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英语八级快速阅读理解试题及答案解析
TEXT C
In
Barcelona
the
Catalonians
call
them
castells,
but
these
aren't
stereotypical
castles
in
Spain.
These
castles are made up of human beings, not stone.
The people who perform this agile feat of
acrobatics are called castellers, and
to see their towers take shape is to observe a
marvel of human
cooperation.
First
the
castellers
form
what
looks
like
a
gigantic
rugby
scrummage.
They
are
the
foundation
blocks of the
castle. Behind them, other people press together,
forming outward-radiating ramparts
of
inward-pushing
muscle:
flying
buttresses
for
the
castle.
Then
sturdy
but
lighter
castellers
scramble over the backs of those at the
bottom and stand, barefoot, on their
shoulders
—
then still
others, each time adding a higher
These
human
towers
can
rise
higher
than
small
rtment
buildings:
nine
“stories”, 35 feet into
the air. Then, just When it seems this tower of
humanity can't defy gravity
any longer,
a little kid emerges from the crowd and climbs
straight up to the top. Arms extended,
the child grins while waving to the
cheering crowd far below.
Dressed
in
their
traditional
costumes,
the
castellers
seem
to
epitomize
an
easier
time,
before
Barcelona became a
world metropolis arid the Mediterranean's most
dynamic city. But when you
observe-them
tip close, in their street clothes, at practice,
you see there's nothing easy about what
the castellers do - and that they are
not merely reenacting an ancient ritual.
None of the castellers can-give a
logical wer as to why they love doing this.
But
Victor
Luna,
16,
touches
me
on
the
shoulder
and
says
in
English:
do
it
because
it's
beautiful. We do it because we are
Catalan.
Barcelona’s
mother
tongue
is
Catalan,
and
to
understand
Barcelona,
you
must
understan
d
two
words of Catalan: seny and rauxa. Seny
pretty much translates as common sense, or the
ability to
make money, arrange things,
and get things done. Rauxa is reminiscent of our
words “raucous”
and
“ruckus”.
What makes the
castellers revealing of the city is that they
embody rauxa and seny. The idea of a
human
castle
is
rauxa
—
it
defies
common
sense
—
but
to
watch
one
going
up
is
to
see
seny
in
action. Success is based
on everyone working together to achieve a shared
goal.
The
success
of
Carlos
Tusquets'
bank,
Fibanc,
shows
seny
at
work
in
everyday
life.
The
bank
started
as
a
family
concern
and
now
loys
hundreds.
Tusquets
said
it
exemplifies how the economy in
Barcelona is different.
Entrepreneurial
seny
demonstrates
why
Barcelona
and
Catalonia
—
the
ancient
region
of
which
Barcelona
is
the
capital
—
are
distinct
from
the
rest
of
Spain
yet
essential
to
Spain's
emergence,
after
centuries
of
repression,
as
a
prosperous,
democratic
European
country.
Catalonia,
with
Barcelona
as
its
dynamo,
has
turned
into
an
economic
powerhouse.
Making
up
6
percent
of
Spain’s
territory,
with
a
sixth
of
its
people,
it
accounts
for
nearly
a
quarter
of
Spain's
produc
tion
—
everything
from
textiles
to
computers
—
even
though
the
rest
of
Spain
has
been
enjoying its own
economic miracle.
Hand in hand with
seny goes rauxa, and there's no better place to
see rauxa in action than on the
Ramblas, the venerable, tree-shaded
levard that, in gentle stages, leads you
from the centre of Barcelona down to
the port. There are two narrow lanes each way for
cars and
motorbikes,
but
it’s
the
wide
centre
walkway
that
makes
the
Ramblas
a
front
-row
seat
for
Barcelona's longest
running theatrical event. Plastic armchairs are
set out on the sidewalk. Sit in
one of
them, and an attendant will come and charge you a
small fee. Performance artists throng the
Ramblas
—
stilt
walkers, witches caked in charcoal dust, Elvis
impersonators. But the real stars are
the old women and happily playing
children, millionaires on motorbikes, and pimps
and women
who, upon closer inspection,
prove not to be.
Aficionados (Fans) of
Barcelona love to compare notes: “Last night there
was a man standing on
the balcony of
his hotel room,”
iana Bertagnolli, an
Italian photographer, told
me.
There
you
have
it,
Barcelona's
essence.
The
man
is
naked
(rauxa),
but
he
is
talking
into
a
cell
phone (seny).
21.
From the description
in the passage, we learn that
A. all
Catalonians can perform castells.
B. castells require performers to stand
on each other.
C. people
perform castells in different formations.
D. in castells people have
to push and pull each other.
22.
According to the passage,
the4mplication of the performance is that
A. the Catalonians are insensible and
noisy people.
