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条件高中英语完形填空与阅读理解练习

作者:高考题库网
来源:https://www.bjmy2z.cn/gaokao
2021-01-28 15:05
tags:

条件-草台班子

2021年1月28日发(作者:beach是什么意思)


1




Some


times


peopl


e cal


l each



other


scared-cat


, but


have


y


ou ever


thoug


ht ab


out t


his


express


ion? W


hen a


cat


is fri


g


htened,


its h


eart


start


s beat


i


ng fast


er, it


s mus


cles


get te


n


se,


and the


re are


chan


ges i


n the


c


hemical


s in i


ts bl


ood s


tream.



Alth


ough t


he ca


t doe


sn't



1 t


his, i


ts bo


dy is


getti


n


g ready


for a


ction


.


高中英语完形填空与阅读理解练习



3. A. T


ruly


B


. Fre


quentl


y


C. Dif


ferent


ly


D. Si


milarl


y


4. A. p


hysica


l B


. che


mical



C. hea


lth



D. il


l



5. A. o


r


B


. and




C. but




D. ye


t



6. A. t


herefo


re B


. but




C. how


ever



D. be


sides


7. A. t


ake of


f B


. tak


e on



C. tak


e up



D. ta


ke ove


r


If the dange


r contin


ues, th


is animal wi


ll do one of th


e two things. I


t will 2


its


elf


,



or it w


ill ru


n awa


y as


fast a


s


it can


. 3


, w


hen p


eople


a


re exci


ted, angry,


scar


ed, or



aroused


by ot


her e


motio


ns, ou


r


bodies


also


go th


rough


many


4


change


s. Ou


r hea


rts be


a


t


faster, an


d our musc


les get te


nse. All of the


se chang


es make


us more alert an


d ready to re


act


.



We, too


, get


ready


to d


efend


o


urselve


s 5


r


un.



Huma


n bein


gs,


6


, hav


e


a prob


lem th


at an


imals


never



face. I


f we g


ive w


ay to


our


feeling


s and


let t


hem


7 ,



we can


get in


to tr


ouble


. Have



you eve


r said


some


thing


in an


g


er,


or hit


somebo


dy an


d reg


retted



it late


r? Hav


e you


ever


shout


e


d at a


teache


r, to


ld so


meone


y


ou


were lo


nely,


or sa


id yo


u were



in love


, and


then 8


lat


e


r you h


ad kep


t you


r mou


th shu


t


?


It isn'


t alwa


ys


9


to ex


p


ress yo


ur fee


lings


free


ly.


Does


this


mean


that


it's s


m


arter a


lways


to


10


our


f


eelings


? No!


If


you


11


feeli


ngs o


f ange


r


, sadne


ss, an


d bit


terne


ss hid


d


en away


or bo


ttled


up i


nside,



your bo


dy sta


ys


12


. Phy


s


ical il


lnesse


s can


deve


lop. I


t


can ac


tually


be


13


for



your he


alth.



Feel


ings t


hat y


ou ke


ep all



bottled


up in


side


don't


just


14


. It's


like


you


bought



some ba


nanas


and s


tuck


them i


n


a cupb


oard.


You m


ight


not be



able to


see t


hem,


but


15


you'd


smel


l them


.


And if


you o


pened


the


cupboa


r


d, you'


d 1


6


litt


le fru


i


t


flies h


overin


g (




) a


ll ov


e


r them.


They'


d be


rotte


n.


You


can tr


y to treat


emoti


o


ns 1


7 t


hey w


ere b


ananas



in the


cupboa


rd. Y


ou


can 1


8 th


ey do


n't e


xist,


b


ut they


'll st


ill b


e 1


9 .


A


nd at l


ast yo


u'll


have


to 2


0 t


hem,


just


like t


h


ose ban


anas.


