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TEST FOR ENGLISH MAJORS (2019)
-GRADE EIGHT-
TIME LIMIT: 150 MIN
PART I LISTENING
COMPREHENSION
(25
MIN]
SECTION A
MINI-LECTURE
In this section you will
hear a mini-lecture. You will hear the mini-
lecture ONCE ONLY. While listening to the
mini-lecture, please complete the gap-
filling task on ANSWER SHEET ONE and write NO MORE
THAN THREE
WORDS for each gap. Make
sure what you fill in is both grammatically and
semantically acceptable. You may use
the blank sheet for note-taking.
You have THIRTY seconds to preview the
gap-filling task.
Now, listen to the
mini-lecture. When it is over, you will be given
THREE minutes to check your work.
SECTION B INTERVIEW
In this section you will hear TWO
interviews. At the end of each interview, five
questions will be asked about what
was
said. Both the interviews and the
questions will be spoken ONCE ONLY. After each
question there will be a
ten-second
pause During the pause, you should read the four
choices of A, B, C and D, and mark the best answer
to
each question on ANSWERSHEET TWO.
You have THIRTY seconds to
preview the choices.
Now,
listen to the first interview. Questions 1 to 5
are based on the first interview.
1. A. Environmental issues.
ered species.
warming.
vation.
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2. A. It is thoroughly proved.
B. it is definitely very serious.
C. It is just a temporary variation.
D. It is changing our ways of living.
3. A. Protection of
endangered animals* habitats.
B.
Negative human impact on the environment.
C. Frequent abnormal phenomena on the
earth.
D.
The woman’s
indifferent attitude to the
earth.
4. A. Nature should take
its course.
B. People take things for
granted.
C. Humans are damaging the
earth.
D. Animals should stay away from
zoos.
5. A. Objective.
B. Pessimistic.
C.
Skeptical.
D. Subjective.
Now, listen to the second interview.
Questions 6 to 10 are based on the second
interview.
6.
A.
Teachers’ resistance to
change.
B.
Students’ inadequate
ability to
read.
C.
Teachers’ misunderstanding of
such
literacy.
D.
Students ’ indifference to the
new
method.
7.A.
Abilities to complete challenging tasks.
B.
Abilities to
learn subject matter knowledge.
C.
Abilities to
perform better in schoolwork.
D.
Abilities to
perform disciplinary work.
8.A. Recalling specific information.
B. Understanding particular details.
C. Examining sources of information.
D. Retelling a historical event.
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9. A.
Engaging literacy and disciplinary experts in the
program.
B. Helping teachers understand
what disciplinary literacy is.
C.
Teaching disciplinary discourse practices by
literacy teachers.
D. Designing
learning strategies with experts from both sides.
10. A. To argue for a case.
B. To discuss a dispute.
C.
To explain a problem.
D. To present
details.
PART II READING
COMPREHENSION
[45 MIN]
SECTION A MULTIPLE CHOICE QUESTIONS
In this section there are three
passages followed by fourteen multiple choice
questions. For each multiple
choice
question, there are four suggested answers marked
A, B, C and D. Choose the one that you think is
the best
answer and mark your answers
on ANSWER SHEET TWO.
PASSAGE ONE
(1)When it came to concealing his
troubles, Tommy Wilhelm was not less capable than
die next
fellow. So at least he
thought, and there was a certain amount of
evidence
to back him up. He
had once
been an actor^ no, not quite,
an extra
—
and he knew what
acting should be. Also, he was smoking a cigar,
and when a man is smoking a cigar,
wearing a hat, he has an advantage; it is harder
to find out how he
feels. He came from
the twenty-third floor down to the lobby on the
mezzanine to collect his mail before
breakfast, and he believed^ he hoped
—
that he looked passably
well: doing all right. It was a matter of
sheer hope, because there was not much
that he could add to his present effort. On the
fourteenth floor he
looked for his
father to enter the elevator; they often met at
this hour, on the way to breakfast. If he
worried
about
his
appearance
it
was
mainly
for
his
old
father’s
sake.
