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广告英语的语言特色
摘
要
p>
广告,顾名思义就是广而告之。作为一
种宣传和传播信息模式,广告
的作用不
容忽视,因为它不仅只是一种说服顾客
进行消费的技巧
,更重要的是,它已逐
渐成为社会交流的必须手段之一。通过
对
大量英语广告实例进行分析,并参照
国外著名广告人
Guy C
ook
等的理论,
详
细剖析了广告英语
的语言特点。
广告在我们今天的社会几乎是无孔不
入,它的传播介质多种多样,包括报纸、
杂志、电视、广播、网络等。广告
具有
鲜明的目的性,即说服顾客进行购买,
这种目的性决定了其
语言的特色性风
格,使其独立于其它文体,在语言学范
畴内值得
研究。选定英语这一全球普遍
使用的语言,就其应用于广告领域而产
生的一些语言学特点和广告本身的社会
性特点进行深入分析,希望能对相关领
域的研究有一定的借鉴作用和参考价
值。
<
/p>
共分为五章,
第一章追溯了广告的起源,
对广告的分类、作用及定义做了简单概
要;第二章介绍了广告和文体学的基本
定义,广告中,文字和图像的完美结合
取决于创意和所用媒体,但它们共同
组
成了广告语言;第三章从句法学、修辞
学、词汇学等理论切入
,用大量例子分
析了广告英语的语言特点,并从语篇分
析的角度
对其语言特点进行了剖析;在
语篇分析的章节中,
引用了
Guy Cook
的
语篇分析模型,并引入了
广告问题研究
领域新近提出的
“
文章关
联性
”
等概念;
第四章结合了第三章的
观点,通过具体
英语广告实例对标题中的用词、句子结
构、称谓
模式、修辞格进行了阐述,分
析了广告语言对广告效果的影响;最后
一章指出了广告英语发展的口语化和简
单化趋势及其目前存在的模糊性语言特
点,揭开了广告华丽词藻下所掩盖的非
真实的广告氛围,批判了其模糊
性误导
消费者的消极一面。
关键词:广告;广告英语;语言特点
Abstract
As a way of propagating and
transmitting
information,
advertising
’
s role connot be
underestimated
because
it
is
not
only
an
artful
technique
in
persuading
people
to
buy, but also gradually
has become a must
for
social
communication
which
in
turn
influences the development of society
and
economy.
The
purpose
of
this
paper
is
to
study
the
linguistic
features
and
sociological
features
of
advertising
English, in the
hope to help copywriters at
home
markets in their creating process.
Nowadays
advertising
has
penetrated
into
every corner of our
life as its transmitting
media
in
many
forms:
newspaper,
magazine,
TV
,
radio
as
well
as
network.
The
goal
of
advertising
decides
its
language
to
be
simple
and
direct,
distinct
from the characteristics of other
discourses.
Thus an analysis on the
linguistic features
of
advertising
English
in
the
linguistic
field
is
worthwhile.
Under
such
circumstances,
a
study
on
the
linguistic
features
of
advertising
English
will
have
practical
effects
on
the
composing
and
translating work of the
copywriters.
The
whole
paper
is
divided
into
five
chapters. The first chapter traces back
the
origin
of
advertising
and
a
brief
introduction
on
the
classifications,
roles
and definitions of advertising is
presented
for the later discussion.
The
second
chapter
introduces
the
theory
of
advertisements
and
stylistics,
the
precise balance of words (either spoken
or
written) and pictures is determined
by the
creative concept and the medium
used, but
the
combination
of
images
and
words
makes up the language
of advertising.
The
third
chapter
starts
from
the
theories
in
syntax,
lexicology,
rhetoric
and
ends
with the linguistic features analyzed
in the
field of discourse analysis.
The
fourth
chapter
combines
the
viewpoints from the
previous chapter third
and
explores
the
effect
of
the
advertising
English
as
a
whole
advertising
process.
The
last
chapter,
also
the
conclusion
part,
shows
that
though
advertising
language
appears
to
be
flowery
and
refined,
its
content
is
no
better
than
commonest
language
could
convey.
By
exposing
the
various
techniques
advertisers
have
employed
in
their
writing,
this
part
hopes
to
remind
consumers
that
advertising
English is gradually attaining the
negative
and
ambiguous
role
in
guiding
people
to
buy.
Keywords:
Advertising,
Advertising
English,
Linguistic Features
Chapter 1 Introduction
No
other statement could have summed up
the
charm
of
advertisement
than
what
Aldous Huxley has
commented. As he has
said advertisement
as a literary form is the
most
exciting,
the
most
arduous
literary
form
of
all,
and
the
most
pregnant
in
curious
possibilities.
In
his
comment
he
asserted
advertisement
is
a
literary
form
and
the
copywriting
process
is
the
delightful
and
salubrious
exercise
for
the
mind.
But
all
in
all,
what
is
advertising,
and what makes it unique?
History of Advertisement
Advertisement emerged from the womb of
commodity production and exchange. The
condition
for
the
existence
of
advertising
is
“at
least
a
segment
of
the
population
must
live
above
the
subsistence
level”.