1. A. m


ind


B


. adm


it



C. rem


ember



D. re


alize



2. A. s


ave


B


. hel


p



C. hid


e



D. de


fend



8. A. h


oped


B


. wis


hed


9. A. u


seful


B


. rig


ht


10. A.


handle B


. hur


t


11. A.


find


B


. kee


p


12. A.


tense


B


. rel


axed


13. A.


harmfu


l B


. goo


d


14. A.


go on


B


. go


away


15. A.


long b


efore



C.


right


away




16. A.


meet


B


. obs


erve


17. A.


just a


s B


. as


if


18. A.


expect B


. pre


tend


19. A.


around


B


. in



20. A.


deal w


ith B


. eat


up



C. bla


med



C. wis


e



C. pre


vent



C. con


trol



C. sam


e



C. hel


pful



C. go


up



B. as


usual



D. bef


ore lo


ng



C. see




C. jus


t afte


r


C. dec


ide



C. ove


r



C. thr


ow awa


y


D. sh


ared


D. ea


sy



D. hi


de



D. le


t



D. di


fferen


t


D. us


eful


D. go


out


D. ca


tch


D. ev


en tho


u


gh


D. as


sume


D. be


yond


D. se


nd out
















1. D



2. D



3. D



4. A



5. A



6. C



7. D



8. B



9. C



10. D



11. B



12. A



13. A



14. B



15. D



16. C



17. B



18. B



19. A



20. A




1.


此处


指尽


管猫


没有意


识到


这一点


,但


是它的


身体


会发



一系列


的变< /p>


化,准


备好


了要



取行


动。



2.


根据


下文




too,


get


r


eady to


defen


d our


selve


s. ..


可知当


猫受


到惊吓


的时


候,



会自


卫或跑


开。



3.


根据


下文



when


peopl


e are


e


xcited,


angry


, sca


red,


or aro


u


sed by


other


emoti


ons,


our bo


d


ies


also go


throu


gh ma


ny.. .



可知


,和猫


一样


,人也


有类


似的

< br>变


化。



4.


根据


上文



When a


cat is


fri


ghtened


, its h


eart s


tarts


beat


ing fast


er, it


s musc


les ge


t te


nse,



and the


re are


chan


ges i


n the


c


hemical


s in i


ts bl


ood s


tream.



和下文



heart


s beat


fast


e


r,


and our


muscl


es ge


t ten


se.



知,当


猫受


到惊吓


的时


候,



体会发


生一


系列的


变化


。同




人也是


这样

的。



5.


根据


上文



...or


it w


ill ru


n


away a


s fast


as i


t can


.




,当人


受到


惊吓的


时候


也会




自卫或

跑开




6.

< br>根据


上下



have


a pr


o


blem th


at ani


mals


never


face.



可知,


人也


有动物


不会


遇到




题。这< /p>


与上


文提到


的人


和猫



相似点


形成

对比和


转折


关系




7. take


off



意思是


“脱


衣服


,起飞


”;


t


ake on


的意思



“呈现


”;< /p>


t


ake up


的意思

< br>是


“从


事,占


据”



take


over


的< /p>


意思


是“接


管”


。根据


下文



e


can ge


t into


trou


ble. Have y


o


u


ever sa


id som


ethin


g in


anger,



or hit


somebo


dy an


d reg


retted



it late


r?



知,


如 果我


们屈


服于


自己的

< br>感受


,让感


受支


配自

< p>


,我们


就会


陷入困


境。



8.


此处


wi


sh


用了


虚拟


语气,


表示与


过去


的事实


相反


,从


< p>
用过去


完成


时。此


句意< /p>


思是



“多


希望 这


些话


没有说


出口

啊!




9.

< br>根据


上文



Have


you e


ver sh


o


uted at


a tea


cher,


told


someo


n


e you w


ere lo


nely,


or s


aid yo


u


were in


love,


and


then.


..



知,人


时常


会后悔


做过


的事


这说明


自由


地表达


自己

< p>
的感



并不


是很明


智的




10. < /p>



据下文



fee li


ngs of



anger,


sadnes


s, an


d bit


ternes


s


hidden


away


or bo


ttled


up


inside ,


...


可知,


此处

< br>指把



心的感


受埋


在心底


是不


是更



明的选


择呢




11.



据下文


ings


that y


o


u keep


all bo


ttled


up i


nside


d


on't ju


st...


可知


是将


感受保



在心底


。此处


k


e ep


的意


思是


“保持

< br>,保


留,使


??


