bookselling
record.
Jack
Morrissey,
12,
plainly
speaks for a
generation of readers when he says,
life, but better.
2.
Amazingly,
Rowling keeps her several plotlines clear of each
other until the end,
when he deftly
brings everything together in a cataclysmic
conclusion. For pure
narrative power,
this is the best Potter book yet.
3.
When the book
finally went on sale at 12:01 am. Saturday,
thousands of children
in
Britain
and
North
America
rushed
to
claim
their
copies.
Bookstores
hosted
pajama
parties,
hired
magicians
and
served
cookies
and
punch,
but
nobody
needed to lift the
spirits of these crowds. In one case, customers
made such a big,
happy noise that
neighbors called the cops. At a Borders in
Charlotte, N.C., Erin
Rankin, 12,
quickly thumbed to the back as soon as she got her
copy. “I heard that
a_ major character
dies, and I really want to find out
who,
later she gave up.
“I
just can't do it. I can't read the end
first.
4.
The only sour
note in all the songs of joy over this phenomenon
has come from
some
parents
and
conservative
religious
leaders
who
say
Rowling
advocates
witchcraft.
reading of the books has been challenged in 25
school districts in at
least
17
states,
and
the
books
have
been
banned
in
schools
in
Kansas
and
Colorado. But that's nothing new, says
Michael Patrick Hearn, a children's book
scholar
and
editor
of
The
Annotated
Wizard,
of
Oz.
kind
of
magic
is
considered
evil
by
some
people,
he
says.
Wizard
of
Oz
was
attacked
by
fundamentalists in the
mid-1980s.
5.
But
perhaps
the
most
curious
thing
about
the
Potter
phenomenon,
especially
given that it is
all about books, is that almost no one has taken
the time to say
how
good
—
or
bad
—
these
books
are.
The
other
day
my
11-year-old
daughter
asked me if
I thought
Harry Potter was a classic.
I
gave her,
I'm
afraid,
one of
those
adult-sounding
answers
when
I
said,
will
tell.
This
was
not
an
outright
lie. There's no telling which books will survive
from one generation to
the next. But
the fact is, I was hedging. What my daughter
really wanted to know
was
how
well
J.
K.
Rowling
stacks
up
against
the
likes
of
Robert
Louis
Stevenson or Madeleine
L'Engle.
6.
I
could
have
told
her
that
I
thought
they
were
beautifully
crafted
works
of
entertainment, the literary equivalent
of Steven Spielberg. I could also have told
her I thought the Potter books were
derivative. They share so many elements with
so
many
children's
classics
that
sometimes
it
seems
as
though
Rowling
had
assembled her novels from a kit.
However, these novels amount to, much more
than just the sum of their parts. The
crucial aspect of their appeal is that they can
be read by children and adults with
equal pleasure. Only the best
authors
—
and
they
can
be
as
different
as
Dr.
Seuss
and
Philip
Pullman
and,
yes,
J.|K.
Rowling
—
can pull
that off.
7.
P. L. Travers, the author of the Mary
Poppins books, put it best when she wrote,
specifically
for
children,
for
—
if
you
are
honest
—
you
have,
in
fact,
no
idea
where childhood ends and maturity
begins. It is all endless and all one. There is
plenty
for
children
and
adults
to
enjoy
in
Rowling's
books,
starting
with
their
language.
Her
prose
may
be
unadorned,
but
her
way
with
naming
people
and
things reveals a quirky and original
talent.
8.
The best writers remember what it is
like to be a child with astonishing intensity.
Time
and
again,
Rowling
articulates
just
how
defenseless
even
the
bravest
children often feel. Near the end of
the second book Dumbledore, the wise and
protective
headmaster,
is
banished
from
Hogwarts.
This
terrifies
Harry
and
his
schoolmat
es
—
—
an
d it
terrified me. And in all of
Rowling's books there runs an undercurrent of
sadness
and
loss.