But
there
was
no
stop
on
the
fourteenth, and the elevator sank and
sank. Then the smooth door opened and the great
dark-red uneven
carpet that covered the
lobby billowed toward Wilhelm’s feet. In the
foreground
the lobby was dark,
sleepy. French drapes like sails kept
out the sun, but three high, narrow windows were
open, and in the
blue air Wilhelm saw a
pigeon about to light on the great chain that
supported the marquee of the movie
house directly underneath the lobby.
For one moment he heard the wings beating
strongly.
(2)Most of the guests at the
Hotel Gloriana were past the age of retirement.
Along Broadway in the
Seventies,
Eighties, and Nineties, a great part of New York’s
vast population of old men and women
lives. Unless the weather is too cold
or wet they fill the benches about the tiny railed
parks and along the
subway gratings
from Verdi Square to Columbia University, they
crowd the shops and cafeterias, the
dime stores, the tearooms, the
bakeries, the beauty parlors, the reading rooms
and club rooms. Among
these old people
at the Gloriana, Wilhelm felt out of
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place. He was comparatively young, in
his middle forties, large and blond, with big
shoulders; his
back
was
heavy
and
strong,
if
already
a
little
stooped
or
thickened.
After
breakfast
the
old
guests
sat
down
on the green leather armchairs and sofas in the
lobby and began to gossip and look into
they had nothing to do but wait out the
day. But Wilhelm was used to an active life and
liked to go out
energetically in the
morning. And for
several
months,
because
he
had
no
position,
he
had
kept
up
his
morale by rising early; he was shaved
and in the lobby by eight o'clock. He bought the
paper and some
cigars and drank a Coca-
Cola or two before he went in to
breakfast with his father. After
breakfast
一
out, out, out to
attend to business. The getting out had in
itself
become the chief
business. But he had realized that he could not
keep this up much longer, and today
he
was afraid. He was aware that his routine was
about to break up and he sensed that a huge
trouble long
presaged
(
预感
)but till now formless
was due. Before evening, he'd know.
(3)Nevertheless he followed his daily
course and crossed the lobby.
(4)Rubin,
the man at the newsstand, had poor eyes. They may
not have been actually weak but they
were
poor
in
expression, with
lacy lids that
furled down
at the
comers.
He
dressed well. It didn't seem
necessary
一
he was behind the counter most of the
time
—
but he dressed very
well. He had on a rich
brown suit; the
cuffs embarrassed the hairs on his small hands. He
wore a Countess Mara painted necktie. As
Wilhelm approached, Rubin did not see
him; he was looking out dreamily at the Hotel
Ansonia, which was
visible from his
comer, several blocks away. The Ansonia, the
neighborhood^ great landmark, was built by
Stanford White. It looks like a baroque
palace from Prague or Munich enlarged a hundred
times, with towers,
domes, huge
swells
and
bubbles
of metal gone
green from exposure, iron fretwork and
festoons.
Black
television antennae are densely planted
on its round summits. Under the changes of weather
it may look like
marble or like sea
water, black as slate in the fog, white as tufa in
sunlight. This morning it looked like the
image of itself reflected in deep
water, white and cumulous above, with cavernous
distortions underneath.
Together, the
two men gazed at it.
(5)Then Rubin
.said
,
“Your dad is in to
breakfast already, the old
gentleman.”
“Oh
,
yes? Ahead of
me today?”
‘nat’s a real
knocked
-out shirt you got
on
,
’’ said Rubin. “Where’s
it from
,
Saks?”
“No, it’s a Jack Fagman —
Chicago.”