怎么

< p>


”,故


选择


此项。



12.



据上 文



heart


s beat



faster,


and o


ur mu


scles


get t


e


nse.



知,


将自


己的负


面情

< br>绪



藏在心


底,


身体会


变得


紧张


< p>
生病。



13.



据上文



ical


illnes


s


es can


develo


p.



知,


身体



得病的

,故


隐藏负


面情


绪对




是有害


的。

< p>


14.



处指埋


藏在


自己


心底


的< /p>


感受是


不会


消失的




15.



据下文



'd be


rotte


n


.


可知


,你


把香蕉


放在


橱柜



,不久


你就


会闻到


气味


,因




们坏掉


了。



16.



据上文


might


not b


e


able t


o see


them.


..



知,



果打开


橱柜

,你就


会看


到小




盘旋在


上面




17.



据上文



like


you b


o


ught so


me ban


anas


and s


tuck t


h


em in a


cupbo


ard.


可知


,对




受就像


对待


香蕉一


样,


由后



的虚拟


语气


可知用


as


if




18.


处指你


可以


假装


它们



存在,


但其

< p>
实它们


是存


在的




19.



假装它


们不


存在


,但



它们依


然在


周围存

< br>在着。



20.


< p>
据上文



ittle


fruit



flies h


overin


g all


over


them.



可知,


e


motio


ns


,< /p>


有末


端句首



t reat e


motions


可知


应是 处



情绪,


t


reat



dea


l with


意思


相同。




2




In


the do


orway


of m


y home


,


I look


ed clo


sely


at my


23-ye


a


r-old s


on, Da


niel.


In a


few h


o


urs


he woul


d be f


lying


to F


rance


t


o 1


adiff


erent


life


. It w


a


s a tra


nsitio


nal (


过渡



) ti


m


e


in Dani

< p>
el



s


life.


I wa


nted


t


o


2 h


im som


e wor


ds of


signi


f


icance.


But n


othin


g cam


e from



my lips


, and


this


was n


ot


the 3


tim


e I h


ad le


t such



moments


pass.


Whe


n Dani


el wa


s fiv


e, I t


o


ok him


to the


bus


stop


on his



first d


ay of


kinde


rgart


en. He



asked,



Wha


t is i


t goi


ng to



be like


, Dad?


Can


I do


it?




Then he


walke


d 4


th


e step


s


of


the bus


and d


isapp


eared


insid


e


. The b


us dro


ve aw


ay an


d I sa


i


d nothi


ng. A


decad


e lat


er, a


similar


5


play


ed it


self o


u


t. I dr


ove hi


m to


colle


ge. As



I start


ed to


leave


, I t


ried t


o



think o


f some


thing


to s


ay to


g


ive him


6


and


confi


dence


a


s he st


arted


this


new s


tage o


f



life. A


gain,


words


7


me.



Now


, as I


stoo


d bef


ore hi


m


, I tho


ught o


f tho


se


8 op


p


ortunit


ies. H


ow many ti


mes ha


v


e I


let su


ch moment


s


9 ? I


don



t f


ind a q


uiet


mome


nt t


o t


e


ll him


wh


at t


hey


have


1


0


to me


.



Or what


he mi


ght


11


to fa


c


e in th


e year


s ahe


ad. M


aybe I



thought


it wa


s not


nece


ssary


t


o


say any


thing.


Wha


t does


it m


atter


in th


e


course


of a


lifet


ime i


f a fa


t


her nev


er tel


ls a


son w


hat he



really


thinks


of h


im?


12


a


s I sto


od bef


ore D


aniel


, I kn


e


w that


it did


matt


er. M


y fath


e


r


and I l


oved e


ach o


ther.


Yet,


I


always


13


never


heari


ng hi


m put


h


is 14


int


o wor


ds. N


ow I c


o


uld fee


l my p


alms


sweat


and m


y



throat


tighte


n. Wh


y is


it so


15 t


o tell


a so


n som


ething



from th


e hear


t?


My


mouth


turne


d dry


, and


I


knew I


would


be a


ble t


o get


o


ut only


a few


word


s cle


arly.



Danie


l,




I sai


d.



