中国文化 英文介绍

2021年1月26日发(作者：firm是什么意思)
京剧脸谱（
Beijing opera types of facial makeup in operas
）

Beijing opera types of facial makeup in operas, is a special feature of a
national cosmetic. As each historical figure or a certain type of person has an
approximate spectral type, like sing, play music
to the music, so called “types
of facial makeup in operas”. On the types of facial makeup in operas sources,
the general view is from mask.
Beijing opera types of facial makeup in operas are based on certain
personality, temperament or some special types of figures for the use of
certain colors. Red has expressed his Warriors of strong types of facial
makeup in operas such as Guan Yu, concubines Victoria, regular book; Black
said the types of facial makeup in operas ming criticized people, integrity,
bravery and even reckless, such as Zheng and Zhang Fei, Li; Yellow types of
facial makeup in operas that vicious brutality, such as Yu Chengdu, and Dian
Wei. Blue or green types of facial makeup in operas that some of the figures
represented irritable, such as Dou Ambassador, Ma Wu; General treacherous
court official said the types of facial makeup in operas white, bad guys, such as
Cao Cao, Zhao higher.
Beijing opera types of facial makeup in operas of color painting methods,
basically divided into three categories : rub face, face towel, different faces.
Types of facial makeup in operas initial role is exaggerated her role with
striking places and face the veins, using exaggerated by the performance of
dramatis personae of personality, psychological and physiological
characteristics, and using this to the entire drama circumstances, but Later
types of facial makeup in operas by Kan to complex, from rough to the small,
Youbiaojili, from shallow to deep, itself becoming a nation of characteristics, to
the facial expression means for the pictorial arts.
中文对照
:)~
京剧脸谱，
是具有民族特色的一种特殊的化妆方法。
由于每个历史人物或某
一种类型的 人物都有一种大概的谱式，
就像唱歌、
奏乐都要按照乐谱一样，
所以
称为“
脸谱
”
。关于脸谱的来源，一般的说法是来自假面具。

京剧 脸谱，
是根据某种性格、
性情或某种特殊类型的人物为采用某些色彩的。
红色有脸谱表 示忠勇士义烈，如关羽、姜维、常遇春；黑色的脸谱表示刚烈、正
直、勇猛甚至鲁莽，如包拯、张飞、李 逵等；黄色的脸谱表示凶狠残暴，如宇文
成都、典韦。蓝色或绿色的脸谱表示一些粗豪暴躁的人物，如窦 尔敦、马武等；
白色的脸谱一般表示奸臣、坏人，如曹操、赵高等。

京剧脸谱的色画 方法，基本上分为三类：揉脸、抹脸、勾脸。脸谱最初的作
用，
只是夸大剧中角色的五官部位和 面部的纹理，
用夸张的手法表现剧中人的性
格、心理和生理上的特征，以此来为整个戏剧的情节 服务，可是发展到后来，脸
谱由简到繁、由粗到细、由表及里、由浅到深，本身就逐渐成为一种具有民族 特
色的、以人的面部为表现手段的图案艺术了。

京剧，是中国的传统艺术。它起源于
1840
年，盛行于
20
世纪三、四十年
代，是中国的国粹。京剧的 伴奏是以二胡等为主，配合演员唱腔、念白、动作、
武打，达到音乐美与舞蹈美的统一。京剧耐人寻味， 回味悠长，把各种故事、道
理融入一段段表演中，让人在美的享受的同时，得到升华。可是，在节奏日益 加
快的今天，京剧已被大家渐渐漠视、遗忘。这是让人心疼的事情。我们应该提高
对京剧的认识 ，多多接触传统，让孩子们熟悉它，热爱它，让它重新绽放迷人的
生命。


Beijing Opera, is a traditional Chinese originated in 1840, prevailed in the
1930s and 1940s, is the quintessence of Chinese culture. Peking Opera on the
erhu, and give priority to, accompanied with actor singing, NianBai, action, the
martial arts, achieve music beauty and dance beautiful unity. Beijing Opera
intriguing, the aftertaste is long, all sorts of stories, reasonable performance in
bits and pieces, let a person be in beautiful enjoyment at the same time, get
distillation. But, in rhythm of rapidly today, Peking Opera has been gradually
ignore, forgetting all. This is to let people love of things. We should improve the
understanding of Beijing Opera, great contact traditional, let the children know
it, love it, let it back to blossom glamorous life.