(6)Even
when his spirits were low, Wilhelm could still
wrinkle his forehead in a pleasing way. Some of
the slow
,
silent
movements of his face were very attractive. He
went back a step, as if to stand away from
himself and get a better look at his
shirt. His glance was comic, a comment upon his
untidiness. He liked to
wear good
clothes, but once he had put it on each article
appeared to go its own way. Wilhelm,
laughing
,
panted a little;
his teeth were small; his cheeks when he laughed
and puffed grew round, and he looked much
younger than his years. In the old days
when he was a college freshman and wore a beanie
(
无檐小帽)
on
his
large blonde head his father used to say
that
,
big as he
was
,
he could charm a bird
out of a tree. Wilhelm
had great charm
still.
(7)
“I
like
this dove-gray
color,”
he
said in his sociable
,
good-
natured way.
“It
isn’t
washable. You
have to send it to the cleaner. It
never smells as good as washed. But
it
,
s a nice shirt. It cost
sixteen, eighteen
bucks.*'
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m
hoped he looked all right
on his way to the lobby because he wanted to _
A.
leave a good impression
B.
give his
father a surprise
C.
show his acting potential
D.
disguise his
low spirit
m had something
in common with the old guests in that
they all
.
A.
lived a
luxurious life
B.
liked to swap gossips
C.
idled their
time away
D.
liked to get up early
did Wilhelm feel when he was crossing
the lobby (Para. 2)?
A.
He felt something ominous was coming.
B.
He was worried
that his father was late.
C.
He was feeling at ease among the old.
D.
He was excited
about a possible job offer.
14.
Which part of Rubin’s
clothes made him look particularly awkward
(Para.
4)?
A.
The necktie.
B.
The cuffs.
C.
The suit.
D.
The shirt.
15.
What can we learn from
the author’s description of Wilhelm’s
clothes?
A.
His
shirt made him look better.
B.
C.
D.
.
He cared much about his clothes.
He looked like a comedian in his shirt.
The clothes he wore never quite
matched.
PASSAGE TWO
(1)By the 1840s New York
was the leading commercial city of the United
States. It had long since
outpaced
Philadelphia
as
the
largest
city
in
the
country,
and
even
though
Boston
continued
to
be
venerated
as the cultural capital of the nation, its image
had become somewhat languid; it had not kept up
with the implications of the newly
industrialized economy, of a diversified ethnic
population, or of the
rapidly rising
middle class. New York was the place where the
“new” America was coming into being, so
it is hardly surprising that the modem
newspaper had its birth there.
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(2)The
penny paper had found its first success in New
York. By the mid-1830s Ben Day s
Sun
was
drawing readers from all
walks of life. On the other hand, the
Sun
was a scanty sheet
providing little more
than minor
diversions; few today would call it a newspaper at
all. Day himself was an editor of limited
vision, and he did not possess the
ability or the imagination to climb the slopes to
loftier heights. If real
newspapers
were to emerge from the public's demand for more
and better coverage, it would have to come
from
a
youthful
generation
of
editors
for
whom
journalism
was
a
totally
absorbing
profession, an exacting
vocational
ideal rather than a mere offshoot of job printing.
(3)By the 1840s two giants burst into
the field, editors who would revolutionize
journalism, would
bring the newspaper
into the modem age, and show how it could be
influential in the national life. These two
giants, neither of whom has been
treated kindly by history, were James Gordon
Bennett and Horace Greeley.
Bennett
founded his New York
Herald
in 1835, less than two years after the
appearance of the
Sun.
Horace
Greeley founded his
Tribune
in 1841. Bennett and
Greeley were the most innovative editors in New
York
until after the
Civil
War. Their newspapers
were the leading
American papers of the day, although for
completely different reasons. The two
men despised each other, although not in the ways
that newspaper
editors had despised one
another a few years before. Neither was a
political hack bonded to a political party.
Greeley fancied himself a public
intellectual. He had strong political views, and
he wanted to run for office
himself,
but
party
factotum
he
could
never be; he
bristled
with ideals
and
causes
of
his
own
devising.
Officially he was a Whig (and later a
Republican),
but he seldom gave comfort
to his chosen party.