I


f I c


o


uld hav


e pick


ed, I


woul


d have



picked


you.



That



s a


ll I


could s


ay. He


hugg


ed me


. For


a


moment


, the


world


16


, an


d


there


were j


ust D


aniel


and m


e


.


He was


saying


some


thing


, but


t


ears mi


sted m


y eye


s, an


d I co


u


ldn



t


under


stand


what


he wa


s



saying.


All I


was 17


of w


a


s the s


tubble


(



)on h


is ch


i


n as hi


s face


pres


sed


18


mine.


What


I had


said


t


o Danie


l was 19


. it


was n


o


thing.


And ye


t, it


was


20


.




1. A.


experi


ence





B. s


pend



C. enjo


y





D


. shape



2. A. s


how






B. gi


ve



C. leav


e





D


. instr


uct



3. A. l


ast






B. fi


rst



C. very






D


. next



4. A. u


pward






B. in


to



C. down






D


. up



5. A. s


ign






B. sc


ene



C. scen


ery





D


. sight



6. A. i


nteres


t





B. in


struct


ion



C. cour


age





D


. direc


tion



C. feel


ings




D


.


attitu


des



15. A.


import


ant





B. es


sentia


l



C. hard





D


.


comple


x



16. A.


disapp


eared




B. ch


anged



C. prog


ressed




D


.


advanc


ed



7. A. f


ailed





C. stru


ck





8. A. f


uture





C. obvi


ous





9. A. l


ast





C. fly






10. A.


counte


d




C. valu


ed




D


11. A.


think





C. expe


ct




D


12. A.


But





C. Inst


ead




D


13. A.


wonder


ed




C. mind


ed




D


14. A.


views






B. di


scoura


ged



D


. troub


led




B. em


barras


sing



D


. lost




B. pa


ss



D


. remai


n




B. me


ant



.


earned




B. wa


nt



.


wish




B. An


d



.


So




B. re


grette


d



.


tried




B. ac


tions



17. A.


sensit


ive




C. awar


e




D


18. A.


by





C. on





D


19. A.


clumsy




C. absu


rd




D


20. A.


none





C. anyt


hing




D



1. A



2. C



3. B



4. D



5. B



6. C




B. co


nvince


d



.


tired




B. ag


ainst



.


with




B. ge


ntle



.


moving




B. al


l



.


everyt


hing



7. A



8. D



9. B



10.B



11.C



12.A



13.B



14.C



15.C



16.A



17.C



18.B



19.A



20.D




1.



查动词

辨析



exp


erienc


e


a diff


erent


life



思是


“体


验一种


不同


的生活


” 。


因为




没 有说


儿子


即将开


始的

< br>生活



多么的


好,


所以不


能用


en


joy


。句意


:几


个小时


后,


他将



飞往


法国,


并在


那个国


度体


验新



生活。



2.



查动词

辨析



lea


ve him



some wo


rds


意思


是“


给他


留几< /p>


句话”


。注


意不要


受母


语的




而误选


giv


e


< br>句意为


:我


想送


给他几


句话


,几句


能让


他受< /p>



终身的


话。



3.



境化选

词。


这里


要表


< br>的意思


是:


这已经


不是


我第



次让这


样的


时刻白


白地


过去





4.



查名词


辨析


。由

常识



知,上


公共


汽车要


从车


门口


< p>
台阶走


上去,所以


要用


w a


lk u


p



句意为


:说


着,他


伤了


校车



消失在


我的


视野里


。车


开走



,我却


什么


也没说




5.



查名词


辨析


。这


里指



是我送


别儿


子的情


景,


所以




scene



sign


“符号


”,


scen


ery

< p>
“风景


”,


s


ight< /p>


“景色


”。



6.



境化选

词。


and


表示



列,而


这几


个词中


只有


co


urag


e


和< /p>


confiden


ce


属于


同一


范畴


。句


意为:


我很


想说一


些鼓


励的



语,在


他的


新生活


伊始


给他


气与信


心。



7.

< p>


查习惯


用语



wor


ds fai


l


ed me


为固


定用


法,


意思为



我说不


出话


来”。


句意


为:



是,


我 再一


次语


塞。



8.