When this situation occurs it also
becomes
necessary for “the producers of
materially
‘
unnecessary
’
goods to do
something to
make
people
want
to
acquire
their
commodities.”
(Vestergaard
and
Schroder
4)
The
embryonic
form
of
advertising
in
the
world
is
street
cries,
which
exist
even
today.
Advertising
was
not
unknown
in
ancient Greece and Rome,
but advertising
as
we
recognize
it
did
not
start
until
the
seventeenth century in
the West. It was at
about
this
time
that
newspaper
began
to
circulate.
Before
that,
it
is
printing
which
was
first
invented
in
China
and
then
introduced
to
the
West
that
played
a
vital
role in
the production of print advertising.
“Classified”
(small
ads)
types
of
advertising
were
dominant
before
the
nineteenth century and
style and language
used in ads at that
time tended to be direct
and
informative. The industrial Revolution,
which began in England in the mid-1700s
and reached the United States by the
early
1800s,
facilitated
mass-production
of
goods.
Meanwhile
advertising
became
more and more important in the
industrial
market.
The
great
breakthrough
for
advertising
came
only
in
the
late
nineteenth
century.
Technology
and
mass-production
techniques
were
then
sufficiently developed for more firms
to be
able
to
turn
out
products
of
roughly
the
same quality and at roughly the same
price.
This brought on a crisis of
over-production
and
under
consumption
which
meant
that
the
market
needed
to
be
stimulated
by
advertising.
At
this
time
advertising
changed its
function from proclamation to
persuasion.
In
the
twentieth
century,
advertising
developed
rapidly
alongside
the
advent
of
new
media-radio
and
television in succession.
According
to
Richard
Pollay
’
s
content
analysis of two
thousand print ads from ten
leading
magazines
in
the
USA,
ads
have
progressively
turned
towards
the
emotional
rather
than
the
informative
approach and
there is a shift seeing human
nature
as
rational
to
seeming
it
as
emotional.
Today
in
China,
while
our
economic
structure
is
shifting
from
the
entirely
planned
economy
to
the
socialist
market
economy
system,
advertising
is
becoming
more and more
active and sophisticated. In
1992,
China
’
s
advertising
expenditure
reached
$$
862
million,
among
the
fastest
growing countries in Asia. This year
with
the
entry
of
China
into
WTO,
this
expenditure
figure
will
undoubtedly
rise
up,
which
will
support
the
view
that
advertising
is
an
indispensable
means
for
providing
the
information
that
all
market-oriented
industrialized
societies
need
for
their
economies
to
function
efficiently.
Classifications of
Advertising
Advertising
may
be
classified
by
medium
(newspaper,
magazine,
radio,
television).
By
target
audience
(consumer,
industrial,
business),
by
geography
(international,
national, regional, local), or by its
function
or
purpose
(product
or
non-
product,
commercial
or
noncommercial,
primary
demand or selective demand, direct
action
or indirect action).
Because
it
is
difficult
to
gain
access
to
enough
date
for
English
commercials
and
ads on radio or TV
, thus,
the subject of this
research paper will
mainly concentrate on
the print
advertising.
Roles of
Advertising
An
advertiser
’
s main purpose is
to present
and
exhibit
product
or
service,
and
to
spread
the
influence
and
coverage
of
which
to
the
extent
that
the
potential
purchasing
population
becomes
real
and
actual.
Simply
put,
advertisers
try
by
the
various
means
at
their
disposal
to
get
people
to
buy
the
product
or
service
advertised.
Moreover,
advertisers
want
potential
purchasers
to
consider
what
is
advertised
to
the
exclusion
of
all
other
similar
products
or
services.
They
therefore
attempt
to
construct
an
advertisement
that
will
fully
involve
the
attention
of
the
potential
purchaser
and
which
will
have
a
persuasive
effect.
Advertisers thus
create a semiotic world in
order
to
persuade
their
audience
of
essential
“rightness”
of
purchasing
the
product or service advertised.
Definitions of Advertising
After
a
brief
introduction
of
the
classifications and
roles of advertising, we
now come to
the definitions of advertising.
From
different
perspectives
or
purposes,
the
definitions might also vary. In English,
the
word
“advertise”
has
its
origin
in
“advertere”
in
Latin,
meaning
“to
inform
somebody
of
something”,
“to
bring
into
notice”
or
“to
draw
attention
to
something”, etc. In Chinese, the
equivalent
term
“guanggao”
means
“widely
announce”.
The
father
of
modern
advertising,
Albert
Lasker
said
that
advertising
was
“salesmanship
in
print”.
Although
the
definition
was
given
long
before
the
advent
of
radio
and
television,
and
the
nature and scope of
advertising at that time
were
considerably
different
than
they
are
today,
this
often-repeated
saying
indicates
that the ultimate
objective of advertising is
to
sell.
Obviously
it
is
not
a
working
definition
because
we
cannot
use
it
to
cover
all
advertisements.
Today,
a
widely
quoted
working
definition
of
advertising
was
put
forward
by
Courtland
L.
Bovee
and William F. Arens
:” Advertising is the
nonpersonal
communication
of
information,
usually
paid
for
and
usually
persuasive
in
nature,
about
products
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