Bennett, on
the
other
hand,
had
long
since
cut
his
political
ties, and
although
his
paper
covered
local
and
national
politics fully and
he went after politicians with hammer and tongs,
Bennett was a cynic, a distruster of all
settled values. He did not regard
himself as an intellectual, although in fact he
was better educated than
Greeley. He
thought himself only a hard-boiled newspaperman.
Greeley was interested in ideas and in what
was happening to the country. Bennett
was only interested in his newspaper. He wanted to
find out what the
news was, what people
wanted to read. And when he found out he gave it
to them.
(4)As different as Bennett and
Greeley were from each other they were also
curiously alike. Both stood
outside the
circle of polite society, even when they became
prosperous, and in Bennett’s case, wealthy. Both
were incurable eccentrics. Neither was
a gentleman. Neither conjured up the picture of a
successful editor.
Greeley was unkempt,
always looking like an unmade bed. Even when he
was nationally famous in the
1850s he
resembled a clerk in a third-rate brokerage house,
with slips of paper
—
marked-up proofs perhaps
—
hanging out of his pockets or stuck in his hat. He
became fat, was always nearsighted, always peering
over spectacles. He spoke in a high-
pitched whine Not a few people suggested that he
looked exactly like
the illustrations
of Charles Dickens’s Mr. Pickwick. Greeley
provided a humorous description of himself,
written under the pretense that it had
been the work of his long-time adversary James
Fenimore Cooper. The
editor was,
according to the description, a half-bald, long-
legged,
slouching individual “so
rocking
in gait
that he
walks down both sides of
the street at
once.”
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(5)The
appearance of Bennett was somewhat different but
hardly more reassuring. A shrewd,
wiry
Scotsman, who seemed to repel intimacy, Bennett
looked around at the world with a squinty
glare
of
suspicion.
His
eyes
did
not
focus
right.
They
seemed
to
fix
themselves
on
nothing
and
everything at the same time. He was as
solitary as an oyster, the classic loner. He
seldom made close
friendships and few
people trusted him, although nobody who had
dealings with him, however brief,
doubted
his
abilities.
He,
too,
could
have
come
out of
a
book
of
Dickensian
eccentrics,
although
perhaps
Ebenezer
Scrooge
or
Thomas
Gradgrind
comes
to
mind
rather
than
the
kindly
old
Mr.
Pickwick.
Greeley was laughed at but admired; Bennett was
seldom laughed at but never admired; on
the other hand, he had a hard
professional competence and an encyclopedic
knowledge of his adopted
country, an
in-depth learning uncorrupted by vague idealisms.
All of this perfectly suited him for the
journalism of this confusing age.
(6)Both Greeley and Bennett had served
long, humiliating and disappointing
apprenticeships in
the newspaper
business. They took a long time getting to the
top, the only reward for the long years of
waiting being that when they had their
own newspapers, both knew what they wanted and
firmly set
about getting it. When
Greeley founded the
Tribune
in 1841 he had the strong support of
the Whig
party and had already had a
short period of modest success as an editor.
Bennett, older by sixteen years,
found
solid commercial success first, but he had no one
behind him except himself when he started up
the
Herald
in
1835 in a dingy cellar room at 20 Wall Street.
Fortunately this turned out to be quite
enough.
16.
Which of the following is
NOT the author’s opinion on Ben Day and
his
Sun
(Para.
2)7
A.
B.
C.
D.
Sun
had once been a popular newspaper.
Sun
failed to be a high-
quality newspaper.
Ben Day lacked
innovation and imagination.
Ben Day had
striven for better coverage.
of the following statements is CORRECT
about
Greeley’s
or
Bennett’s
political
stance (Para. 3)7
A.
B.
C.
D.
Greeley and Bennett were both strong
supporters of their party.
Greeley, as
a Whig member, believed in his party’s
ideals.
Bennett, as an independent,
loathed established values.
Greeley and
Bennett possessed different political values.
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18.
Which of the following
figures of speech was used to describe Greeley’s
manner of walking (Para.
4)?
A.
B.
C.
D.
Exaggeration.
Paradox.