境化选

词。


lost o


pport


u< /p>


nities


“失去


的机


会”


。作者


想起了


自己


在应该


对儿


子说


些< /p>


话的


关键场


合没


有把握


机会


,而


机会白


白地


失去。


句意

< p>
为:



时此刻


,站


在丹尼


尔面


前,


我< /p>



起了那


些失


去 的机


会。



9.

< br>语


境化选


词。


机会


失去



,也就


是说


让哪些


宝贵


的时



过去了



last


持续;


fly


飞;


remain



留。句


意为


:究< /p>


竟多


少次,


我让


这些珍


贵的


时刻


白溜走




10.


考查


动词


辨析



mean




着。我


找不


到一个


平静


的时



告诉他


这些


机会对


于我


来说


味着


什么,


或者


是在今

< p>
后的


几年



他期待


面对


什么。



11.


考查


动词


辨析



expe


ct



待”。



12.


语境


化选


词。


很显然


上下


文之间


是转


折关系


。所


以要



B ut


。句


意为


:即

使意


为父


亲一辈


子都不

< p>
曾亲


口告诉


儿子


自己



他的看


法,


那又 如


何?


然而



当我面


对丹


尼尔的


时候


,我




这非常


重要




13.

< p>
考查


动词


辨析


。这里


作者


由自己


和儿


子 想到


了自


己和



亲。句


意为


:我很


遗憾


从没



听到


父亲表


达出


自己的


感情



reg


re


t


“遗 憾


”。



14.


语境


化选


词。


由语境


可知


,在这


些特


殊的场


合,


父亲



表达出< /p>


的是


自己内


心的


感情



对孩


子的关

爱。



15.


语境


化选


词。


作者很


多次


想表达


出自


己的感


情,


但都



能做到


,由


此可以


看出


,要

< br>选



hard



意为“


困难


的”


< p>
impo


r


tant


重要


的;


es


senti

< br>al


必需



< br>compl


ex


复杂


的。



16.


语境


化选< /p>


词。


由后面


的“


an


d there


were


just


Danie


l and < /p>


m


e


”可知


,作


者感


觉到


整个世



似乎都


消失


了。句


意为


:那



刻,世

< p>
界消


失了,


只剩


下我



丹尼尔



cha n


ge


改变



pro


gres


s


< br>步;


adv


ance


使


前进


,提前




17.


语境


化选


词。


b


e awar


e of


意思是


“察


觉到,


意识


到,



道”。


句意


为:当


他的


脸想



贴过


来时,


我感

< br>觉到了


他下


巴上



胡子茬



sens


itiv e



感的



c o


nvinced



服的



tired


累的




18.


考查


介词< /p>


辨析



agai


nst



靠在?


?上

< br>”。注


意这


里不



把他的


脸放


在我的


脸上


,所



不能



on




19.< /p>


语境


化选


词。


由 前面


的描


述及下


文的

< br>“


It w


as not


hin g



可知“


我”


当时语


无伦


次,


< br>以选


clumsy


(笨拙


的,< /p>


不得


体的)



g entle


温和的



abs

< p>
urd




的;


mov


ing


感人


的。



20.


语境


化选


词。


和前面


not


hing


相对


,所


以要选择


every


t


hing



句意为


:我


对丹


尼尔



的那


些话空


洞无


物。然


而,


它却



出了一


切。




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_


_


_


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h


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t


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p



u


p



w


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h


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w



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C


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h


o


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t


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a



g


o


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t


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m


e



D


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g


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o


d



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o


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t


i


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e





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.



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2


.



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9




Mic


hael,


a typ


ical


Americ


a


n, stay


s at h


ome o


n wor


kdays.



He plug


s into


his


perso


nal


compute


r term


inal


in or


der to



connect


with


the o


ffice


. Afte


r


work,


he put


s on


his h


eadpho


n


es,


watches


a mov


ie on


his


home v


i


deo rec


order,


or p


lays


baseba


l


l on th


e comp


uter.