B. the Catalonians show
more sense than is expected.
C. the
Catalonians display paradoxical characteristics.
D. the Catalonians think highly of team
work.
23.
The
passage cites the following examples EXCEPT
__________ to show seny at work.
A.
development of a bank
B.
dynamic role in economy
C.
contribution to national economy
D.
comparison with other regions
24.
In the last but two paragraph, the
Ramblas is described as “a
f
ront-
row seat for
Barcelona’s
longest running theatrical
event”. What does it mean?
A. On the Ramblas people can a greater
variety of performances.
B. The Ramblas
provides many front seats for the performances.
C. The Ramblas is preferred
as an important venue for the events.
D. Theatrical performers like to
perform on the Ramblas.
25. What is the
main impression of the scenes on the Ramblas?
A. It is bizarre and Outlandish.
B. It is of average
quality.
C. It is conventional and
quiet.
D. It is of professional
standard.
TEXT
D
The law firm Patrick worked for
before he died filed for bankruptcy protection a
year after his
funeral.
After
his
death,
the
firm's
terhead
properly
included
him:
Patrick
S.
Lanigan, 1954-1992. He was listed up in
the right-hand corner, just above the paralegals.
Then the
rumors got started and
wouldn't stop. Before long, everyone believed he
had taken the money and
disappeared.
After three months, no one on the Gulf Coast
believed that he was dead. His name
came off the letterhead as the debts
piled up.
The remaining partners in the
law firm were still together, attached unwillingly
at the hip by the
bondage of mortgages
and the bank notes, back when they were rolling
and on the verge of serious
wealth.
They had been joint defendants in several
unwinnable lawsuits; thus the bankruptcy. Since
Patrick's departure, they had tried
every possible way to divorce one another, but
nothing would
work. Two were raging
alcoholics who drank at the office behind locked
doors, but nevertogether.
The other two
were in recovery, still tering on the brink of
sobriety.
He took their money. Their
millions. Money they had already spent long before
it arrived, as only
lawyers can do.
Money for their richly renovated office building
in downtown Biloxi. Money for
new
homes, yachts, condos in the Caribbean. The money
was on the way, approved, the papers
signed,
orders
entered;
they
could
see
it,
almost
touch
it
when
their
dead <
/p>
partner
—
Patrick
—
snatched it at the last
possible second.
He was dead. They
buried him on February 11, 1992. They had consoled
the widow and put his
rotten name on
their handsome letterhead. Yet six weeks later, he
somehow stole their money.
They had
brawled over who was to blame. Charles Bogan, the
firm's senior partner and its iron
hand, had insisted the money be wired
from its source into a new account offshore, and
this made
sense after some discussion.
It was ninety million bucks, a third of which the
firm would keep, and
it would be
impossible to hide that kind of money in Biloxi,
population fifty thousand. Someone at
the bank would talk. Soon everyone
would know. All four vowed secrecy, even as they
made plans
to
display
as
much
of
their
new
wealth
as
possible.
There
had
even
been
talk
of
a
firm
jet,
a
six-seater.
So
Bogan
took
his
share
of
the
blame.
At
forty-
nine,
he
was
the
oldest
of
the
four,
and,
at
the
moment, the most stable.
He was also responsible for hiring Patrick nine
years earlier, and for this
he had
received no small amount of grief.
Doug
Vitrano, the litigator, had made the fateful
decision to recommend Patrick as the fifth
partner.
The other three had agreed,
and when Patrick Lanigan was added to the firm
name, he had access
to virtually every
file in the office. Bogan, Rapley, Vitrano,
Havarac, and Lanigan, Attorneys and
Counselors-at-Law.
A
large
ad
in
the
yellow
pages
claimed
in
Offshore
Injuries.
Specialists or not,
like most firms they would take almost anything if
the fees were lucrative. Lots
of
secretaries and paralegals. Big overhead, and the
strongest political connections on the Coast.
They were all in their mid- to late
forties. Havarac had been raised by his father
on a shrimp boat. His hands were still
proudly calloused, and he dreamed of choking
Patrick until
his neck snapped. Rapley
was severely depressed and seldom left his home,
where he wrote briefs
in a dark office
in the attic.
26.
What
happened to the four remaining lawyers after
Patrick's disappearance?
A. They all
wanted to divorce their wives.
B. They
were all heavily involved in debts.
C.
They were all recovering from drinking.
D. They had bought new homes, yachts,
etc.
27.
Which of the
following statements contains a metaphor?
A. His name came off the letterhead as
the debts piled up.
B. …they could see
it, almost touch it when their dead
partner...
C. …, attached
unwillingly at the
by the bondage of
mortgages...
D. …, and for this he had
received no small amount of grief.
28.
According to the
passage, what is the main cause of Patrick
stealing the money?
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