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An Introduction to Film Sound



Though
we
might
think
of
film
as
an
essentially
visual
experience,
we
really
cannot
afford
to
underestimate
the
importance
of
film
sound.
A
meaningful
sound
track
is
often
as
complicated
as
the
image
on
the
screen,
and
is
ultimately
just
as
much
the
responsibility of the director. The entire sound track consists of three essential
ingredients:
the
human
voice,
sound
effects
and
music.
These
three
tracks
must
be
mixed
and
balanced
so
as
to
produce
the
necessary
emphases
which
in
turn
create
desired
effects.
Topics
which
essentially
refer
to
the
three
previously
mentioned
tracks
are
discussed
below. They include dialogue, synchronous and asynchronous sound effects, and music.



Let us start with dialogue. As is the case with stage drama, dialogue serves to
tell
the
story
and
expresses
feelings
and
motivations
of
characters
as
well.
Often
with
film characterization the audience perceives little or no difference between the
character
and
the
actor.
Thus,
for
example,
the
actor
Humphrey
Bogart
is
the
character
Sam
Spade;
film
personality
and
life
personality
seem
to
merge.
Perhaps
this
is
because
the very texture of a performer
’
s voice supplies an element of character.



When
voice
textures
fit
the
performer
’
s
physiognomy
and
gestures,
a
whole
and
very
realistic
persona
emerges.
The
viewer
sees
not
an
actor
working
at
his
craft,
but
another
human being struggling with life. It is interesting to note that how dialogue is used
and the very amount of dialogue used varies widely among films. For example, in the
highly
successful
science-fiction
film
2001,
little
dialogue
was
evident,
and
most
of
it was banal and of little intrinsic interest. In this way the film-maker was able to
portray what Thomas Sobochack and Vivian Sobochack call, in An Introduction to Film,
the
‘
inadequacy of human responses when compared with the magnificent technology
created by man and the visual beauties of the universe
’
.



The comedy Bringing Up Baby, on the other hand, presents practically non-stop
dialogue delivered at breakneck speed. This use of dialogue underscores not only the
dizzy quality of the character played by Katherine Hepburn, but also the absurdity of
the film itself and thus its humor. The audience is bounced from gag to gag and
conversation to conversation; there is no time for audience reflection. The audience
is caught up in a whirlwind of activity in simply managing to follow the plot. This
film presents pure escapism
—
largely due to its frenetic dialogue.



Synchronous
sound
effects
are
those
sounds
which
are
synchronized
or
matched
with
what is viewed. For example, if the film portrays a character playing the piano, the