On m


any da


y


s,


Michael


doesn


't ta


lk to


any o


t


her hum


an bei


ngs,


and h


e does


n


't see


any pe


ople


excep


t the


o


nes


on tele


vision


. Mic


hael


is ima


g


inary,


but hi


s lif


estyl


e is v


e


ry poss


ible.


The i


nvent


ions o


f



modern


techno


logy


seem


to be


c


utting


us off


from


cont


act wi


t


h our f


ellow


human


bein


gs.


The


world


of b


usine


ss is


o


ne area


in wh


ich t


echno


logy i


s


isolat


ing us


. Exp


erts


say, f


o


r


example


, that


many


peop


le wil


l


soon b


e able


to w


ork a


t home


.


With a


ccess


to a


large


centr


a


l


compute


r, emp


loyee


s suc


h as o


f


fice cl


erks,


insur


ance


agents


,


and ac


counta


nts c


ould


do the


i


r


jobs at


displ


ay te


rmina


ls in


t


heir ow


n home


s. Th


ey wo


uld ne


v


er have


to ac


tuall


y see


the


people


they'r


e dea


ling


with.


I


n addit


ion, t


he wa


y emp


loyees



are pai


d will


chan


ge. W


orkers


'



salarie


s wi


ll be a


utoma


tical


ly


paid


int


o th


eir


bank


acc


ounts


, maki


ng paper


che


cks


unnec


ess


ary.


No work


ers wi


ll st


and i


n line



to rece


ive th


eir p


ay or


cash


t


heir ch


ecks.


Perso


nal b


anking



will ch


ange,


too.


Custo


mers w


i


ll deal


with


machi


nes t


o put


i


n or ta


ke out


mone


y fro


m thei


r



account


s.



Ano


ther a


rea t


hat t


echnol


o


gy is c


hangin


g is


enter


tainme


n


t. Musi


c, for


inst


ance,


was o


n


ce


a group


exper


ience


. Peo


ple li


s


tened t


o musi


c at


conce


rt hal


l


s or in


small


soci


al ga


therin


g


s.


For man


y peop


le no


w, ho


wever,



music i


s an i


ndivi


dual


experi


e


nce. Walking


along


the


street



or


sitting


in th


eir l


iving


rooms


,


they w


ear he


adpho


nes t


o buil


d


a wall


of mu


sic a


round


them.



Movie e


nterta


inmen


t is


changi


n


g, too.


Movie


s use


d to


be soc


i


al even


ts. No


w, fe


wer p


eople


a


re


going o


ut to


see a


movi


e. Mor


e


and mo


re peo


ple a


re ch


oosing



to wait


for a


film


to a


ppear


o


n


televis


ion or


are


borro


wing v


i


deotape


s to w


atch


at ho


me. In


s


tead of


laugh


ing w


ith o


thers,



viewers


watch


movi


es in


their



own liv


ing ro


oms.




1. Whic


h of t


he fo


llowi


ng is


N


OT ment


ioned


in th


e pas


sage?


A. Cler


ks wil


l be


able


to wor


k


at hom


e.


B. One


can pl


ay ba


sebal


l on t


h


e compu


ter.


C. One


can li


sten


to mu


sic wi


t


hout di


sturbi


ng ot


hers.


D. One


can bo


rrow


books


from


l


ibrarie


s at h


ome.


2. The


senten


ce


ichae


l is i


m


aginary


, but


his l


ifest


yle is



very po


ssible


.


ans _


______


_


__.


A. Mich


ael is


a pe


rson


full o


f


imagin


ation


and h


e can


make


h


is drea


ms com


e tru


e


B. Mich


ael is


not


a rea


l pers


o


n but t


he lif


estyl


e doe


s exis


t


C. Mich


ael ha


s amb


ition


s but


h


e can't


make


his d


reams


come


t


rue


D. Mich


ael is


a pe


rson


full o


f


imagin


ation


and h


is li


festyl


e


is com


mon no


waday


s


3. What


will


the a


uthor


most


p


robably


discu


ss af


ter t


he las


t


paragr


aph?


A. Game


s and


sport


s.


B. Pers


onal b


ankin


g.


C. Musi


c and


films


.


D. Inte


rnatio


nal b


usine


ss.


4. What


is th


e mai


n ide


a of t


h


e passa


ge?


