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2019专八真题

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2021-02-10 06:01
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2021年2月10日发(作者:alloy)


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TEST FOR ENGLISH MAJORS (2019)


-GRADE EIGHT-



TIME LIMIT: 150 MIN




PART I LISTENING COMPREHENSION












(25 MIN]




SECTION A MINI-LECTURE


In this section you will hear a mini-lecture. You will hear the mini- lecture ONCE ONLY. While listening to the


mini-lecture, please complete the gap- filling task on ANSWER SHEET ONE and write NO MORE THAN THREE


WORDS for each gap. Make sure what you fill in is both grammatically and semantically acceptable. You may use


the blank sheet for note-taking.


You have THIRTY seconds to preview the gap-filling task.


Now, listen to the mini-lecture. When it is over, you will be given THREE minutes to check your work.



SECTION B INTERVIEW



In this section you will hear TWO interviews. At the end of each interview, five questions will be asked about what


was


said. Both the interviews and the questions will be spoken ONCE ONLY. After each question there will be a


ten-second pause During the pause, you should read the four choices of A, B, C and D, and mark the best answer to


each question on ANSWERSHEET TWO.



You have THIRTY seconds to preview the choices.



Now, listen to the first interview. Questions 1 to 5 are based on the first interview.



1. A. Environmental issues.


ered species.


warming.


vation.




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2. A. It is thoroughly proved.


B. it is definitely very serious.


C. It is just a temporary variation.


D. It is changing our ways of living.



3. A. Protection of endangered animals* habitats.


B. Negative human impact on the environment.


C. Frequent abnormal phenomena on the earth.


D.


The woman’s indifferent attitude to the


earth.



4. A. Nature should take its course.


B. People take things for granted.


C. Humans are damaging the earth.


D. Animals should stay away from zoos.



5. A. Objective.


B. Pessimistic.


C. Skeptical.


D. Subjective.



Now, listen to the second interview. Questions 6 to 10 are based on the second interview.



6.


A. Teachers’ resistance to


change.


B.


Students’ inadequate ability to


read.


C.


Teachers’ misunderstanding of such


literacy.


D.


Students ’ indifference to the new


method.



7.A. Abilities to complete challenging tasks.


B.



Abilities to learn subject matter knowledge.


C.



Abilities to perform better in schoolwork.


D.



Abilities to perform disciplinary work.



8.A. Recalling specific information.


B. Understanding particular details.


C. Examining sources of information.


D. Retelling a historical event.




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9. A. Engaging literacy and disciplinary experts in the program.


B. Helping teachers understand what disciplinary literacy is.


C. Teaching disciplinary discourse practices by literacy teachers.


D. Designing learning strategies with experts from both sides.



10. A. To argue for a case.


B. To discuss a dispute.


C. To explain a problem.


D. To present details.



PART II READING COMPREHENSION









[45 MIN]




SECTION A MULTIPLE CHOICE QUESTIONS


In this section there are three passages followed by fourteen multiple choice questions. For each multiple


choice question, there are four suggested answers marked A, B, C and D. Choose the one that you think is the best


answer and mark your answers on ANSWER SHEET TWO.



PASSAGE ONE



(1)When it came to concealing his troubles, Tommy Wilhelm was not less capable than die next


fellow. So at least he thought, and there was a certain amount of


evidence


to back him up. He had once


been an actor^ no, not quite, an extra



and he knew what acting should be. Also, he was smoking a cigar,


and when a man is smoking a cigar, wearing a hat, he has an advantage; it is harder to find out how he


feels. He came from the twenty-third floor down to the lobby on the mezzanine to collect his mail before


breakfast, and he believed^ he hoped



that he looked passably well: doing all right. It was a matter of


sheer hope, because there was not much that he could add to his present effort. On the fourteenth floor he


looked for his father to enter the elevator; they often met at this hour, on the way to breakfast. If he


worried


about


his


appearance


it


was


mainly


for


his


old


father’s


sake.


But


there


was


no


stop


on


the


fourteenth, and the elevator sank and sank. Then the smooth door opened and the great dark-red uneven


carpet that covered the lobby billowed toward Wilhelm’s feet. In the foreground


the lobby was dark,


sleepy. French drapes like sails kept out the sun, but three high, narrow windows were open, and in the


blue air Wilhelm saw a pigeon about to light on the great chain that supported the marquee of the movie


house directly underneath the lobby. For one moment he heard the wings beating strongly.