In
the
first
book
the
orphaned
Harry
stares
into
the
Mirror
of
Erised,
which shows the
viewer his
or her utmost
desires. Harry sees
his
dead
parents.
until
I'd
reread
what
I'd
written
did
I
realize
that
that
had
been
taken
entirely-
entirely-
from
how
I
felt about
my mother's
death,
fact,
death
and
bereavement
and
what
death
means,
I
would
say,
is
one
of
the
central
themes
in
all
seven
books.
Do
young
readers
pick
up
on
all
this
deep
intellectualism? Consciously, perhaps
not. But I don't think the books would have
their
broad
appeal
if
they
were
only
exciting
tales
of
magical
adventure,
and
I
know adults
would not find them so enticing.
9.
The
Harry
Potter
books
aren't
perfect.
What
I
miss
most
in
these
novels
is
the
presence
of
a
great
villain.
And
by
great
villain
I
mean
an
interesting
villain.
Long. John Silver
is doubly frightening because he is both evil and
charming. If
he
were
all
Bad,
he
wouldn't
frighten
us
half
as
much.
V
oldemort
is
resistible
precisely because he is just bad to the
bone. That said,
I should add that in
the
new book Rowling outdoes herself
with a bad guy so seductive you'll never see
him coming. And he is scary.
10.
That quibble aside, Rowling’s novels
are probably the best books children have
ever
encountered
that
haven't
been
thrust
upon
them
by
an
adult.
I
envy
kids
reading
these
books,
because
there
was
nothing
this
good
when
I
was
a
boy-nothing
this
good,
I
mean,
that
we
found
on
our
own,
the
way
kids
are
finding Harry. We
affectionately remember The Hardy Boys and Nancy
Drew, but
try rereading them and their
charm fades away pretty quickly. Rowling may not
be
as
magisterial
as
Tolkien
or
as
quirky
as
Dahl,
but
her
books
introduce
fledgling readers to a very high
standard of entertainment. With three books left
to
go
in
the
series,
it's
too
early
to
pass
final
judgment.
But
considering
what
we've
seen
so
far,
especially
in
the
latest
volume,
Harry
Potter
has
all
the
earmarks of a classic.
没有文学的休闲生活犹如死亡抑或活埋。
——西尼加
(
古罗马哲学家
)
《哈利波特》风行之迷
1.
J<
/p>
.
K
.罗琳发誓说自己从来没有过这种预
想。她做梦也没有想到会有那么多人对她的书
感兴趣。
“我从来
没有指望过有这么多人喜欢它,
”在最近的一次访谈中她仍然这样说,
< br>“可是,很显然,我大错特错了。它在许多人心中产生了共鸣。
”她说得很委婉。
《哈利
波特》系列丛书的前三册被翻译成了
35
种语言,已出版
3,500
万
册,据保守估计,这
三册书在三年时间里已经赚了四亿八千万美金。而这还只是个开始。
《哈里波特》系列
丛书的第四册
《哈利
波特与火焰杯》
初版
530
万册,
p>
加上高达
180
万册的订单,
有望创
造新的畅销书销售记录。
12
岁的杰克·莫里西的话很清楚地表达了他们这一代读者的
想法。他说:
“
《哈利波特》就如同生活,但比生活更美好。
”
2.
让人称奇的是,
罗琳让每一册书的情节相互独立,
但最后,
她却能够巧妙地把它们衔接
起来,形成一个
意想不到的结局。单从叙述能力而言,
《哈利波特与火焰杯》也是《哈
< br>利波特》系列丛书中最好的一本。
3.
当这本书终于在星期六午夜
p>
12
:
01
面市时
,
在英国和北美,
成千上万的孩子争相购买。
< br>书店举办了睡衣派对,
邀请了一些魔术师表演,
并提供曲
奇饼和潘趣酒,
可是没人需要
这些,
因
为人们个个情绪高涨。
有一次,
顾客们发出了巨大的欢呼声,<
/p>
以致邻居们实在