Beijing Opera is a Chinese historial artical opara, which is a combination of
singing,saying,dancing and martial art. It's the quintessence of China.


Peking Opera has a 200-year-long history. Its main melodies originated from
Xipi and Erhuang in Anhui and Hubei.
It is believed that Peking Opera gradually came into being after 1790 when the
famous four Anhui opera troupes came to Beijing. Peking Opera underwent
fast development during the reign of Emperor Qianlong and the notorious
Empress Dowager Cixi under the imperial patron, eventually becoming more
accessible to the common people.
In ancient times, Peking Opera was performed mostly on stage in the open air,
teahouses or temple courtyards. Since the orchestra played loudly, the
performers developed a piercing style of song that could be heard by everyone.
The costumes were a garish collection of sharply contrasting colors to stand
out on the dim stage illuminated only by oil lamps. Peking Opera is a
harmonious combination of the Grand Opera, ballet and acrobatics, consisting
of dance, dialogue, monologues, martial arts and mime.
The Peking Opera band mainly consists of an orchestra and percussion band.
The former frequently accompanies peaceful scenes while the latter provides
the right atmosphere for battle scenes. The commonly used percussion
instruments include castanets, drums, bells and cymbals. One person usually
plays the castanets and drum simultaneously, which conduct the entire band.
The orchestral instruments include the Erhu, Huqin, Yueqin, Sheng (reed pipe),
Pipa (lute) and other instruments. The band usually sits on the left side of the
stage.


介绍旗袍

Qipao (Ch'ipau) is one of the most typical, traditional costumes for Chinese
women. Also known as cheongsam, it is like a wonderful flower in the Chinese
colorful fashion scene because of its particular charm.


In the early 17th century in North China, Nurhachi, a great political and military
strategist, unified the various Nuzhen tribes and set up the Eight Banner
System. Later he led his troops into Beijing and overthrew the Ming Dynasty.
Over the years, a collarless tube-shaped gown was developed, which was
worn by men and women. This is the embryo of the Qipao. It became popular
among the royal palace of the Qing Dynasty and the mansions of the Manchu
nobility. At that time, it was loosely fitted and long enough to reach the insteps.
Usually it was made of silk, and embroidered, with broad laces trimmed at the
collar, sleeves and edges. The dress empresses of past dynasties wore them.
Their style of dress was regarded as the highest of standards for Chinese
women for several thousand years.


The only medium to display the elegance of a human body is an elegant
costume. Whatever costume a woman wears, in addition to magnificence and
nobility, she must have a thirst for elegance or beauty. Perhaps that's the
reason why Qipao was born.



In the past, the collar of the costume was made high and tight-fitting to keep
warm. Qipao has incorporated this feature, not just for preventing coldness but
also for beauty. The collar of Qipao generally takes the shape of a semicircle,
its right and left sides being symmetrical, flattering the soft and slender neck of
a woman. The collar of Qipao is meticulously made, especially the buttonhole
loop on the collar, which serves as the finishing touch. We can't help but
admire the designers' artistic originality. The design of the front of Qipao
depicts the maturity of women properly, reminding people of the line of a
Chinese poem 'A garden full of the beauty of spring can not be prevented from
being enjoyed.'


Qipao generally has two big slits at either side of the hem for convenient
movement and display of the slender legs of women. Unlike a short-length skirt,
the slits of Qipao expose a woman's legs indistinctly when she walks, as if
there was a blurred emotional appeal of 'enjoying flowers in mist.'