(2)Most of the guests at the Hotel Gloriana were past the age of retirement. Along Broadway in the


Seventies, Eighties, and Nineties, a great part of New York’s vast population of old men and women



lives. Unless the weather is too cold or wet they fill the benches about the tiny railed parks and along the


subway gratings from Verdi Square to Columbia University, they crowd the shops and cafeterias, the


dime stores, the tearooms, the bakeries, the beauty parlors, the reading rooms and club rooms. Among


these old people at the Gloriana, Wilhelm felt out of


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place. He was comparatively young, in his middle forties, large and blond, with big shoulders; his


back


was


heavy


and


strong,


if


already


a


little


stooped


or


thickened.


After


breakfast


the


old


guests


sat


down on the green leather armchairs and sofas in the lobby and began to gossip and look into


they had nothing to do but wait out the day. But Wilhelm was used to an active life and liked to go out


energetically in the morning. And for


several


months,


because


he


had


no


position,


he


had


kept


up


his


morale by rising early; he was shaved and in the lobby by eight o'clock. He bought the paper and some


cigars and drank a Coca- Cola or two before he went in to


breakfast with his father. After breakfast



out, out, out to attend to business. The getting out had in


itself


become the chief business. But he had realized that he could not keep this up much longer, and today


he was afraid. He was aware that his routine was about to break up and he sensed that a huge trouble long


presaged (


预感


)but till now formless was due. Before evening, he'd know.


(3)Nevertheless he followed his daily course and crossed the lobby.


(4)Rubin, the man at the newsstand, had poor eyes. They may not have been actually weak but they


were


poor


in expression, with


lacy lids that


furled down


at the


comers.


He


dressed well. It didn't seem


necessary




he was behind the counter most of the time



but he dressed very well. He had on a rich


brown suit; the cuffs embarrassed the hairs on his small hands. He wore a Countess Mara painted necktie. As


Wilhelm approached, Rubin did not see him; he was looking out dreamily at the Hotel Ansonia, which was


visible from his comer, several blocks away. The Ansonia, the neighborhood^ great landmark, was built by


Stanford White. It looks like a baroque palace from Prague or Munich enlarged a hundred times, with towers,


domes, huge


swells


and


bubbles


of metal gone


green from exposure, iron fretwork and


festoons.


Black


television antennae are densely planted on its round summits. Under the changes of weather it may look like


marble or like sea water, black as slate in the fog, white as tufa in sunlight. This morning it looked like the


image of itself reflected in deep water, white and cumulous above, with cavernous distortions underneath.


Together, the two men gazed at it.


(5)Then Rubin .said



“Your dad is in to breakfast already, the old



gentleman.”



“Oh



yes? Ahead of me today?”



‘nat’s a real knocked


-out shirt you got on



’’ said Rubin. “Where’s it from



Saks?”


“No, it’s a Jack Fagman —



Chicago.”



(6)Even when his spirits were low, Wilhelm could still wrinkle his forehead in a pleasing way. Some of


the slow



silent movements of his face were very attractive. He went back a step, as if to stand away from


himself and get a better look at his shirt. His glance was comic, a comment upon his untidiness. He liked to


wear good clothes, but once he had put it on each article appeared to go its own way. Wilhelm, laughing



panted a little; his teeth were small; his cheeks when he laughed and puffed grew round, and he looked much


younger than his years. In the old days when he was a college freshman and wore a beanie (


无檐小帽)


on


his large blonde head his father used to say that



big as he was



he could charm a bird out of a tree. Wilhelm


had great charm still.


(7)


“I


like this dove-gray


color,”


he said in his sociable



good- natured way.


“It



isn’t


washable. You


have to send it to the cleaner. It never smells as good as washed. But it



s a nice shirt. It cost sixteen, eighteen


bucks.*'


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m


hoped he looked all right on his way to the lobby because he wanted to _



A.



leave a good impression


B.



give his father a surprise


C.



show his acting potential


D.



disguise his low spirit



m had something in common with the old guests in that


they all



.


A.



lived a luxurious life


B.



liked to swap gossips


C.



idled their time away


D.



liked to get up early



did Wilhelm feel when he was crossing the lobby (Para. 2)?


A.



He felt something ominous was coming.


B.



He was worried that his father was late.


C.



He was feeling at ease among the old.


D.



He was excited about a possible job offer.



14.


Which part of Rubin’s clothes made him look particularly awkward (Para.


4)?


A.



The necktie.


B.



The cuffs.


C.



The suit.


D.



The shirt.



15.


What can we learn from the author’s description of Wilhelm’s


clothes?


A.



His shirt made him look better.


B.



C.



D.



.


He cared much about his clothes.


He looked like a comedian in his shirt.


The clothes he wore never quite matched.



PASSAGE TWO



(1)By the 1840s New York was the leading commercial city of the United States. It had long since


outpaced


Philadelphia


as


the


largest


city


in


the


country,


and


even


though


Boston


continued


to


be


venerated as the cultural capital of the nation, its image had become somewhat languid; it had not kept up


with the implications of the newly industrialized economy, of a diversified ethnic population, or of the


rapidly rising middle class. New York was the place where the “new” America was coming into being, so


it is hardly surprising that the modem newspaper had its birth there.