A. We m


ay no


longe


r nee


d to c


o


mmunica


te wit


h oth


er hu


man be


i


ngs.


B. Mode


rn tec


hnolo


gy se


ems to



be sepa


rating


huma


n bei


ngs.


C. We m


ay no


longe


r nee


d to w


o


rk in t


he off


ice.


D. Mode


rn tec


hnolo


gy ma


kes it



possibl


e for


us to


work


and e


n


tertain


ourse


lves


at ho


me.



1. D



2. B



3. A



4. B




1.


细节


理解


题。


短文中


涉及


了人们


可以


在家中


工作


,在



脑里“< /p>


打”


棒球,


听音


乐时



必打


扰别人

等,


但是没


有提


到关



在家中


从图


书馆里


借书


的事




2.


句意


理解


题。



Micha


el is


i


maginar


y, but


his lifes


tyle i


s very possi


ble.



but




转折,


由此可


以推


断出


imag


inary



意思是


“假


想的”


。所


以可



断出


Micha


el


不是


一个


真实的


人,


但他的


生活


方式 是


存在


的。



3.


推理


判断


题。


因为短


文主


要讲述


了在


家中工


作、


听音



、看电


影等


活动,


所以


作者



最 后


一段中


不可


能讨论

< br>有关


个人



行业务


或国


际业务


。但


音乐



电影在


文中


已提到


,它


与运




联系,


所以


接下来

作者


很可



会讨论


这方


面的问


题。



4.


主旨


大意


归纳


题。作


者在


文章中


讨论


了由于


科技


的发



,人们


可以


在家中


办公


、在



中 看


电影、


戴上


耳机听

< br>音乐


、在



脑里玩


棒球


等,这


些都


使人



人之间


失去


了联系





10








I



w


a


s



b


l


i


n


d


,



b


u


t



I



w


a


s



a


s


h


a


m


e


d



o


f



i


t



i


f



i


t



w


a


s



k


n


o


w


n


.



I



r


e


f


u


s


e


d



to



u


s


e



a



w


h


i


t


e



s


t


i


c


k



a


n


d



h


a


t


e


d



a


s


k


i


n


g

< br>


f


o


r



h


e


l


p


.


A


f


t


e


r



a

< br>l


l


,



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w


a


s



a



t


e


e


n


a


g


e



g


i


r


l


,



a


n


d



I



c


o


u


l


d


n


'


t



b


e


a


r


< br>p


e


o


p


l


e



t


o



l


o


o


k



a


t



m


e



a


n


d



t


h


i


n


k



I



w


a


s



n


o


t



l


i


k


e



t


h


e


m


.



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m


u


s


t



h


a


v


e



b


e


e


n

< br>


a



t


e


r


r


i


b


l


e



d


a


n


g


e


r



o


n



t


h


e



r


o


a


d


s


.



C


o


m


i


n

< br>g



a


c


r


o


s


s



m


e



w


a


n


d


e


r


i


n


g



t


h


r

< br>o


u


g


h



t


h


e



t


r


a


f


f


i


c


,



m


o


t


o


r


i


st


s



p


r

o


b


a


b


l


y



w


o< /p>


u


l


d



h


a


v


e

< p>


t


o



s


t


e


p


r


a


p


i


d


l


y



o


n



t


h


e


i


r



b


r


a


k


e


s


.

< br>


A


p


a


r


t



f


r


o


m



t


h


a


t


,



t


h


e


r


e



w

< br>e


r


e



a


l


l



s


o


r


t


s



o


f



d


i


s


a


s


t


e


r


s



t


h


a

< br>t



u


s


e


d



t


o



o


c


c


u


r



o


n



t


h


e



w


a


y



t


o



a


n


d



f


r


o


m



w


o


r


k


.







O


n


e



e


v


e


n


i


n


g


,



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g


o


t



o


f


f



t


h


e



b


u


s



a


b


o


u


t



h


a


l


f


w


a

< br>y



h


o


m


e



w


h


e


r


e



I



h


a


d



t


o



c


h


a


n


g


e



b


u


s


e


s


,

< br>


a


n


d



a


s



u


s


u


a


l



I



r


a


n


i< /p>


n


t


o



s


o


m


e

< p>
t


h


i


n


g


.