Analogy.
Personification.
Para. 5
Bennett was depicted as a man who
A.
B.
C.
D.
had stronger
capabilities than Greeley
possessed a
great aptitude for journalism
was in
pursuit of idealism in journalism
was
knowledgeable about his home country
was Greeley different from Bennett
according to Para. 6?
A.
B.
C.
D.
He had
achieved business success first.
He
started his career earlier than Bennett.
He got initial support from a political
party.
He had a more humiliating
apprenticeship.
PASSAGE
THREE
(1)Why make a film
about Ned Kelly? More ingenious crimes than those
committed by the reckless
Australian
bandit are reported every day. What is there in
Ned Kelly to justify dragging the mesmeric Mick
Jagger so far into the Australian bush
and away from his natural haunts? The answer is
that the film makers
know we always
fall for a bandit, and Jagger is set to do for
bold
Ned Kelly what Brando
once did for the
arrogant Emiliano
Zapata.
(2) A bandit inhabits a special
realm of
legend
where his
deeds are embroidered by others; where his
death rather than his life is
considered beyond belief; where the men who bring
him to
“justice”
are
afflicted
with doubts about their role.
(3)The bandits had a role to play as
definite as that of the authorities who condemned
them. These were
men in conflict with
authority, and, in the absence of strong law or
the idea of loyal opposition, they took to the
hills. Even there, however, many of
them obeyed certain unwritten rules
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(4)These robbers, who
claimed
to be something more
than mere thieves, had in common, firstly, a sense
of
loyalty
and
identity with the peasants they came
from. They didn't steal the peasant’s harvest;
they did
steal the lord’s.
(5)And certain characteristics seem to
apply to “social bandits’’ whether they were in
Sicily or Peru.
They were generally
young men under the age of marriage, predictably
the best age for dissidence. Some
were
simply
the
surplus
male
population
who
had
to
look
for
another
source
of
income;
others
were
runaway
serfs
or
ex-soldiers;
a
minority,
though
the most
interesting,
were
outstanding
men
who
were
unwilling to accept the meek and
passive role of peasant.
(6)They
usually operated in bands between ten and twenty
strong and relied for survival on difficult
terrain and bad transport. And bandits
prospered best where authority was merely local
—
over the next
hill
and
they
were
free.
Unlike
the
general
run
of
peasantry
they
had
a
taste
for
flamboyant
dress
and
gesture; but they usually shared the
peasants’ religious beliefs and
superstition
s.
(7)The first
sign of a man caught up in the Robin Hood syndrome
was when he started out, forced
into
outlawry as a victim of injustice; and when he
then set out to “right wrongs”, first his own and
then
other people’s. The classic bandit
then “takes from the rich and gives to the poor”
in
conformity
with his
own sense of social injustice; he never
kills except in self-defense or justifiable
revenge; he stays within
his community
and even returns to it if he can to take up an
honorable place; his people admire and help to
protect him; he dies through the
treason of one of them; he behaves as if invisible
and invulnerable; he is a
“loyalist”,
never the enemy of the king but only of the local
oppressors.
(8)None of die
bandits lived up fully to this image of
the “noble robber” and for many the
claim of
larger motives was often a
delusion.
(9)Yet
amazingly
, many of these violent men
did behave at least half the time in accordance
with this
idealist
pattern.
Pancho
Villa
in
Mexico
and
Salvatore
Giuliano
in
Italy
began
their
careers
harshly
victimized
. Many of their
charitable acts later became legends.
(10)Far from being defeated in death,
bandits’ reputation for invincibility was often
strengthened by
the manner of their
dying. The “dirty little coward” who
sho
t Jesse James in the back is in
every ballad
about him, and the
implication is that nothing else could have
brought Jesse down. Even when the police
claimed the credit, as they tried to do
at first with Giuliano’s death, the local people
refused to believe
it.
And
not just the bandit’s vitality prompts the people
to refuse to believe that their hero has died; his
death
would be in some way the death of
hope
.
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