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(2)The penny paper had found its first success in New York. By the mid-1830s Ben Day s


Sun


was


drawing readers from all walks of life. On the other hand, the


Sun


was a scanty sheet providing little more


than minor diversions; few today would call it a newspaper at all. Day himself was an editor of limited


vision, and he did not possess the ability or the imagination to climb the slopes to loftier heights. If real


newspapers were to emerge from the public's demand for more and better coverage, it would have to come


from


a


youthful


generation


of


editors


for


whom


journalism


was


a


totally


absorbing profession, an exacting


vocational ideal rather than a mere offshoot of job printing.


(3)By the 1840s two giants burst into the field, editors who would revolutionize journalism, would


bring the newspaper into the modem age, and show how it could be influential in the national life. These two


giants, neither of whom has been treated kindly by history, were James Gordon Bennett and Horace Greeley.


Bennett founded his New York


Herald


in 1835, less than two years after the appearance of the


Sun.


Horace


Greeley founded his


Tribune


in 1841. Bennett and Greeley were the most innovative editors in New York


until after the


Civil War. Their newspapers


were the leading American papers of the day, although for


completely different reasons. The two men despised each other, although not in the ways that newspaper


editors had despised one another a few years before. Neither was a political hack bonded to a political party.


Greeley fancied himself a public intellectual. He had strong political views, and he wanted to run for office


himself,


but


party


factotum


he


could


never be; he


bristled


with ideals


and


causes


of


his


own


devising.


Officially he was a Whig (and later a Republican),


but he seldom gave comfort to his chosen party.


Bennett, on


the


other


hand,


had


long


since


cut


his


political ties, and


although


his


paper


covered


local


and


national


politics fully and he went after politicians with hammer and tongs, Bennett was a cynic, a distruster of all


settled values. He did not regard himself as an intellectual, although in fact he was better educated than


Greeley. He thought himself only a hard-boiled newspaperman. Greeley was interested in ideas and in what


was happening to the country. Bennett was only interested in his newspaper. He wanted to find out what the


news was, what people wanted to read. And when he found out he gave it to them.


(4)As different as Bennett and Greeley were from each other they were also curiously alike. Both stood


outside the circle of polite society, even when they became prosperous, and in Bennett’s case, wealthy. Both


were incurable eccentrics. Neither was a gentleman. Neither conjured up the picture of a successful editor.


Greeley was unkempt, always looking like an unmade bed. Even when he was nationally famous in the


1850s he resembled a clerk in a third-rate brokerage house, with slips of paper



marked-up proofs perhaps



hanging out of his pockets or stuck in his hat. He became fat, was always nearsighted, always peering


over spectacles. He spoke in a high- pitched whine Not a few people suggested that he looked exactly like


the illustrations of Charles Dickens’s Mr. Pickwick. Greeley provided a humorous description of himself,


written under the pretense that it had been the work of his long-time adversary James Fenimore Cooper. The


editor was, according to the description, a half-bald, long- legged,


slouching individual “so rocking


in gait


that he walks down both sides of


the street at once.”



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(5)The appearance of Bennett was somewhat different but hardly more reassuring. A shrewd,


wiry Scotsman, who seemed to repel intimacy, Bennett looked around at the world with a squinty


glare


of


suspicion.


His


eyes


did


not


focus


right.


They


seemed


to


fix


themselves


on


nothing


and


everything at the same time. He was as solitary as an oyster, the classic loner. He seldom made close


friendships and few people trusted him, although nobody who had dealings with him, however brief,


doubted


his


abilities.


He,


too,


could


have


come


out of


a


book


of


Dickensian


eccentrics, although


perhaps


Ebenezer


Scrooge


or


Thomas


Gradgrind


comes


to


mind


rather


than


the


kindly


old


Mr.


Pickwick. Greeley was laughed at but admired; Bennett was seldom laughed at but never admired; on


the other hand, he had a hard professional competence and an encyclopedic knowledge of his adopted


country, an in-depth learning uncorrupted by vague idealisms. All of this perfectly suited him for the


journalism of this confusing age.


(6)Both Greeley and Bennett had served long, humiliating and disappointing apprenticeships in


the newspaper business. They took a long time getting to the top, the only reward for the long years of


waiting being that when they had their own newspapers, both knew what they wanted and firmly set


about getting it. When Greeley founded the


Tribune


in 1841 he had the strong support of the Whig


party and had already had a short period of modest success as an editor. Bennett, older by sixteen years,


found solid commercial success first, but he had no one behind him except himself when he started up


the


Herald


in 1835 in a dingy cellar room at 20 Wall Street. Fortunately this turned out to be quite


enough.



