噱头英文英语综合训练4

2021年1月19日发(作者：cook)
综合训练

unit1
Passge1
Outside the movie theater in virtually and American town in the late 1910s stood a life-size
cardboard
figure of
Charlie
Chaplin. He
was
pictured
in
baggy
pants,
a
cutaway
coat
and
vest,
impossibly large, worn-out shoes and a battered advertisement would bear the inscription
I AM HERE TODAY
. An advertisement for a Charlie Chaplin film was a promise of happiness, of
that valuable, almost shocking moment when art delivers what life cannot.
Eighty
years later, Chaplin is still here. In a 1995 worldwide survey of film critics, Chaplin
was
voted
the
greatest
actor
in
movie
history.
He
was
the
first,
and
to
date
the
last,
person
to
control every aspect of the filmmaking process
——
founding his own studio,United Artists, with
Douglas Fairbanks, Mary Pickford and D.W. Griffith, and producing, casting, directing, writing,
scoring and editing the movies he starred in. In the first decades of the 20th century, when weekly
movie-going
was
a
national
habit,
Chaplin
more
or
less
invented
global
recognize
ability
and
helped turn an industry into an art. In 1916, his third year in films, his salary of $$10,000 a week
made
him
the
highest-paid
actor-possibly
the
highest
paid
person
——
in
the
world.
By
1920,“Chaplinitis”,

accompanied
by
a
flood
of
Chaplin
dances,
songs,
dolls,
comic
books
and
cocktails, was rampant.
Filmmaker Mack Sennett thought him
“just
the greatest artist who ever
lived”.
Other early admirers included George Bernard Shaw, Marcel Proust and Sigmund Freud.
In 1923 Hart Crane, who wrote a poem about Chaplin, said his pantomime
手势，
哑剧

“represents

the hopeless gesture of the poet
today”.
Later, in the 1950s, Chaplin was one of the icons of the
Beat Generation. Jack Kerouac went on the road because he too wanted to be a tramp. From 1981
to 1987, IBM used the tramp as the logo to advertise its venture into personal computers.
翻译
:
在
1910
年 代后期几乎和美国小镇电影院外面站着一个真人大小的纸板人物查利卓别林。
他被拍到在宽松的裤子，< br>剖外套和背心，
不可能大，破旧的鞋子和一顶破旧的帽子。广告会
承担我的今天。
对于查利卓别林的电影广告是一个幸福的承诺，
是有价值的，
几乎令人震惊
的时刻， 艺术提供了什么样的生活不能。

八十年后，卓别林仍然在这里。在一个电影评论
19 95
全球调查，卓别林被选为电影史上
最伟大的演员。
他是第一个，迄今为止，
最后，
个人控制电影制作的各个方面
——
成立自己
的工作室，美国艺术家， 以道格拉斯，玛丽璧克馥和
D.W.
格里菲思，制造，铸造，导演，
写作，
评 分和编辑他所出演的电影。
在第二十个世纪的前几十年，
当每周的电影是一个国家
的习 惯，
卓别林或多或少发明了全球识别能力和帮助一个行业成为一种艺术。
1916
，< br>他在第
三年的电影，
他的工资是
10000
美元一个星期使他片酬最高 的演员可能是工资最高的人
——
在这个世界上。
1920
，
“cha plinitis”
，伴随着大量的卓别林的舞蹈，歌曲，娃娃，漫画书和
鸡尾酒，猖獗。导演 马克
·
塞内特认为他
“
最伟大的艺术家谁住
”
。其他早期的 崇拜者，包括
萧伯纳，普鲁斯特和西格蒙德佛洛伊德。
1923
起重机，一个关于卓别 林的诗是谁写的，他
的哑剧手势说，哑剧
”
代表诗人的绝望的姿态今天
”。后来，在上世纪
50
年代，卓别林是一
个
“
垮掉的一代
”
的图标。杰克凯鲁亚克走在路上，因为他太想成为一个流浪汉。从
1981
到1987
，
IBM
使用的流浪汉的标志宣传其进入个人电脑。


Passage3
Lives like
Chaplin’s
are now being systematically studied by social scientists. They are finding
that all children subjected to homelessness and sever stress
don’t
turn out the same way. While
many become severely disturbed adults, others, like Chaplin, surprisingly turn out to be smart and
resourceful.

As adults they may go on to lead paradoxically high-achieving and remarkable lives as valued
members of society. Chaplin was such a person.
Chaplin’s

first
feature-length
comedy
and
masterpiece,
The
Kid
(
1921
),
was
a
remarkable
film in which the Little Tramp found, adopted and raised a lost child. While The Kid derived its
immediate
inspiration
from
30-year-old
Chaplin’s

personal
bereavement
(his
first-born
son
had
died a few days after birth, only two and a half weeks before Chaplin began shooting the film), its
twin themes of emotional loss and homelessness resonated with contemporary social concerns. On
everyone’s
minds were the displaced refugee children of World War I, as well as for those persons
grieving for loved ones killed in that war.
And among intellectuals,
Charlie’s
cinematic lost child spoke to a lost generation. No movie
maker and no other movie ( with the exception
Griffith’s
Birth of a Nation ) had done as much in
one single stroke to earn instant recognition for the cinema as a legitimate art form.
During
the
worldwide
economic
crisis
of
the
1930s,
Chaplin
attempted
to
place
the
serious
problems of society into a comic perspective through the running satiric commentary of Modern

Times.
It was his next picture, The Great Dictator (1940), that got Chaplin into the political hot water
that ultimately led to his being barred from the United States. While he was on a visit to England
in 1952, his reentry permit
would be revoked (
撤回
) as retribution for his so-called communist
sympathies
and
moral
character.
It
was
an
ironic
twist
that
Chaplin
himself
had
forecast
in
a
famous gag (
打诨
) sequence in Modern Times.
翻译
:

生活就像卓别林的现在被社会科学家系统研究。他们发现，所有的孩子都受到无家

可归和严重应激结果不一样。虽然许多成为严重干扰人，
人，
像卓别林，
令人 惊讶的是变得
机敏。

作为成年人，他们可能会导致矛盾的是高成就和卓越的生活作为社会的重要成员。

卓别林是这样一个人。

卓别林的第一部长篇喜剧杰作（
1921
）
，是一个了不起的电影中的小流浪汉发现，收养了
一个迷路的孩子。
当孩子得到其直接 的灵感来自于卓别林的个人丧岁
（他的第一个出世的儿
子只有两周半之前，卓别林开始拍摄电影 出生后，过几天就死了）
，它的双主题情感损失和
无家可归的共鸣与当代社会问题。
在 每个人的心中都流离失所的难民儿童的世界大战，
以及
对那些人的亲人在那场战争中死亡的悲伤 。

而在知识分子中，查利的电影失去了孩子，失
去的一代说话。
没有电影，
没有其他的电影
（除了格里菲思的一个国家的诞生）
所做的一样，
在一个单一 的行程赚的电影作为一种真正的艺术形式瞬间识别。

上世纪
30
年代的世界 经济危机期间，卓别林试图将社会的严重问题，变成了一种滑稽的
角度通过运行讽刺评论现代倍。

这是他的下一个画面，
大独裁者
（
1940
）
，
让卓别林为他最终
LED
被禁止参与美国政治的
热水。当他在
1952去英国访问，将吊销他的回乡证（撤回）作为他所谓的共产主义的同情
和道德报应。这是一个讽刺， 卓别林本人曾预测在一个著名的
GAG
（打诨）在现代时间序
列。