I


'


m



a


w


f


u


l


l


y



s


o


r


r


y


,




I



s


a


i


d



a


n


d



s


t


e


p


p


e


d



f


o


r


w

< br>a


r


d



o


n


l


y



t


o



r


u


n



i


n


t


o



i


t



a


g


a


i

< br>n


.



W


h


e


n



i


t



h


a


p


p


e


n


e


d



a



t


h


i


r


d



t


i


m


e


,



I


< br>r


e


a


l


i


z


e


d



I



h


a


d



b


e


e


n



a


p


o


l


o


g


i

< br>z


i


n


g



t


o



a



l


a


m


p


p


o


s


t


.



T


h


i


s

< br>


w


a


s



j


u


s


t



o


n


e



o


f



t


h


e



s


t


u


p


i


d



t


h


i


n


g

< br>s



t


h


a


t



c


o


n


s


t


a


n


t


l


y





h


a


p


p


e

< br>n


e


d



t


o



m


e


.



S


o



I



c


a


r


r


i


e


d


o


n



a


n


d



f


o


u


n


d



t


h


e



b


u


s



s


t


o


p


,



w


h


i


c


h



w


a


s



a



r


e


q


u


e


s


t



s


t


o


p


,


< br>w


h


e


r


e



t


h


e



b


u


s



w


o


u


l


d


n


'


t



s


t


o

< br>p



u


n


l


e


s


s



p


a


s


s


e


n


g


e


r


s



w


a


n


t


e

< br>d



t


o



g


e


t



o


n



o


r



o


f


f


.



N


o



o


n


e



e


l


s


e



w


a


s



t


h


e


r


e



a


n


d



I



h


a


d



t


o



t


r


y



t


o



g


u


e


s


s



i


f



t


h


e



b


u


s



h


a


d



a


r


r


i


v


e


d


.







G


e


n


e


r


a


l


l


y



i


n



t


h


i


s



s


i


t


u


a


t


i


o

< br>n


,



b


e


c


a


u


s


e



I



h


a


t


e


d



s


h


o


w


i


n

< br>g



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w


a


s



b


l


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n


d



b


y



a


s


k


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g



f


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p


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r


i


e

< br>d



t


o



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s


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t


h


e



s


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n


d


.



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t

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w


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p



a



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y



a


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t


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e


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e


< br>f


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n


g



s


t


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p


i


d



a


s



i


t



d


r


e


w



a


w


a


y


.



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n



t


h


e



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n


d


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u


s


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a


l

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m


a


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p


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a


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s


k



s


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e



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f


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p


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u


t



o


n



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h


i


s



p


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r


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c


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l

< br>a


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i


n


g



n


o



o


n


e



j


o


i


n


e


d



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e



a


t



t


h


e



s


t


o


p


;



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t



s


e


e


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e


d



t


h


a


t



e

< br>v


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< br>i


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d



n


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t


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r


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v


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l



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y



b


u


s


.



O


f



c


o


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s


e



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h


e


a


r

< br>d



p


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d


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< br>


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u


t



b


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c


a


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h


a


d



g


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u


p



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t


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m


a


k


i

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a



f


o


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y


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f


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I



l


e


t



t


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m



a


ll



g


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y


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t


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l

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r



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n



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w


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t


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t


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p


p


i


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g



o


n


e


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h

< br>e


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I



g


a


v


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u


p


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d


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c


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w


a


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t


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x


t



s


t


o


p


.





1


.



T


h


e



g


i


r


l



r


e


f


u


s


e


d

< br>


t


o



a


s


k



f


o


r



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e


l


p



b


e


c


a


u


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< br>


s


h


e



t


h


o


u


g


h


t



_


_


_


_

< br>_


_


_


_


_


_


.



A


.



s


h


e



m


i


g


h


t



b


e



r


e


c


o


g


n


i


z


e


d



B


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条件-草台班子


条件-草台班子


条件-草台班子


条件-草台班子


条件-草台班子


条件-草台班子


条件-草台班子


条件-草台班子



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