16.


Which of the following is NOT the author’s opinion on Ben Day and


his


Sun


(Para. 2)7


A.



B.



C.



D.



Sun


had once been a popular newspaper.


Sun


failed to be a high- quality newspaper.


Ben Day lacked innovation and imagination.


Ben Day had striven for better coverage.



of the following statements is CORRECT about


Greeley’s


or


Bennett’s


political


stance (Para. 3)7


A.



B.



C.



D.



Greeley and Bennett were both strong supporters of their party.


Greeley, as a Whig member, believed in his party’s


ideals.


Bennett, as an independent, loathed established values.


Greeley and Bennett possessed different political values.


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18.


Which of the following figures of speech was used to describe Greeley’s manner of walking (Para.


4)?


A.



B.



C.



D.



Exaggeration.


Paradox.


Analogy.


Personification.




Para. 5 Bennett was depicted as a man who




A.



B.



C.



D.



had stronger capabilities than Greeley


possessed a great aptitude for journalism


was in pursuit of idealism in journalism


was knowledgeable about his home country



was Greeley different from Bennett according to Para. 6?


A.



B.



C.



D.



He had achieved business success first.


He started his career earlier than Bennett.


He got initial support from a political party.


He had a more humiliating apprenticeship.



PASSAGE THREE



(1)Why make a film about Ned Kelly? More ingenious crimes than those committed by the reckless


Australian bandit are reported every day. What is there in Ned Kelly to justify dragging the mesmeric Mick


Jagger so far into the Australian bush and away from his natural haunts? The answer is that the film makers


know we always fall for a bandit, and Jagger is set to do for


bold


Ned Kelly what Brando once did for the


arrogant Emiliano Zapata.


(2) A bandit inhabits a special realm of


legend


where his deeds are embroidered by others; where his


death rather than his life is considered beyond belief; where the men who bring him to


“justice”


are afflicted


with doubts about their role.


(3)The bandits had a role to play as definite as that of the authorities who condemned them. These were


men in conflict with authority, and, in the absence of strong law or the idea of loyal opposition, they took to the


hills. Even there, however, many of them obeyed certain unwritten rules


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(4)These robbers, who


claimed


to be something more than mere thieves, had in common, firstly, a sense


of


loyalty


and


identity with the peasants they came from. They didn't steal the peasant’s harvest; they did


steal the lord’s.



(5)And certain characteristics seem to apply to “social bandits’’ whether they were in Sicily or Peru.


They were generally young men under the age of marriage, predictably the best age for dissidence. Some


were


simply


the


surplus


male


population


who


had


to


look


for


another


source


of


income;


others


were


runaway


serfs


or ex-soldiers;


a


minority,


though


the most


interesting,


were


outstanding


men


who


were


unwilling to accept the meek and passive role of peasant.


(6)They usually operated in bands between ten and twenty strong and relied for survival on difficult


terrain and bad transport. And bandits prospered best where authority was merely local



over the next


hill


and


they


were


free.


Unlike


the


general


run


of


peasantry


they


had


a


taste


for


flamboyant


dress


and


gesture; but they usually shared the peasants’ religious beliefs and superstition


s.


(7)The first sign of a man caught up in the Robin Hood syndrome was when he started out, forced


into outlawry as a victim of injustice; and when he then set out to “right wrongs”, first his own and then


other people’s. The classic bandit then “takes from the rich and gives to the poor” in


conformity


with his


own sense of social injustice; he never kills except in self-defense or justifiable revenge; he stays within


his community and even returns to it if he can to take up an honorable place; his people admire and help to


protect him; he dies through the treason of one of them; he behaves as if invisible and invulnerable; he is a


“loyalist”, never the enemy of the king but only of the local oppressors.



(8)None of die bandits lived up fully to this image of


the “noble robber” and for many the claim of


larger motives was often a delusion.


(9)Yet


amazingly


, many of these violent men did behave at least half the time in accordance with this


idealist


pattern.


Pancho


Villa


in


Mexico


and


Salvatore


Giuliano


in


Italy


began


their


careers


harshly


victimized


. Many of their charitable acts later became legends.


(10)Far from being defeated in death, bandits’ reputation for invincibility was often strengthened by


the manner of their dying. The “dirty little coward” who sho


t Jesse James in the back is in every ballad


about him, and the implication is that nothing else could have brought Jesse down. Even when the police


claimed the credit, as they tried to do at first with Giuliano’s death, the local people refused to believe


it.


And not just the bandit’s vitality prompts the people to refuse to believe that their hero has died; his death


would be in some way the death of


hope


.


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